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Average Price: $3,898
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$300
$801+
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Description
Experience the classic British tone with the Marshall 1959T Super Tremolo, a powerhouse amplifier head that has become a legend among guitarists. Originally designed in the 1960s, this amp head captures the iconic sound that defined an era of rock music. Known for its distinctive tremolo effect, the 1959T provides both vintage warmth and a dynamic range that allows for expressive guitar play. Whether you're on stage or in the studio, this amp head's all-tube design ensures that your sound remains rich and authentic.
The Marshall 1959T Super Tremolo is equipped with four EL34 power tubes and three ECC83 preamp tubes, delivering an impressive 100 watts of pure power. Guitarists will appreciate the dual-channel configuration, offering both bright and normal channels for versatile tonal options. The amp's simple yet effective controls allow for intuitive adjustments, so you can easily tailor your sound to suit any playing style or genre. Designed with the performing musician in mind, this amp head integrates seamlessly with a range of speaker cabinets, providing the flexibility and power you need for any gig.
Key Features:
- 100-watt all-tube amplifier head
- Distinctive tremolo effect for added depth and texture
- Dual-channel design with bright and normal inputs
- Four EL34 power tubes and three ECC83 preamp tubes
- Simple control layout for easy tonal adjustments
- Compatible with a variety of speaker cabinets
- Vintage design inspired by classic Marshall amplifiers
Product specs
| Brand | Marshall |
| Model | JMP 1959T Super Tremolo 2-Channel 100-Watt Guitar Amp Head |
| Finish | Black, Red |
| Year | 1967 - 1973 |
| Made In | United Kingdom |
| Categories | Guitar Heads |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Direct Output | No Direct Output |
| Electronics | Tube |
| Impedance | 16 ohms, 4 ohms, 8 ohms |
| Number of Channels | 2 Channels |
| Number of Inputs | 4 Inputs |
| Output Power (Watts) | 100 |
| Power Tube Type | EL34 |
| Reverb | None |
FAQs
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What are the tonal characteristics of the Marshall 1959T Super Tremolo?
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The Marshall 1959T Super Tremolo is known for its classic Marshall tone, offering powerful and dynamic sound with a pronounced midrange. It delivers a rich, harmonic overdrive that is ideal for rock and blues genres.
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Does the Marshall 1959T Super Tremolo work well with pedals?
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Yes, the Marshall 1959T Super Tremolo is known for taking pedals well, making it a versatile choice for guitarists who use effects pedals to shape their sound.
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How loud is the Marshall 1959T Super Tremolo?
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With 100 watts of output power, the Marshall 1959T Super Tremolo is capable of producing very high volume levels, suitable for live performances in larger venues.
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What type of power tubes does the Marshall 1959T Super Tremolo use?
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The Marshall 1959T Super Tremolo uses EL34 power tubes, which contribute to its signature British sound and robust performance.
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How many channels does the Marshall 1959T Super Tremolo have?
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The Marshall 1959T Super Tremolo features two channels, allowing for a range of tonal options and flexibility in sound shaping.
Videos
Emerald City Guitars
"Pick of the Day" - 1959 Fender Stratocaster and 1970 Marshall JMP 1959T
"Pick of the Day" - 1959 Fender Stratocaster and 1970 Marshall JMP 1959T
Emerald City Guitars
Marshall 1972 JMP 100w Super Tremolo #1959T STA2450D and 1976 4x12 #1982A Cab A18932
James Robinson-Wyatt
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Marshall 1959T Super Tremolo.
Features and functionality
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Slash's Marshall 1959T Super Tremolo was modified by Tim Caswell to include an extra gain stage and a master volume, significantly altering its tonal capabilities.
Source -
It's suggested that the tremolo circuit in the 1959T can cause a constant signal loss, affecting preamp gain similar to some older Fender models.
Source
Comparisons
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The Marshall 1959T Super Tremolo, as used by Slash, is compared to a Marshall JCM800; however, the original had unique modifications making it distinct from later models.
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A 1970 Super Tremolo can sound less driven than expected, even when cranked, potentially due to the constant load from the tremolo circuit, unlike a typical Super Lead.
Source
Mods and upgrades
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Owners aiming for Slash's tone often incorporate a master volume mod and an extra gain stage, echoing the modifications done to his Super Tremolo amp.
Source
Use cases and applications
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A Marshall Super Tremolo is noted for its role in achieving the iconic tone in "Sweet Child O' Mine," with its unique modifications being crucial to replicating the sound.
Source
User experience
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Users emphasize that achieving Slash's tone involves not just the right gear but also playing technique, which significantly impacts the overall sound quality.
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Stratocaster guitars with low output single-coil pickups may contribute to a cleaner tone on a cranked Marshall 1959T, explaining the perceived lack of crunch.
Source
4.5 out of 5
Based on 0 Reviews and 3 Ratings
Artist usage
Add artist
There is endless of speculation about the exact Marshall that was used for the Appetite For Destruction recording sessions. Most probably, the amp in question was a modifed Marshall 100 watts 1959T Super Tremolo, owned by S.I.R., a rental company in Los Angeles, and it was known as "Stock #39". The amp had been modded by Tim Caswell, who basically used the amp's unused tremolo circuit, with its additional pre-amp valve, to produce more gain. Also added to the amp was a master volume control.
"Naturally, J’s shop also features a couple of amps, like the signature ‘69 Marshall 100W Super Tremolo with the massive 8x10 Marshall 1990 cab and a ‘70s Purple Fender Twin Reverb, about which J told us, 'Of course I got it because it was purple and it was cheap.'"
In an interview with "Vintage Guitar Magazine," John Fogerty mentioned that during Creedence Clearwater Revival's days as a trio, after his brother Tom Fogerty left the band in early 1971, as a result of his Kustom K200A-4 heads being unreliable. He began using a pair of Marshall JMP 1959T Super Tremolo 100W heads with his Kustom 2X15 Cabinet as his main touring rig until the group's disbandment in 1972.
Gary Rossington utilized the Marshall 1959T Super Tremolo amplifier head during the recording of the band's first three albums. This information is substantiated by an equipment history document authored by Sean, titled "Lynyrd Skynyrd - Gary Rossington Equipment History," available on Scribd. It was used for their first 3 albums.
Here is a picture of it at CME.
Allen used Marshalls before the Peavey deal.
Album Usage
The Marshall 1959T Super Tremolo has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Marshall 1959T Super Tremolo, it is most commonly used with the following gear.
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