Pricing and availability
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Average Price: $2,910
High-end/Boutique
$300
$801+
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High-end
Price History
Based on price data from 5 merchants for "Marshall 1959HW Handwired Plexi Amp Head". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Step into the golden era of rock with the Marshall 1959HW Handwired Plexi Amp Head. Authentic to its core, this amplifier resurrects the classic tones of the '60s, the age of rock revolution. Masterfully handwired by the artisans at Marshall, the 1959HW guarantees an optimum tone that resounds with the sweet, iconic Plexi tones that reverberate through the annals of rock history.
The 1959HW is not just an amplifier, it's a piece of musical heritage. With a 100-watt, two-channel design, this is not a piece for the faint-hearted. When cranked up, it roars to life, producing a tone that has shaped the sound of rock for generations. The three ECC83 preamp tubes and four EL34 power tubes provide the amplifier with its characteristic raw power and rich sonic texture. With a 3-band EQ and presence control, the 1959HW offers a wide spectrum of tone shaping options.
The true charm of the 1959HW lies in its two non-footswitchable channels, each with high- and low-sensitivity inputs to accommodate a variety of guitar pickups. This allows musicians to bridge the two channels using a patch cable, unlocking a whole new level of tonal versatility.
Key Features:
- Handwired construction for optimum tone and reliable performance
- Packs 100-watts of power into a 2-channel design
- Three ECC83 preamp tubes and four EL34 power tubes for rich, iconic Plexi tones
- 3-band EQ and presence control for tone shaping
- Two non-footswitchable channels with high- and low-sensitivity inputs
- Features 2 speaker outputs for connecting extension cabinets
- Gold Perspex front and back panels, just like the original '60s model.
Product specs
| Type | Tube |
| Number of Channels | 2 |
| Total Power | 100W |
| Preamp Tubes | 2 x 12AX7 (preamp), 1 x 12AX7 (phase) |
| Power Tubes | 4 x EL34 |
| EQ | 3-band EQ, Presence |
| Inputs | 2 x 1/4" (ch 1), 2 x 1/4" (ch 2) |
| Outputs | 2 x 1/4" (4/8/16 ohms) |
| Effects Loop | No |
| Bias Type | Adjustable Fixed |
| Construction Material | Black Tolex |
| Power Source | Standard IEC AC cable |
| Height | 8.27" |
| Width | 29.13" |
| Depth | 10.83" |
| Weight | 48.5 lbs. |
FAQs
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What are the tonal characteristics of the Marshall 1959HW Handwired Plexi Amp Head?
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The Marshall 1959HW is renowned for its classic British rock sound, offering a powerful, articulate tone with rich harmonics. It delivers a dynamic range from crisp cleans to a raw, aggressive overdrive, making it ideal for rock and blues genres.
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Is the Marshall 1959HW Handwired Plexi Amp Head suitable for live performances?
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Yes, with its 100-watt power output, the Marshall 1959HW is well-suited for live performances, providing ample volume and headroom to cut through the mix on stage.
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Does the Marshall 1959HW Handwired Plexi Amp Head have an effects loop?
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No, the Marshall 1959HW does not feature an effects loop, which means effects pedals should be placed before the amp in your signal chain for optimal performance.
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How does the handwired construction of the Marshall 1959HW impact its performance?
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The handwired construction of the Marshall 1959HW ensures superior build quality and reliability, often resulting in a more responsive and dynamic tone compared to mass-produced circuit board amps.
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Can the Marshall 1959HW Handwired Plexi Amp Head be used with different speaker cabinets?
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Yes, the Marshall 1959HW offers multiple output impedance options (4, 8, or 16 ohms), allowing it to be easily matched with a variety of speaker cabinets for flexible setup configurations.
Videos
Guitar Gear Demos
Marshall Handwired 1959HW Super Lead Plexi 100 Amp Demo
Reviews
PROS
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Iconic late 60's and 70's rock sound revered by legendary guitarists
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Handwired construction for easier maintenance and superior quality
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Produces both clean and saturated tones with simple adjustments
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Excellent tonal fidelity, providing authentic rock n' roll overdrive
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High-quality internal components ensure durability and performance
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Capable of pairing well with various speaker cabinets for versatile sounds
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Offers a unique, dynamic, and responsive playing experience
CONS
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Extremely loud, requiring high volume for optimal tone
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Heavy and cumbersome, making transport and setup challenging
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Lacks modern features like an effects loop
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Tubes need periodic replacement, adding to maintenance requirements
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Some units have quality control issues with physical construction
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Generates loud popping noises in some cases, indicating potential defects
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Marshall 1959HW Handwired Plexi Amp Head.
Features and functionality
Use cases and applications
Comparisons
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Some users note that Angus and Malcolm Young's use of channel 2 for fuller tones contrasts with Hendrix and Page, who used different amps or channels without jumpering.
Source -
The JTM45 is likened to a Fender Bassman with a less aggressive sound than the 1987x, which is brighter and has more gain.
Source
User experience
Build quality
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The 1959HW reissue is handwired, offering a different build approach compared to the PCB-based JTM45 and 1987x models.
Source
5.0 out of 5
Based on 1 Review and 16 Ratings
180
Very nice amp but extremely loud.
This amp was on my "want" list not my "need" list. I love the headroom it has and the sweet sound it has. It's the 2005 hand wired head so it's sweeter than a normal 1959. It's a basic no frills amp. Like my 2061, I jump the channels together now so I can adjust out the sometimes piercing shrillness of the stratocaster. This amp is loud. This amp makes the vibro king seem normal, and that's a loud amp. Seriously, without some attenuation it would be very difficult to use this anywhere but outside and stadiums. It's playable at lower levels but it's not warm until you get the volume up to around 4. At at that volume it's unbearable in a confined space. I'm going to try putting the cabinet on it's back to see if that works so the sound it's jetting forward in a deafening way. I'm only running it through a Marshall 2 12 cabinet. I can't imagine a 4 12. Don't get me wrong I love this amp and I'll keep it for life. But if you are pondering one and trying to justify how you will use it in your rig playing small venues, borrow one before you buy. Still, it's the real thing everyone lusts after. Dynamic, responsive, warm and loud, really, really loud.
41029
you can use her full tilt at 500 seat theaters... done it
180
Wow. I think it would be very difficult to have a balanced stage sound. This thing is just so loud. I'll let you know how it works when I try it out. I'm glad you've been able to do it, that means there's hope. Have you tried the palmer Banamassa Speaker Simulator with it (the -25db feature)? I've lost enough hearing already so I'm sensitive to overall volume levels.
41029
no, when I had a plexi, showman and a JMP I played through stacks of cabs and just used a little hotplate attenuation for small venues, never more than -4dB
its not that loud
41029
I mean yeah its loud, but if you have a heavy hitting drummer and a bass player with a VST and a pair of balls you kinda need the reserve power.... the main thig is being intelligent with cabinet positioning as 4x12s are beamy (other than hiwatts) and you will sound louder depending on where the thing is pointing in relationship to the soundman and certain members of the audience... using my big rig I was told to turn down or turn up in disparate venues and there was little consistency from stage to stage... also, don't put yourself in your floor wedge, just get kick, snare and bass
41029
errr, bassist with an SVT, typo, sorry
180
I've experimented and I see what you mean. It's still very loud, but workable. This amp doesn't sound like I desire until 4-6 which is very loud, but I can put a 2-12 cab firing up. Thanks for you advice and recommendations.
Artist usage
Add artist
Muse guitar tech Jason Baskin shows this Marshall 1959HW Plexi Head in Matt Bellamy's rig. The 1959HW is a handwired reissue of a circa 1967 100W Superlead head.
In a recent live performance, Kevin Shields' amp setup features the Marshall 1959HW Handwired Plexi Amp Head, identifiable as the lower of the two Marshall heads.
On Marshall's website there is a page on Gary Moore, and on that page it states that he used a Marshall 1959HW.
"I use the Marshall [1959]HW, which is a 100 watt Plexi, but it's handwired. [...] I like it because it's a very simple amp, it's loud, which is important, and it's very percussive, which is also important to me, because I play with my fingers."
In an interview with Gitarre & Bass magazine, Ian D'Sa mentioned that during the time around the creation of "Crisis of Faith" he acquired a Marshall 1959 Handwired and used it as his main sound for the album. Ian has given the magazine a photo of it together with his other main amps as well.
In the youtube video at around 9:52, Rhett can be seen playing his reissue Marshall 1959HW alongside a vintage one to compare the sounds between the two.
In this video at 1:53, Takayoshi Ohmura's backline is shown to consist of a Marshall 1959 Plexi head hooked onto a Marshall cabinet.
According to Marshall's website, Hawkins uses the Marshall 1959HW amp head.
In Travis's iconic Live 8 performance in 2005, Fran is seen wearing a 1959HW Marshal head. The heads can be seen at the back of the stage.
In the YouTube video titled "STUDIO TOUR 2025 | GUITARS, AMPS, CABINETS & GEAR IN GENERAL," Euge Valovirta, a guitarist and music producer, provides a walkthrough of his studio, where he showcases the Marshall 1959HW Handwired Plexi Amp Head at the 0:29 timestamp, confirming its inclusion in his amplifier collection.
Album Usage
The Marshall 1959HW Handwired Plexi Amp Head has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Marshall 1959HW Handwired Plexi Amp Head, it is most commonly used with the following gear.
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