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Average Price: $697
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$300
$801+
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Description
Unleash your inner rock star with the Marshall DSL100H, a 100W powerhouse that channels the spirit of legendary Marshall amplifiers into one versatile head. This two-channel dynamo offers four distinct modes, ensuring you have the right tone for every musical journey. Whether you're seeking the iconic warmth of a Plexi or the aggressive bite of a JCM800, the DSL100H has you covered.
The Classic Gain and Ultra Gain channels are footswitchable and feature two voices each, allowing for seamless transitions between pristine cleans and searing distortion. The expanded EQ section, complete with a bass resonance control, offers sculpted low-end tones tailored to your taste. For modern metal enthusiasts, the Mid-Shift button takes your sound to new, heavier realms.
A unique rear panel switch lets you toggle between pentode and triode operation, giving you the flexibility to adjust the amp's wattage from a full-throttle 100W to a more intimate 50W. This not only affects the power output but also introduces a saggier distortion for those moments when you need a softer touch. Pair the DSL100H with your favorite cabinet, and let its all-tube tone captivate audiences in any venue.
Key Features:
- 100W all-tube guitar amplifier head
- Two channels: Classic Gain and Ultra Gain, each with two voices
- Onboard digital reverb
- Expanded EQ section with bass resonance control
- Mid-Shift button for modern metal tones
- Pentode/triode switch for wattage and tone flexibility
- Footswitchable channels
Product specs
| Brand | Marshall |
| Model | DSL100H 2-Channel 100-Watt Guitar Amp Head |
| Finish | Black |
| Year | 2012 - 2017 |
| Made In | Vietnam |
| Categories | Guitar Heads |
| Built-In Effects | Built-In Effects |
| Color Family | Black |
| Electronics | Tube |
| Impedance | 16 ohms, 8 ohms |
| Number of Channels | 2 Channels |
| Number of Inputs | 1 Input |
| Output Power (Watts) | 100 |
| Power Tube Type | EL34 |
| Reverb | Digital Reverb |
FAQs
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What are the core tonal characteristics of the Marshall DSL100H?
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The Marshall DSL100H is known for its versatile tonal range, featuring both Classic Gain and Ultra Gain channels. It delivers clear, articulate cleans and warm, dynamic overdrives suitable for a variety of music genres, from blues to hard rock.
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Does the Marshall DSL100H have built-in effects?
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Yes, the Marshall DSL100H includes digital reverb, allowing you to add ambiance to your sound without needing additional pedals.
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Is the Marshall DSL100H suitable for live performances?
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With its 100-watt output, the Marshall DSL100H is powerful enough for live performances, providing ample volume and headroom for gigging with a full band.
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Can the Marshall DSL100H be used at lower volumes for practice?
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Yes, the DSL100H features a pentode/triode switch that allows you to reduce the power output, making it suitable for practice without losing tonal quality.
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What type of power tubes does the Marshall DSL100H use?
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The Marshall DSL100H is equipped with EL34 power tubes, known for their classic British tone and dynamic response.
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Is the Marshall DSL100H compatible with different speaker cabinets?
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The DSL100H offers multiple impedance options (16 ohms and 8 ohms), allowing it to be paired with a variety of speaker cabinets for flexible setup configurations.
Videos
PMTVUK
Marshall DSL100 Head demo with Chris George at PMT
Reviews
PROS
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Versatile sound suitable for genres from Surf to classic rock
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Durable construction, withstands rigorous gigging and transport
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Large selection of tones; clean, crunchy, and lead
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Clean and dirty channels perform well across various guitars
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Independent reverb and effects loop enhance sound customization
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Half power switch for controlled volume
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Takes pedals well for broader soundscaping
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Comparable to iconic models at a more economical price
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Loud and powerful with 100-Watts output
CONS
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Some units may produce noise when turned on
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Overdrive channel can sound mudded, especially with shared EQ
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Clean tones not easily achievable from ultra gain channel
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Size and weight may be cumbersome for some users
4.5 out of 5
Based on 6 Reviews and 46 Ratings
146
Great amp but needs a separate EQ for Dirty/Clean
This Amp is almost everything that I am looking for. Ideally, I wanted a nice crunching Marshall tone with a lot of bite and overdriven with my pedals but what I am having to resort to, is cranking my OD pedal and Distortion and looking at a switcher pedal. ok so what im trying to say is... for me, who is in love with the classic gain Green channel, I would love it if I could get that tone out of the overdrive channel because im going to be honest, its very mudded out and the fact that it shares that EQ is just frustrating but this amp, if you want to use it as a dirty metal core Marshall Bring me the horizon kind of tone that sounds huge... use the green channel on classic gain and overdrive it. It sounds fantastic. If you want to quickly switch to a clean tone, either get another amp head like a fender twin reverb or a champion and do that because im telling you that this amp is fantastic for one thing but its versatility (although it has it) is not its strong suit. That green overdriven crunch channel is though. Supposedly you could use a switcher to just disable your overdrive and other effects quickly and go to your clean, reverb tone... its just that its all fed from the same channel (the green) don't even try to get clean tones out of the ultra gain channel. it aint gonna happen
118
Really good Workhorse amp, and a perfect first gigging amp
I grabbed this head when my main band started becoming a lot more serious (I had been using a Peavey Solid state before this time) and the best thing I can say about it is that it is hard as nails. It's been gigged with all across the UK, been thrown into vans, stomped on, punched fallen down stairs... you name it - it's probably happened to the old girl. But the thing that made it fail, was a valve blowing and a fuse shorting 4 years after I got it. Easily repairable and will be singing back to life as soon as it gets fixed up and re-valved, but it just shows a testament to how tough these amps are!
The tones are good - not where my ear is now, but perfect for a good heavy rock tone, sits really well in a mix and takes pedals well. Would recommend this as a fantastic amp if you are just getting into Valve's!
1456
Superb, several steps above Solid State Marshalls
I've owned one several months now, got it used in near Mint condition. Sounds great overall, nothing bad to say. I had bought it for the overdrive but now I'm in love with the clean setting. I went with this model after learning on a small marsh combo and then graduating to a Valvestate AVT. This all tube upgrade is based on the JCM 2000 series. Anyway check it out, it's killer.
P.s.- This thing is crazy loud. I believe it is the loudest amp I've ever owned, I have not gone over 5-6 on the gain channels.
184
Didn't know what I was missing...
There's a reason Marshall has been the distorted sound of rock and roll for so long. After owning a small solid state Marshall, I wasn't in a rush to get an expensive tube version. Found mine on sale at GC and haven't looked back. Large selection of tones - sparkly cleans, crunchy rhythm, and two explosive lead settings. The independent reverbs are a good feature, as is the effects loop and half power switch. Paired with my Fender Super Sonic, I can't imagine ever needing another amp!
41029
until you crank up an old plexi or ac30 next to the DSL smile while your wallet cringes
201
Awesome for everything!
This amp can do everything from Surf, to Country, to classic Sabbath-style metal and hit it on the head! The only thing I find it doesn't do best is Thrash metal. For that you need something tighter and with more bite. But that's not a downfall, just a preference.
I have this amp myself, the tightness can be fixed with a tubscreamer.
113
Artist usage
Add artist
"I have this one set at half-power, at 50 watts, running into a Marshall 1960B cabinet. So we're getting a little bit of speaker break up out of it. We're in the modern gain side of it, but if you notice the gain on it is actually quite low. And so the idea with this is to just have a slightly hairier sound out of this than what the Fender is doing. So it's just something to kick in, a little push over the cliff, as the great Nigel Tufnel once said. I was expecting this to be the main amp, but for some reason the Vibro-King is not the only amp he's using by any means. The way we're kind of selling on it now is that when he does kick this one it's going to be for the tunes that are kind of driving a little bit harder. But he is doing several tunes on this set that are more of a clean sound oriented thing so I think that's really more why. I don't think that he just likes the Fender over the Marshall. I just think that it fits the set better. This is defintiely the one that he likes to use quite a bit," says Jeff Beck's guitar tech.
Ace is seen during the 2018 Winter Classic with multiple Marshall DSL100H's behind him. Can be confirmed by the small block logo as well as the number of knobs.
Gary uses these heads in slayer on tour. Heads can be seen 7:00 into this video.
In this video, Takayoshi Ohmura used a DSL100H as a power amp for the ESP Seminar.
It can be seen on the picture of Hizaki's gear on his Twitter (next to Marshall JVM head).
For quite a while now I have been using the Marshall JCM800s, the re-issues and even some old ones if I can get my hands on them. We have been using the Kerry KIngs as well, just for the clean setting. It has just a little bit of a different sound, but it’s really cool. Joel has been using the 1959 SLP and the re issue one, plus we take a couple of DSL100s on the road with us too.
"Now back playing with Marshall amps, using DSL100 heads and 1960BX cabinets, Scott Gorham noted:
“After a few years away from Marshall, I now realize what I've been missing. Best sound I've had in years”"
Album Usage
The Marshall DSL100H has been featured on the following albums:
Genre Usage
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Used With
Based on how musicians on Equipboard use Marshall DSL100H, it is most commonly used with the following gear.
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