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Average Price: $1,191

High-end/Boutique

$300

$701+

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Budget

Standard

High-end

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Description

Unleash the raw power and classic rock tones with the Marshall JCM800 4104, a combo guitar amplifier that has earned its place in history as a defining piece of musical equipment. Revered by guitarists around the globe, the JCM800 4104 delivers the iconic Marshall sound that characterized an era of heavy rock and metal. This amp is known for its all-tube design, which provides that unmistakable warmth and organic distortion that only vintage tube technology can offer.

The Marshall JCM800 4104 features a single channel with a straightforward control panel, making it perfect for those who crave simplicity and reliability. With its 50-watt output, it’s capable of delivering both shimmering cleans and monstrous overdrive, making it versatile enough for any gig or studio session. The built-in Celestion G12-65 speakers are renowned for their dynamic range and robust performance, ensuring that every note you play is delivered with clarity and punch.

Whether you’re a seasoned professional or an aspiring musician, the JCM800 4104 offers a timeless tone and rugged build quality that stands the test of time. With its classic design and exceptional sound, this amp remains a favorite among tone purists and rock legends alike.

Key Features:

  • 50-watt all-tube combo amplifier
  • Single-channel design for simplicity
  • Equipped with Celestion G12-65 speakers
  • Classic Marshall tone with organic distortion
  • Durable construction for live performances and studio use

Product specs

Brand Marshall
Model JCM 800 Lead Series Model 4104 50-Watt Master Volume 2x12 Combo
Finish Black
Year 1980s
Made In United Kingdom
Categories Guitar Combo Amps
Color Family Black
Electronics Tube
Number of Channels 1 Channel
Number of Inputs 2 Inputs
Output Power (Watts) 50
Power Tube Type EL34
Reverb None
Speaker Configuration 2x12"

FAQs

What is the tonal characteristic of the Marshall JCM800 4104?

The Marshall JCM800 4104 is renowned for its aggressive, high-gain sound with a strong midrange punch, making it ideal for rock and metal genres. Its single-channel design delivers classic Marshall overdrive tones.

Is the Marshall JCM800 4104 suitable for gigging?

Yes, the Marshall JCM800 4104, with its 50-watt output and 2x12 speaker configuration, provides ample volume and presence for live performances, even in larger venues.

Does the Marshall JCM800 4104 have reverb?

No, the Marshall JCM800 4104 does not include a reverb feature. It focuses on delivering pure, unadulterated tube-driven sound.

What type of power tubes does the Marshall JCM800 4104 use?

The Marshall JCM800 4104 uses EL34 power tubes, which contribute to its distinctive British sound and dynamic response.

How many channels does the Marshall JCM800 4104 have?

The Marshall JCM800 4104 features a single channel, designed to provide straightforward, powerful tones without additional complexity.

Spakuloid

Spakuloid

1983 Marshall JCM 800 4104 Channel Switch Mod and Effect Loop Mod

Video thumbnail for 1983 Marshall JCM 800 4104 Channel Switch Mod and Effect Loop Mod by Spakuloid

1983 Marshall JCM 800 4104 Channel Switch Mod and Effect Loop Mod

Spakuloid

Spakuloid

Video thumbnail for 1983 Marshall JCM 800 4104 2x12 Combo by Spakuloid

1983 Marshall JCM 800 4104 2x12 Combo

Spakuloid

Spakuloid

Video thumbnail for Marshall JCM 800. (4104) quick test. by Ron Leslie

Marshall JCM 800. (4104) quick test.

Ron Leslie

Ron Leslie

Video thumbnail for 1982 Marshall JCM800 4104 (2204) Demo - [Fryette Powerstation Load Box + Marshall 1960BV IR's] by Ed S

1982 Marshall JCM800 4104 (2204) Demo - [Fryette Powerstation Load Box + Marshall 1960BV IR's]

Ed S

Ed S

Video thumbnail for Marshall JCM800 4104 Combo | Playthrough Demo by ChoptonesOfficial

Marshall JCM800 4104 Combo | Playthrough Demo

ChoptonesOfficial

ChoptonesOfficial

Reviews

PROS

  • Legendary status, akin to '59 plexi and original Super Leads

  • Quintessential Marshall Brown sound, often imitated never duplicated

  • Ideal for both practice and gigs

  • Enhances performance with a Tom Scholz Attenuator

  • Offers a sweet spot when played loud

  • Perfect for achieving vintage JCM800 tone

  • Great for thick crunchy rhythm and searing leads

  • Cuts through the mix effectively

  • Solid construction, rarely fails on the road

  • First significant use of master volume in British amps

CONS

  • Needs to be played loud for optimal sound, which can be impractical

  • Single handle design is inadequate for its weight

  • Adding casters or extra handles necessary for easier transport

  • Volume issues at gigs, may not suffice for larger venues

  • Some models may come with inferior speakers

  • Plastic cliff jacks prone to breaking, especially on non-vertical input models

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Marshall JCM800 4104.

Comparisons

  • The JCM800 4104 offers less gain than the JCM900, appealing to those seeking a more mid-boosted, tamer sound compared to high-gain amps like the Rectifier.

    Source
  • The 4104 is compared to the 2203/04 circuit, with noted differences in dimensions and setup for specific tube types like EL34s or 6550s.

    Source

Use cases and applications

  • Owners appreciate the JCM800 4104's ability to break up earlier when fitted with EL34 tubes, making it versatile for rock and blues.

    Source

Features and functionality

  • The JCM800 is noted for its all-tube design, contrasting with the JCM900's use of diode clipping for increased gain.

    Source
  • The master volume effectively overdrives a Les Paul and sounds impressive with Stratocasters.

    Source

User experience

  • The amp is favored by those who prefer vintage Marshall tones, despite not being a high-gain machine, making it suitable for classic rock enthusiasts.

    Source
  • Owners converting to a head format note the chassis protrudes by 0.5", often needing a bent metal back panel for a clean look.

    Source

Mods and upgrades

  • Some users opt for biasing modifications to achieve earlier breakup, enhancing the amp's appeal for those desiring a less aggressive gain profile.

    Source
  • A post-phase inverter master volume (post-PI MV) mod is recommended for better control, enhancing phase inverter "splat."

    Source
  • The 4104 chassis is shorter and wider than the 2203/04, requiring cabinet modifications for a head conversion.

    Source

Build quality

  • Canadian market units feature different fuse boards and CSA stampings, distinct from US and AUS/NZ models.

    Source
  • The amp is notably heavy, making transport challenging; a furniture dolly is recommended for easier mobility.

    Source

Value and pricing

  • Originally found in a pawn shop for $300 in the late 80s, highlighting its potential as a valuable, budget-friendly purchase at the time.

    Source
Add

4.5 out of 5

Based on 3 Reviews and 4 Ratings

5 star
4 star
3 star
2 star
1 star
jimmarchi1

Miss mine.

I had an '81 JCM800 2x12 and foolishly sold it to buy a nice van for my band to tour in. I turned a 200% profit but often miss that amp. This is the workhorse rock amp and the first really significant use of a master volume in a brit amp (apart from vampowers I guess). It doesn't sound like a plexi but its decidedly marshall. The 50 watt model is best for most musicians and that's what I had. My combo was loaded with amazing Marshall branded G1265 speakers with those large H dustcaps. Some have inferior 70 or 75 watt celestions. They sound okay though. Get 1 with vertical inputs if you can as the verticals are not board mounted and can be easily replaced if the plastic cliff jacks break (and they sometimes break). Other than that problem these amps are rock solid road warriors that rarely if ever crap out.

I give this combo 4 stars as she is entirely too heavy and the stock single handle is worthless. Yu will wanna add casters or at least additional handles (even if you have roadies and road cases). This is a lazy-man's set-and-forget marshall compared to what came before. A good crunch is not dependent on proper balance of EQ and Presence settings. It will do you right for any type of blues or rock and is the benchmark by which every mid-gain stage amplifier designed since the 70s should be judged.

callsign_wonton

My Favorite Amp

Amazing amp, the perfect-sized single channel Marshall. This gets you that vintage JCM800 tone without breaking the bank or your back. Great for both thick crunchy rhythm and searing leads, it cuts through the mix like a machete that's been welded to a sledgehammer. Easily loud enough to get through any gig that doesn't take place in an Enormo-Dome.

D

I am waiting for it to arrive any day now.

I'm waiting for it to arrive any day now, so I don't want to rate, or say what I think about it just yet. Once I get a chance to play it, I will repost what I think about it.

Artist usage

Add artist
See how Eddie Hazel uses Marshall JCM800 4104

Eddie Hazel

Singer, Guitarist

Funkadelic

...
Verified via Rockaliser

in the photo the amp is seen behind him

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