at 40 seconds you can see a Peavey 5150 head.

In the live performance of Crowbar at Resurrection Fest 2014, Kirk Windstein can be seen using the Peavey 5150 120-Watt Head.

"'And before you came to Stevenson's amps, what did you run through?''Before that I was using a (Peavey) 5150 head, I think it was a '91. And I really liked those tones, too, like they were really clean. I'm a big fan of the bright guitar amps. I was using a 5150 through a Vox cabinet at the time and it was super bright but at the same time with the 5150 every time you turned the gain up it would just get a little too saturated for me. I couldn't find that clean and heavy balance whereas with the Stevenson I found that balance pretty easy,'" says Ian D'Sa, in this interview.

He says what he used on the Unto The Locusts record in one of the questions and it was a 5150 amp head. You can also see this set up on the making of dvd.

In this interview, Adam talks about using his "old 5150" to record the majority of Times of Grace's "The Hymn of a Broken Man."

"I used my old 5150 a lot though – it's one of the first series ones. They sound the best. It gurgles and sounds a little more focused than most 5150s. It's my go-to head and I believe they modelled after the old Soldanos so it's kind of the same sound – lots and lots of gain, very hot rodded gain."

In his stream Matt Heafy said he borrowed 5150 from Corey

GW: What gear and settings do you guys use to get your tone? Steer: Just for simplicity, I only use one amp live--a Peavy 5150 with a Marshall Guv'nor pedal in front of it to beef up the overdrive just that little bit extra. In the studio, though, it's a different matter; I use several different amps--a selection of Marshalls and the 5150.

In this video, Tom Searle uses a 5150. He used the 5150/6505/6505+ almost interchangeably live. Rest easy Tom.

In a studio tour video by GodlykeInc, Erik Rutan is shown using the Peavey 5150 120-Watt Head at Mana Recording Studios.

At home I have a handful of heads - a 6505, 6505+ and a block letter 5150 - and they do sound different enough. I switch between them a lot but it will always be one of those amps. I make Kemper profiles of everything I do and use that live for both bands. That combination of heads, cabs and speakers always brings a clear mid-range no matter what you dial on the amp.

"Around that time my rig changed a lot. I started using Peavey 5150s and Classic 100s. At one stage the rig consisted of three 4X12s powered by 3 different amps, creating a stereo outside, dry center array. I even had Fender Bassman as a center channel at one point."

According to this interview, he used this amp on "some Divine Heresy stuff".