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Average Price: $155
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Description
The Visual Sound V2 Series V2JH Jekyll and Hyde is a versatile and dynamic music gear essential designed to give your guitar sound a unique edge. This robust pedal comes with separate overdrive and distortion controls, allowing you to effortlessly transition from a warm, tube-like overdrive to a grungy distortion. With its bass boost and sharp/blunt switch, it grants you the flexibility to produce a bright, compressed tone, making it an adaptable choice for various music genres. Constructed with a durable steel chassis, it's built to last and promises reliable performance at a competitive price point.
Key Features:
- Separate overdrive and distortion controls
- Bass boost and sharp/blunt switch
- Durable steel chassis
- Versatile tone production
- Competitive price point
Product specs
| Brand | Visual Sound |
| Model | Jekyll & Hyde Overdrive & Distortion V2 |
| Finish | Red |
| Year | 2010s |
| Made In | United States |
| Categories | Distortion Pedals, Overdrive and Boost Pedals |
FAQs
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What effects does the Visual Sound V2JH Jekyll and Hyde pedal offer?
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The Visual Sound V2JH Jekyll and Hyde pedal offers both overdrive and distortion effects, allowing you to switch between or combine them for versatile tonal options.
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How does the Jekyll channel of the V2JH pedal differ from the Hyde channel?
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The Jekyll channel is designed for smoother overdrive tones, while the Hyde channel provides heavier distortion with more bottom end, offering a wide range of sound possibilities.
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Can the Visual Sound V2JH Jekyll and Hyde pedal be used with a bass guitar?
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Yes, the Visual Sound V2JH Jekyll and Hyde pedal can be used with a bass guitar, though it is primarily designed for electric guitars. It offers versatile tone shaping that can complement bass frequencies.
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What power supply is required for the Visual Sound V2JH Jekyll and Hyde pedal?
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The Visual Sound V2JH Jekyll and Hyde pedal requires a standard 9V DC power supply, which is common for many guitar pedals.
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Is the Visual Sound V2JH Jekyll and Hyde pedal suitable for live performances?
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Yes, the Visual Sound V2JH Jekyll and Hyde pedal is well-suited for live performances, offering durable construction and easy switching between overdrive and distortion channels for dynamic sound during gigs.
Videos
E-GITARA.net.pl
Visual Sound Distortion Overdrive Jekyll and Hyde stomp-box DEMO + KRANK REV Jr PRO
Reviews
PROS
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Dual functionality offers versatility between overdrive and distortion
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Tube Screamer side praised for excellent overdrive tones
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Distortion side capable of ranging from mild to high gain without losing clarity
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Bass boost switch adds desired weight to riffs
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Can be used separately or combined for complex tones
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Versatile for various music genres, from classic overdrive to modern distortion
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Durable construction
CONS
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Design of V2 considered bulky and awkward on pedalboards
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Distortion side described as less appealing when used alone
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Springy buttons lack the tactile feedback some players prefer
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Requires gain from an amp to function optimally, limiting clean channel use
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Visual Sound V2 Series V2JH Jekyll and Hyde.
Features and functionality
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V1-V2 models use modified TS-808 circuitry and a Shredmaster-style circuit, consistent in tone, with V2 including a noise gate and bass boost.
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The pedal’s Sharp/Blunt switch is frequently set to Sharp for optimal crunch, influencing the pedal's dynamic response.
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The V2's tone knob can be aggressive; users suggest not exceeding 2 or 3 o'clock and adjusting amp tone instead for balance.
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Comparisons
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V3 differs with circuitry based on the Open Road overdrive, offering a transparent, non-Tubescreamer sound, suitable for styles like The Strokes.
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The V1 tone knob is praised for its crispness, providing a different tonal character compared to the V2's more aggressive tone.
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The V1 drive is noted to be crispier than the V2, influencing the character of the overdrive sound.
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Use cases and applications
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V3's form factor is noted as significantly improved, making it more convenient despite tonal differences from earlier versions.
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To achieve crunchier tones like on "Is This It," users recommend pushing the Jekyll & Hyde pedal’s pre-amp and adjusting the amp's headroom.
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For Nick's tone, it's suggested to use less drive with more tone, focusing on higher mids and lower treble settings.
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Albert’s sound often involves utilizing neck or neck/bridge pickups, with a lot of tone and little drive, avoiding the bass boost.
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Users experimenting with the Marshall MG Series 10 CD suggest using the overdrive channel with gain set low to achieve a bluesy distortion.
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The amp's treble settings are crucial for capturing the sharp overdrive characteristic of The Strokes, especially for songs like "I Can't Win" and "Meet Me in the Bathroom."
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Setup and maintenance
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Owners recommend matching the pedal's volume knob to the amp's clean tone for consistent sound levels.
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4.5 out of 5
Based on 9 Reviews and 53 Ratings
One of the most useful and versatil Distortion pedal
Versatil and clean. You can set it to a clasic overdrive, or a clasic distortion sound, but you can also get a perfect modern tone. Like Metal or indie.
85
Versatile and gig-ready dual drive
After getting into the Strokes and discovering their use of this pedal (the V1 in particular) I got the V2 used as my first drive pedal, and I've kept it to this day with zero regrets. It's a wonderful introduction to stacking drives, and each side offers a unique take on the drive sounds they attempt to emulate (the Jekyll being a TS808 clone and the Hyde a Shredmaster) with additional controls, such as a bass boost switch and a sharp/blunt toggle, enabling you to dial each effect differently based on the genre you're going for.
The Jekyll could be used as a boost to a cranked amp like how you'd use a Tubescreamer, but with the bass boost on and a bit of tweaking could also serve as a great base overdrive sound for a clean channel. The Shredmaster on its own gets you a Marshall sound; you could dial in some punk (think 90s Green Day), but it works best for replicating Jonny Greenwood's distorted tone as he uses a Shredmaster, which is what this circuit emulates. The pedal works best with both sides engaged, using one side as your base sound and the other a boost, and the Strokes really proved this.
My only caveat is its size, which could occupy too much space on a pedalboard build, but I'd much rather have two pedals in one enclosure than two pedals taking a bit more space and using an additional power cable. All in all, the Jekyll and Hyde is a very versatile pedal, with plenty of range on both sides, and I could not recommend this enough to anyone who's just getting into stacking drive pedals.
Preferred Settings + Usage:
OVERDRIVE - Drive at 9 o'clock, tone and volume at noon, bass boost OFF
DISTORTION - Drive on or below noon, treble at 1 o'clock, mid at 11 o'clock, volume above noon, SHARP mode
My standard base settings, based on how the Strokes used this pedal. I leave the overdrive on and step on the distortion for lead parts. I recommend placing this in front of an amp set nearly to breakup or a low-gain full range overdrive pedal.
Great drive pedal. Built like a tank.
This pedal has been a go-to for me for years. I had one, sold it, bought the Son of Hyde, then bought another one of the J&H. It's the only distortion I care to use.
The distortion side can go from mild distortion to high gain metal stuff. Still maintains clarity though.
The Overdrive side is pretty good, not as versatile to me, but still great!
224
Great pedal. Great sound, but it's design is quite 'awkward'.
I love the sound of this pedal. Aspecially the overdrive sound is very nice (It sounds more Tubescreamer like). I also own the V3 of the Jekyll and I think this overdrive side is better than that one of the V3 (but that is of course a matter of taste). The design of the V3 is though much better. The size and shape of the V2 is (just like the V1) not my kind of stuff. There is a big 'bump' above the controlknobs. When you have a pedalboard with a pedal above the V2, this bump isn't very handy at all. Sound 5 stars (I really like the distortion side as well) but the design is a bit clumsy, so 4 starts for the complete pedal.
Nice tone! super versatile OD+Dist Pedal
I use the OD for riffs at low drive mid volume & mid tone, and just love it. The bass boost switch gives you the weight a good riff needs and you dont need any high gain at all. Dist is nice too. Use it for licks & mix it with OD for solos.
838
Tube Screamer + distortion
Tube Screamer part is my favourite overdrive. Distortion part is a little annoying, but has it's place.
96
Good budget dual OD
The Jekyll (tubescreamer) side is really excellent for crunchy rhythm tones. The Hyde side kinda sucks on its own, but sounds great stacked together
40
Great ol' gritty fun
Hugew range of tones from punch to crunch. Great overdrive but the distortion is a little butt.
Artist usage
Add artist
You can check in this tweet a photograph of a Jekyll and Hyde [V2] with some reinforcement in Albert's pedalboard. He used to use the first (red) version of it, but it looks like he just did an improvement hehehe
seen in an old the garden performance and in the kiss my super bowl ring live. wyatt currently uses it as distortion on his guitar
In various Shots on their "Palacio de Los Deportes" Concert we can spot the Jeykyll and Hyde pedal on his pedalboard.
The photo is from this gear page: https://www.uberproaudio.com/who-plays-what/751-relient-k-matt-thiessen-guitar-rig-gear-and-equipment?start=1#gallery771a8672b4-4 The pedal matches the photo.
Visual Sound's Jekyll and Hyde V2 was spotted on John's pedalboard at Urbandub's Alive At The Womb Session intro clips at approximately 0:37-0:39~
In an interview with She Shreds Media, Elizabeth Powell mentioned that she used the Visual Sound V2 Series V2JH Jekyll and Hyde distortion pedal in the past. However, due to changes in its production, it is no longer part of her setup.
Louis Cato uses the Visual Sound V2 Series V2JH Jekyll and Hyde pedal on his Late Show board, as confirmed by an article on Premier Guitar by Nick Millevoi titled "On The Late Show, Louis Cato Steps to the Front."
Our old guitar tech, Brian, also worked for The Strokes and one day I was talking to him about overdrive. He recommended this - which was the only pedal The Strokes used on their first album, and he had the actual pedal they recorded with, which he lent to me for a bit. The tones are insane, and you can hear it all over that debut record. I even got to use it live, but I had to give it back when he was next out with them. The company had changed hands and the newer models didn’t have the same components, which is why I found this specific version
In this Vetamadre Instagram photo with Julio Breshnev's pedal board, is a Visual Sound Jekyll and Hyde Overdrive and Distortion pedal.
Album Usage
The Visual Sound V2 Series V2JH Jekyll and Hyde has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Visual Sound V2 Series V2JH Jekyll and Hyde, it is most commonly used with the following gear.
Community setups
Show yoursSimilar
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A standalone unit for the overdrive side of the Jekyll and Hyde: https://truetone.com/v2-route-808/
Everyone loves the overdrive channel in Truetone’s original Jekyll & Hyde and Route 66 pedals. This distinctive overdrive is also available as a single pedal in the V2 Series of pedals from Truetone.
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The successor version, which extended the EQ and added the option of buffered bypass.
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