Pricing and availability
We compare 600+ stores and found this item at 1 store. Prices updated .
Store
Reviews
Price
Average Price: $627
High-end/Boutique
$100
$501+
Price Tier
Budget
Standard
High-end
* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.
Description
The most famous Tape-Echo Unit in Britain, and possibly in the World, the Copicat also happens to be the first repeat-echo machine manufactured as one compact unit. It was designed by Charlie Watkins in 1958, apparently after he heard a similar sound effect generated by two linked studio quality tape recorders for the Italian singer Marino Marini. Following its introduction, the tape-echo sound revolutionised pop music during the late 1950's and early 1960's, being behind the guitar sound of the top British bands including The Shadows. It also served a secondary purpose after being adopted for providing echo on vocals - the two volume controls acted as a rudimentary microphone mixer. These little machines sold by the thousand!!
Product specs
| Brand | WEM |
| Model | Watkins Copicat IC300 Tape Echo |
| Finish | Metal with Black Case |
| Year | 1970s |
| Made In | United Kingdom |
| Categories | Delay Pedals |
FAQs
-
What type of delay does the WEM Watkins Copicat produce?
-
The WEM Watkins Copicat produces a classic tape delay effect, known for its warm, analog sound and natural echo decay, characteristic of vintage tape echo units.
-
Is the WEM Watkins Copicat suitable for live performances?
-
Yes, the WEM Watkins Copicat is suitable for live performances, offering reliable tape echo effects that add depth and character to guitar and vocal performances on stage.
-
How does the WEM Watkins Copicat differ from digital delay pedals?
-
Unlike digital delay pedals, the WEM Watkins Copicat uses an analog tape mechanism, providing a warmer, more organic sound with natural modulation and subtle imperfections typical of vintage tape echoes.
-
Can the WEM Watkins Copicat be used with instruments other than guitar?
-
Yes, the WEM Watkins Copicat can be used with a variety of instruments, including vocals and keyboards, to add rich, analog delay effects to any audio signal.
-
What maintenance does the WEM Watkins Copicat require?
-
The WEM Watkins Copicat requires regular maintenance, such as cleaning the tape heads and replacing the tape loop, to ensure optimal performance and longevity of the tape delay effect.
Videos
Nick Adams
Watkins Copicat Mk3 Valve Echo Demonstration.
Reviews
PROS
-
Exceptional analog delay tones, crisp and genuine
-
Offers a variety of sounds: rockabilly, cavernous tones, haunting pads
-
Simple transport design, no need for expensive tape cartridges
-
Can be used with a compressor for expanded soundscapes
-
Synchronous AC motors minimize mechanical noise
-
Footswitch adds practicality for live performance
-
Works well for both recording and live gigs
-
Unique color and dynamic response not found in digital delays
CONS
-
Requires proper earthing to avoid potential electrical hazards
-
Finding the "sweet spots" can be time-consuming
-
Basic and noisy, inherent to its vintage design
-
Lacks varispeed, limiting some sound manipulation options
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about WEM Watkins Copicat.
Use cases and applications
-
Owners love using the Copicat for slapback effects on vocals and drums, adding a unique lofi and dreamy quality to recordings.
Source
Setup and maintenance
-
Regular maintenance such as re-oiling the motor and cleaning tape heads is crucial for optimal performance. A new UK plug might be necessary for older units.
Source -
One user successfully restored a non-working IC400 by resoldering two internal connections, showcasing the potential for DIY repairs.
Source
Mods and upgrades
-
A wet-out output mod enhances its use as an outboard effects unit, offering more creative possibilities.
Source
User experience
-
Some owners prefer the slight high-end signal loss from worn tape loops, appreciating the added character and uniqueness.
Source -
Owners highlight the short lifespan of the tape loops as a minor inconvenience, requiring frequent replacements for optimal performance.
Source -
Owners report that the IC400 is more durable and reliable for gigging compared to tube models, which are more prone to feedback and less suitable for live use.
Source
Comparisons
-
Users note that digital emulations like the GSi VariSpeed plugin can achieve about 95% of the original Copicat sound, but the analog unpredictability remains unmatched.
Source -
Solid state Copicats are noted to compete well against the Roland RE-201 Space Echo, offering similar quality with less maintenance at a lower cost.
Source -
The IC400 is described as having a lofi, crunchy character in its repeats, contrasting with the RE-201's warm and lush sound, leading some to desire both for their unique qualities.
Source
Value and pricing
-
Fully serviced units are available around £175, though some users prefer spending £250 to £350 for models with varispeed control, like the IC400.
Source
Features and functionality
-
The IC400 model is favored for its varispeed control, enhancing the delay's versatility and user control.
Source -
The IC400 model is praised for its sophisticated MICR font and IC components, offering a more refined sound compared to earlier models.
Source -
The echo tone control on the IC400 may not offer drastic changes, with some owners recommending keeping it on a darker setting for subtle tonal shifts.
Source
Critic Reviews
4.0 out of 5
Based on 3 Reviews and 8 Ratings
1171
My main Echo
I use it on all my recording and live gigs... I plug everything in and go to my loopers... and then my amps cool stuff for a one man band gig...
41029
I miss my copycat, what a great piece
1171
One of the things i'll never sell...
3378
Amazing tone, but with obvious age related flaws
This box has genuinely one of the most crisp, and genuine analog delay tones I've ever heard. It may be basic, and noisy, but those are all part of the fact that it was made fifty years ago. The footswitch also adds a practical element.
41029
you have a copycat? which version? tube or solid state?
3378
Solid state Jim, unfortunately, still good though
Character
A Super Noisy Machine that I fall in love every time I switch it on, even if a vintage tape it brings that kind of color that was just missing before.
Artist usage
Add artist
“[I used] Dynacord echo units originally, then it was the Watkins Copicat with the tape running round it. I’ve still got my old Roland Space Echo. The only thing is the tape goes wrong and you’ve got to make yourself a new one, so it’s a bit of a pain in the arse.”
B.Traits can be seen using a WEM Watkins Copicat effects processor in a photo shared on her Instagram account.
Peter Banks used a Copicat Echo, as mentioned in the GuitarPlayer.com article.
"“Whiskey in the Jar” is the song that started Thin Lizzy’s legacy. In the early ’70s, Bell often played with a Colorsound Tone Bender and a Watkins Copicat tape echo, which comes through in his sound here."
In a multi-picture Instagram post beginning with the sentence, "This is where the Cleaners from Venus really began," Martin shows his Watkins Copicat in the second photo.
According to Roland Link's book 'Love in Vain', Fox used a pair of these in tandem. One to boost the signal for more gain, another for delay. It's uncertain whether he used the tube preamped earlier models or the solid state versions. He can be seen adjusting it a few times near the backline Fender Twin in this clip from the Belgian television show 'Follies'.
"He had a completely unique sound and set-up. He used two Watkins/WEM Copicat repeat tape echo units and various other pedals as well, but it was the Copicats that gave him his sound. He'd feed one of the units back [sic] through the other, which gave him wonderful control of the sound. The Copicats were analogue, so it wasn't clean like digital -- he had noise in there, feedback, and analogue degeneration and dirtiness."
Chris Bolton, 'Love in Vain', Page 123
"I think the modern restoration and repair tools are fantastic. I’ve used iZotope RX a lot to clean up the ones with the tape hiss on, although I’ve left everything that went through the Watkins [Copicat] with the hiss on."
Visible on Becca's studio notes in this Instagram story post from the week of September 27, 2020, catalogued in the "SECRET TRIO" highlight folder.
He talks about it at 7:17 in the FACT "In The Studio" video.
Album Usage
The WEM Watkins Copicat has been featured on the following albums:
Disposable
The Deviants (2020)
Suck It and See
Arctic Monkeys (2011)
Viva La Vida or Death and All His Friends
Coldplay (2008)
Violet Hill
Coldplay (2008)
Bring It Back
McAlmont & Butler (2002)
Parachutes
Coldplay (2000)
The Sound Of McAlmont And Butler
McAlmont & Butler (1995)
Ptooff!
The Deviants (1968)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use WEM Watkins Copicat, it is most commonly used with the following gear.
Community setups
Show yoursSimilar
Add recommendation2 alternative and related items for WEM Watkins Copicat, curated by the Equipboard community.
More Watkins Effects Processors
Accessories & Related Items
Most Popular Effects Processors
Most Popular Brands
-
Added to Equipboard on by
jessicoGear IQ 5926
-