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Description

The most famous Tape-Echo Unit in Britain, and possibly in the World, the Copicat also happens to be the first repeat-echo machine manufactured as one compact unit. It was designed by Charlie Watkins in 1958, apparently after he heard a similar sound effect generated by two linked studio quality tape recorders for the Italian singer Marino Marini. Following its introduction, the tape-echo sound revolutionised pop music during the late 1950's and early 1960's, being behind the guitar sound of the top British bands including The Shadows. It also served a secondary purpose after being adopted for providing echo on vocals - the two volume controls acted as a rudimentary microphone mixer. These little machines sold by the thousand!!

Product specs

Brand WEM
Model Watkins Copicat IC300 Tape Echo
Finish Metal with Black Case
Year 1970s
Made In United Kingdom
Categories Delay Pedals

FAQs

What type of delay does the WEM Watkins Copicat produce?

The WEM Watkins Copicat produces a classic tape delay effect, known for its warm, analog sound and natural echo decay, characteristic of vintage tape echo units.

Is the WEM Watkins Copicat suitable for live performances?

Yes, the WEM Watkins Copicat is suitable for live performances, offering reliable tape echo effects that add depth and character to guitar and vocal performances on stage.

How does the WEM Watkins Copicat differ from digital delay pedals?

Unlike digital delay pedals, the WEM Watkins Copicat uses an analog tape mechanism, providing a warmer, more organic sound with natural modulation and subtle imperfections typical of vintage tape echoes.

Can the WEM Watkins Copicat be used with instruments other than guitar?

Yes, the WEM Watkins Copicat can be used with a variety of instruments, including vocals and keyboards, to add rich, analog delay effects to any audio signal.

What maintenance does the WEM Watkins Copicat require?

The WEM Watkins Copicat requires regular maintenance, such as cleaning the tape heads and replacing the tape loop, to ensure optimal performance and longevity of the tape delay effect.

Nick Adams

Nick Adams

Watkins Copicat Mk3 Valve Echo Demonstration.

Video thumbnail for Watkins Copicat Mk3 Valve Echo Demonstration. by Nick Adams

Watkins Copicat Mk3 Valve Echo Demonstration.

Nick Adams

Nick Adams

Video thumbnail for WEM Watkins Copicat Analog Tape Delay SS with Wet / Dry Mod by marcusdolby1

WEM Watkins Copicat Analog Tape Delay SS with Wet / Dry Mod

marcusdolby1

marcusdolby1

Video thumbnail for Watkins WEM Copicat 60 Second Demo IC-300 by jrsrareguitars

Watkins WEM Copicat 60 Second Demo IC-300

jrsrareguitars

jrsrareguitars

Video thumbnail for Sabella Studios: Watkins Copicat Mk II & Mk IV comparison (solid state & valve) also MXR Carbon Copy by Sabella Studios

Sabella Studios: Watkins Copicat Mk II & Mk IV comparison (solid state & valve) also MXR Carbon Copy

Sabella Studios

Sabella Studios

Reviews

PROS

  • Exceptional analog delay tones, crisp and genuine

  • Offers a variety of sounds: rockabilly, cavernous tones, haunting pads

  • Simple transport design, no need for expensive tape cartridges

  • Can be used with a compressor for expanded soundscapes

  • Synchronous AC motors minimize mechanical noise

  • Footswitch adds practicality for live performance

  • Works well for both recording and live gigs

  • Unique color and dynamic response not found in digital delays

CONS

  • Requires proper earthing to avoid potential electrical hazards

  • Finding the "sweet spots" can be time-consuming

  • Basic and noisy, inherent to its vintage design

  • Lacks varispeed, limiting some sound manipulation options

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about WEM Watkins Copicat.

Use cases and applications

  • Owners love using the Copicat for slapback effects on vocals and drums, adding a unique lofi and dreamy quality to recordings.

    Source

Setup and maintenance

  • Regular maintenance such as re-oiling the motor and cleaning tape heads is crucial for optimal performance. A new UK plug might be necessary for older units.

    Source
  • One user successfully restored a non-working IC400 by resoldering two internal connections, showcasing the potential for DIY repairs.

    Source

Mods and upgrades

  • A wet-out output mod enhances its use as an outboard effects unit, offering more creative possibilities.

    Source

User experience

  • Some owners prefer the slight high-end signal loss from worn tape loops, appreciating the added character and uniqueness.

    Source
  • Owners highlight the short lifespan of the tape loops as a minor inconvenience, requiring frequent replacements for optimal performance.

    Source
  • Owners report that the IC400 is more durable and reliable for gigging compared to tube models, which are more prone to feedback and less suitable for live use.

    Source

Comparisons

  • Users note that digital emulations like the GSi VariSpeed plugin can achieve about 95% of the original Copicat sound, but the analog unpredictability remains unmatched.

    Source
  • Solid state Copicats are noted to compete well against the Roland RE-201 Space Echo, offering similar quality with less maintenance at a lower cost.

    Source
  • The IC400 is described as having a lofi, crunchy character in its repeats, contrasting with the RE-201's warm and lush sound, leading some to desire both for their unique qualities.

    Source

Value and pricing

  • Fully serviced units are available around £175, though some users prefer spending £250 to £350 for models with varispeed control, like the IC400.

    Source

Features and functionality

  • The IC400 model is favored for its varispeed control, enhancing the delay's versatility and user control.

    Source
  • The IC400 model is praised for its sophisticated MICR font and IC components, offering a more refined sound compared to earlier models.

    Source
  • The echo tone control on the IC400 may not offer drastic changes, with some owners recommending keeping it on a darker setting for subtle tonal shifts.

    Source

Critic Reviews

Here's How the Watkins Copicat Tape Delay Helped Define the Sound of an Era | GuitarPlayer

guitarplayer.com

The WEM Watkins Copicat is hailed as a groundbreaking piece of gear that shaped the sound of the '60s. This tape delay was the first of its kind and became a staple for British guitarists, offering the sought-after slap-back and echo effects popularized by American rockers. Its success was immediate, with the first 100 units selling out in a day, marking the Copicat as a must-have. However, while it enjoyed widespread acclaim, the review does not delve into any potential drawbacks or modern alternatives, suggesting a nostalgic rather than critical perspective. Overall, the sentiment is positive, celebrating the Copicat's historical impact and enduring legacy.

positive
Add

4.0 out of 5

Based on 3 Reviews and 8 Ratings

5 star
4 star
3 star
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1 star
mkn_upa

My main Echo

I use it on all my recording and live gigs... I plug everything in and go to my loopers... and then my amps cool stuff for a one man band gig...

From Gear Setup
jimmarchi1

I miss my copycat, what a great piece

mkn_upa

One of the things i'll never sell...

dukeuke

Amazing tone, but with obvious age related flaws

This box has genuinely one of the most crisp, and genuine analog delay tones I've ever heard. It may be basic, and noisy, but those are all part of the fact that it was made fifty years ago. The footswitch also adds a practical element.

jimmarchi1

you have a copycat? which version? tube or solid state?

dukeuke

Solid state Jim, unfortunately, still good though

richard_nhoebra

Character

A Super Noisy Machine that I fall in love every time I switch it on, even if a vintage tape it brings that kind of color that was just missing before.

Artist usage

Add artist
See how Dave Brock uses WEM Watkins Copicat

Dave Brock

Singer, Guitarist

Hawkwind

...
Verified via MusicRadar

“[I used] Dynacord echo units originally, then it was the Watkins Copicat with the tape running round it. I’ve still got my old Roland Space Echo. The only thing is the tape goes wrong and you’ve got to make yourself a new one, so it’s a bit of a pain in the arse.”

See how B.Traits uses WEM Watkins Copicat

B.Traits

Music Producer, DJ

...
Verified via Photo

B.Traits can be seen using a WEM Watkins Copicat effects processor in a photo shared on her Instagram account.

See how Peter Banks uses WEM Watkins Copicat

Peter Banks

Guitarist

Yes

...
Verified via GuitarPlayer.com

Peter Banks used a Copicat Echo, as mentioned in the GuitarPlayer.com article.

See how Eric Bell uses WEM Watkins Copicat

Eric Bell

Guitarist

Thin Lizzy

...
Verified via Premierguitar

"“Whiskey in the Jar” is the song that started Thin Lizzy’s legacy. In the early ’70s, Bell often played with a Colorsound Tone Bender and a Watkins Copicat tape echo, which comes through in his sound here."

See how Martin Newell uses WEM Watkins Copicat

Martin Newell

Guitarist, Music Producer

Cleaners From Venus

...
Verified via Photo

In a multi-picture Instagram post beginning with the sentence, "This is where the Cleaners from Venus really began," Martin shows his Watkins Copicat in the second photo.

See how Jane Weaver uses WEM Watkins Copicat

Jane Weaver

Singer, Guitarist

...
Verified via MusicTech

Full interview with Jane, Music Tech magazine, issue 173, 2017

See how Paul Fox uses WEM Watkins Copicat

Paul Fox

Guitarist

Ruts DC

...
Verified via YouTube

According to Roland Link's book 'Love in Vain', Fox used a pair of these in tandem. One to boost the signal for more gain, another for delay. It's uncertain whether he used the tube preamped earlier models or the solid state versions. He can be seen adjusting it a few times near the backline Fender Twin in this clip from the Belgian television show 'Follies'.

"He had a completely unique sound and set-up. He used two Watkins/WEM Copicat repeat tape echo units and various other pedals as well, but it was the Copicats that gave him his sound. He'd feed one of the units back [sic] through the other, which gave him wonderful control of the sound. The Copicats were analogue, so it wasn't clean like digital -- he had noise in there, feedback, and analogue degeneration and dirtiness."

Chris Bolton, 'Love in Vain', Page 123

See how Steve Levine uses WEM Watkins Copicat

Steve Levine

Composer, Music Producer

Culture Club

...
Verified via Native Instruments Blog

"I think the modern restoration and repair tools are fantastic. I’ve used iZotope RX a lot to clean up the ones with the tape hiss on, although I’ve left everything that went through the Watkins [Copicat] with the hiss on."

See how Dan Leavers uses WEM Watkins Copicat

Dan Leavers

Keyboardist

The Comet is Coming

...
Verified via Photo

"The search continues..Watkins Copicat!!"

See how Becca Stevens uses WEM Watkins Copicat

Becca Stevens

Singer, Guitarist

The Lighthouse Band

...
Verified via Photo

Visible on Becca's studio notes in this Instagram story post from the week of September 27, 2020, catalogued in the "SECRET TRIO" highlight folder.

See how Timothy J. Fairplay uses WEM Watkins Copicat

Timothy J. Fairplay

Music Producer

...
Verified via YouTube

He talks about it at 7:17 in the FACT "In The Studio" video.

See how Summer Heart uses WEM Watkins Copicat

Summer Heart

Singer, Guitarist

...
Verified via Facebook

Summer Heart jamming with his Watkins Copicat

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use WEM Watkins Copicat, it is most commonly used with the following gear.

Community setups

Show yours
neale_scott

neale_scott

Gear IQ 569

neale_scott

neale_scott

Gear IQ 569

mkn_upa

mkn_upa

Gear IQ 1171

mkn_upa

mkn_upa

Gear IQ 1171

christyherron

christyherron

Gear IQ 85

2 alternative and related items for WEM Watkins Copicat, curated by the Equipboard community.

Watkins WEM CCB-1 Copicat Boost
similar sound cheaper alternative

A faithful replica of the Copicat preamp. Capable of pushing an amp into overdrive.

Watkins Copicat Digital Echo

 

newer

A rare digital version of the Copicat, very little is known about. Part of the WEM/Watkins Soundbuilder series.

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