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Average Price: $627
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$501+
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Description
The most famous Tape-Echo Unit in Britain, and possibly in the World, the Copicat also happens to be the first repeat-echo machine manufactured as one compact unit. It was designed by Charlie Watkins in 1958, apparently after he heard a similar sound effect generated by two linked studio quality tape recorders for the Italian singer Marino Marini. Following its introduction, the tape-echo sound revolutionised pop music during the late 1950's and early 1960's, being behind the guitar sound of the top British bands including The Shadows. It also served a secondary purpose after being adopted for providing echo on vocals - the two volume controls acted as a rudimentary microphone mixer. These little machines sold by the thousand!!
Product specs
| Brand | WEM |
| Model | Watkins Copicat IC300 Tape Echo |
| Finish | Metal with Black Case |
| Year | 1970s |
| Made In | United Kingdom |
| Categories | Delay Pedals |
FAQs
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What type of delay does the WEM Watkins Copicat produce?
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The WEM Watkins Copicat produces a classic tape delay effect, known for its warm, analog sound and natural echo decay, characteristic of vintage tape echo units.
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Is the WEM Watkins Copicat suitable for live performances?
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Yes, the WEM Watkins Copicat is suitable for live performances, offering reliable tape echo effects that add depth and character to guitar and vocal performances on stage.
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How does the WEM Watkins Copicat differ from digital delay pedals?
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Unlike digital delay pedals, the WEM Watkins Copicat uses an analog tape mechanism, providing a warmer, more organic sound with natural modulation and subtle imperfections typical of vintage tape echoes.
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Can the WEM Watkins Copicat be used with instruments other than guitar?
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Yes, the WEM Watkins Copicat can be used with a variety of instruments, including vocals and keyboards, to add rich, analog delay effects to any audio signal.
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What maintenance does the WEM Watkins Copicat require?
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The WEM Watkins Copicat requires regular maintenance, such as cleaning the tape heads and replacing the tape loop, to ensure optimal performance and longevity of the tape delay effect.
Videos
Nick Adams
Watkins Copicat Mk3 Valve Echo Demonstration.
Reviews
PROS
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Exceptional analog delay tones, crisp and genuine
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Offers a variety of sounds: rockabilly, cavernous tones, haunting pads
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Simple transport design, no need for expensive tape cartridges
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Can be used with a compressor for expanded soundscapes
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Synchronous AC motors minimize mechanical noise
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Footswitch adds practicality for live performance
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Works well for both recording and live gigs
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Unique color and dynamic response not found in digital delays
CONS
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Requires proper earthing to avoid potential electrical hazards
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Finding the "sweet spots" can be time-consuming
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Basic and noisy, inherent to its vintage design
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Lacks varispeed, limiting some sound manipulation options
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about WEM Watkins Copicat.
Use cases and applications
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Owners love using the Copicat for slapback effects on vocals and drums, adding a unique lofi and dreamy quality to recordings.
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Setup and maintenance
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Regular maintenance such as re-oiling the motor and cleaning tape heads is crucial for optimal performance. A new UK plug might be necessary for older units.
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One user successfully restored a non-working IC400 by resoldering two internal connections, showcasing the potential for DIY repairs.
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Mods and upgrades
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A wet-out output mod enhances its use as an outboard effects unit, offering more creative possibilities.
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User experience
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Some owners prefer the slight high-end signal loss from worn tape loops, appreciating the added character and uniqueness.
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Owners highlight the short lifespan of the tape loops as a minor inconvenience, requiring frequent replacements for optimal performance.
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Owners report that the IC400 is more durable and reliable for gigging compared to tube models, which are more prone to feedback and less suitable for live use.
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Comparisons
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Users note that digital emulations like the GSi VariSpeed plugin can achieve about 95% of the original Copicat sound, but the analog unpredictability remains unmatched.
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Solid state Copicats are noted to compete well against the Roland RE-201 Space Echo, offering similar quality with less maintenance at a lower cost.
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The IC400 is described as having a lofi, crunchy character in its repeats, contrasting with the RE-201's warm and lush sound, leading some to desire both for their unique qualities.
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Value and pricing
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Fully serviced units are available around £175, though some users prefer spending £250 to £350 for models with varispeed control, like the IC400.
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Features and functionality
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The IC400 model is favored for its varispeed control, enhancing the delay's versatility and user control.
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The IC400 model is praised for its sophisticated MICR font and IC components, offering a more refined sound compared to earlier models.
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The echo tone control on the IC400 may not offer drastic changes, with some owners recommending keeping it on a darker setting for subtle tonal shifts.
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Critic Reviews
4.0 out of 5
Based on 3 Reviews and 8 Ratings
1171
My main Echo
I use it on all my recording and live gigs... I plug everything in and go to my loopers... and then my amps cool stuff for a one man band gig...
41029
I miss my copycat, what a great piece
1171
One of the things i'll never sell...
3378
Amazing tone, but with obvious age related flaws
This box has genuinely one of the most crisp, and genuine analog delay tones I've ever heard. It may be basic, and noisy, but those are all part of the fact that it was made fifty years ago. The footswitch also adds a practical element.
41029
you have a copycat? which version? tube or solid state?
3378
Solid state Jim, unfortunately, still good though
Character
A Super Noisy Machine that I fall in love every time I switch it on, even if a vintage tape it brings that kind of color that was just missing before.
Artist usage
Add artist
"Recording was the first thing we did because in those days we weren't very interested in playing live. We managed to get hold of an old Akai 4000 reel-to-reel, which we actually had for ages simply because it was the only thing we could afford. We had very little in the way of effects, just a Wem Copicat that we used on guitar and keyboards."
In this It’s Psychedelic Baby magazine article from 2024, Paul Rudolph says he used a “WEM Copicat Echo…” in The Deviants.
"Private Plane was written and recorded over a 3 day period in my tiny flat in Finsbury Park, London. It was recorded on a TEAC A3440 4-track recorder and a little ALICE mixing board.
The only FX used were a WATKINS COPYCAT tape echo unit, ELECTRO HARMONIX DrQ filter, an old ROLAND drum machine (the preset variety) and a STYLOPHONE 350S.
The process was simply a case of laying the tracks down one at a time, applying FX as I went along, and then mixing them all down onto a REVOX A77 mastering machine."
Album Usage
The WEM Watkins Copicat has been featured on the following albums:
Disposable
The Deviants (2020)
Suck It and See
Arctic Monkeys (2011)
Viva La Vida or Death and All His Friends
Coldplay (2008)
Violet Hill
Coldplay (2008)
Bring It Back
McAlmont & Butler (2002)
Parachutes
Coldplay (2000)
The Sound Of McAlmont And Butler
McAlmont & Butler (1995)
Ptooff!
The Deviants (1968)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use WEM Watkins Copicat, it is most commonly used with the following gear.
Community setups
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