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Average Price: $173
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$300
$801+
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Description
Discover the Yamaha NS-10M, a studio monitor that has transcended its humble beginnings to become a staple in major recording studios worldwide. Originally crafted for casual home listening, the NS-10M has earned its reputation not due to a flat frequency response, but because it challenges you to perfect your mix. The philosophy is simple: if you can make your sound impeccable on these monitors, it will resonate beautifully everywhere else.
The Yamaha NS-10M is renowned for its distinctive white cone, a design choice that has become iconic in the music industry. Its unassuming appearance belies its critical role in audio production, offering a unique tonal character that many audio engineers swear by. Whether you love it or hate it, there's no denying the NS-10M's impact on how we approach mixing and mastering.
Ideal for those who demand precision and reliability, the NS-10M continues to be a favorite among professionals and hobbyists alike. Its influence is undisputed, and its presence in a studio is a testament to a commitment to quality and authenticity in sound.
Key Features:
- Passive studio monitor designed for critical listening
- Iconic white cone design for visual distinction
- Known for its unique tonal character that aids in perfecting mixes
- Standard equipment in professional recording studios worldwide
- Legendary status among audio engineers and music producers
Product specs
| Brand | Yamaha |
| Model | NS-10M (Pair) |
| Finish | Black |
| Year | 1980s |
| Made In | Japan |
| Categories | Studio Monitors |
| Amplification | Passive |
FAQs
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What makes the Yamaha NS-10M a popular choice for studio monitoring?
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The Yamaha NS-10M is renowned for its flat frequency response, making it a reliable tool for mixing as it reveals flaws in recordings that might not be noticeable on other monitors.
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Is the Yamaha NS-10M an active or passive studio monitor?
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The Yamaha NS-10M is a passive studio monitor, meaning it requires an external power amplifier to function.
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Can the Yamaha NS-10M be used for both horizontal and vertical placement?
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The Yamaha NS-10M is designed for horizontal placement, optimizing its performance in this orientation, unlike some other NS-10 models which are intended for vertical use.
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What type of amplifier is recommended for use with the Yamaha NS-10M?
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A high-quality power amplifier with a clean and transparent sound is recommended to maintain the NS-10M's accurate and flat frequency response.
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Are replacement parts, such as drivers, available for the Yamaha NS-10M?
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While Yamaha discontinued the NS-10M, third-party suppliers and aftermarket options are available for replacement drivers and other components.
Videos
Pixel Pro Audio
Avantone CLA-10 vs Yamaha NS-10M Studio with RTA Measurements
Reviews
PROS
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Exposes mixing flaws for better corrections
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Mixes translate well on other systems
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Ideal for balancing mid frequencies in mixes
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Encourages critical listening and adjustments
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Passive design pairs well with various amps
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Multiple models offer versatility in use
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Durable and reliable over years of use
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Low bass production suits volume-limited environments
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Detailed mids facilitate critical mix changes
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Standard choice in professional studios
CONS
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Sound quality described as poor by some users
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Mid-frequency focus can be taxing on ears
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Requires a powerful amp for optimal performance
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Lack of low-end requires additional subwoofer for full range
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Highs can be harsh, requiring extra monitoring for balance
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Certain models (first gen) considered less useful
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Shipping prices from some retailers can be confusing
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Can be challenging to mix solely on these monitors
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Specific amp pairing (e.g., Bryston) suggested by some for best sound
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Several models complicate choosing the right version
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Yamaha NS-10M.
Features and functionality
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Users note NS-10M's fast transient response due to non-ported design and paper woofers, making them highly revealing of mix details.
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It's noted that NS-10Ms deviate significantly from neutral, potentially impacting perceptions of studio monitors as a whole.
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Removing the surround from a woofer can lower its free-air resonance, which is a technique used in subkick mic creation to capture kick drum transients.
Source
Comparisons
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The HEDD Type 20 MKII is suggested as a modern alternative, offering ported and sealed options for versatile acoustic performance.
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Some users argue that Yamaha's HS line continues the NS-10M's midrange coloration, contributing to a unique but controversial "house sound."
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Unlike typical woofers, the NS-10 woofer is more of a large midrange driver, providing accurate representation of high-volume bass transients in subkick applications.
Source
Setup and maintenance
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Owners stress the importance of pairing NS-10Ms with a quality amp to fully leverage their transient speed and headroom.
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Use cases and applications
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NS-10Ms are praised for their ability to make mixes translate well across various systems, despite their limited frequency range.
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The NS-10Ms' tonal coloration is believed by some to have misled the music production industry, affecting mixing philosophies.
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The NS-10 woofer is often used for subkick mics due to its lightweight paper cone, which allows it to move more freely compared to stiffer drivers.
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Many studios had spare NS-10s, making them a convenient choice for subkick mics when experimenting with available equipment.
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NS-10 woofers are favored for subkicks because they resonate at kick drum frequencies, offering low-mid information rather than deep sub-bass.
Source
User experience
Critic Reviews
5.0 out of 5
Based on 19 Reviews and 99 Ratings
308
Love them or hate them
If you can achieve a great mix on these speakers, it will translate well everywhere.
41029
what can i say?
I'm just so sued to these, I can't live without them.
139
Artist usage
Add artist
in this photo of him advertising his new merchandise, you can see in the studio the ns10m monitor
In this Vine video, you can see the Yamaha NS-10M Studio Monitors on a desk in the Mothership Studio, next to the Barefoot MiniMain12 monitors.
Kevin Parker uses the Yamaha NS-10M studio monitors, a popular choice among audio professionals. The source photo shows the NS-10M with its logo oriented horizontally, a common preference among users.
In this photo from Morel Muziek BV's Facebook page, you can see the Yamaha NS-10M Studio Monitors in Hardwell's new studio setup. Confirmation of this being Hardwell's studio can be found from this approved submission on Hardwell's pro page.
In this photo from Twitter, Zedd's studio setup is flanked by two NS-10Ms on each side, distinguished by their horizontal orientation and "teardrops" or "bunny ears" black markings on the speaker cones.
In the YouTube video titled "A Tour of Tom Morello's Guitars & Home Studio," Tom Morello can be seen with Yamaha NS-10M studio monitors prominently displayed behind him.
In the Ernie Ball: String Theory video featuring Mac DeMarco, the Yamaha NS-10M studio monitors are visible at the 9:07 mark.
In this video, you can see the Yamaha NS-10M Studio Monitors on a desk in afojack's studio setup
In a Tweet posted Jun 22, 2016, Nicky Romero posts a photo of his newly purchased Yamaha NS-10M Studio Monitors. He says:
"Got these boys today"
Flume shared this picture of his work space, where you can see the Yamaha NS-10M monitors.
Album Usage
The Yamaha NS-10M has been featured on the following albums:
FATHER FIGURE
Jon Bellion (2025)
Time to Melt
Sam Evian (2021)
Ex Machina
Metrik (2020)
Glory Sound Prep
Jon Bellion (2018)
Smells Funny
Hedvig Mollestad Trio (2018)
SATURATION II
Brockhampton (2017)
Don't Take The Money (Organized Noize Remix)
Bleachers (2017)
Huncho Jack, Jack Huncho
HUNCHO JACK & Quavo & Travis Scott (2017)
A Moment Apart
Odesza (2017)
Meridian
Odesza (2017)
The Human Condition
Jon Bellion (2016)
We got it from Here... Thank You 4 Your service
A Tribe Called Quest & A Tribe Called Quest (2016)
Alone
Alan Walker (2016)
Angels (feat. Kat Nestel)
Vicetone (2015)
Angels (feat. Kat Nestel) [M35 Remix]
Vicetone (2015)
Cherry Bomb
Tyler, The Creator (2015)
Oxymoron (Deluxe)
Schoolboy Q (2014)
Suffering From Success
DJ Khaled (2013)
There Is Love in You (Expanded Edition)
Four Tet (2010)
The Button
Thomas Gold (2010)
In The Mode
Roni Size & Roni Size / Reprazent (2000)
The Colour And The Shape
Foo Fighters (1997)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Yamaha NS-10M, it is most commonly used with the following gear.
Community setups
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