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Average Price: $173
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Description
Discover the Yamaha NS-10M, a studio monitor that has transcended its humble beginnings to become a staple in major recording studios worldwide. Originally crafted for casual home listening, the NS-10M has earned its reputation not due to a flat frequency response, but because it challenges you to perfect your mix. The philosophy is simple: if you can make your sound impeccable on these monitors, it will resonate beautifully everywhere else.
The Yamaha NS-10M is renowned for its distinctive white cone, a design choice that has become iconic in the music industry. Its unassuming appearance belies its critical role in audio production, offering a unique tonal character that many audio engineers swear by. Whether you love it or hate it, there's no denying the NS-10M's impact on how we approach mixing and mastering.
Ideal for those who demand precision and reliability, the NS-10M continues to be a favorite among professionals and hobbyists alike. Its influence is undisputed, and its presence in a studio is a testament to a commitment to quality and authenticity in sound.
Key Features:
- Passive studio monitor designed for critical listening
- Iconic white cone design for visual distinction
- Known for its unique tonal character that aids in perfecting mixes
- Standard equipment in professional recording studios worldwide
- Legendary status among audio engineers and music producers
Product specs
| Brand | Yamaha |
| Model | NS-10M (Pair) |
| Finish | Black |
| Year | 1980s |
| Made In | Japan |
| Categories | Studio Monitors |
| Amplification | Passive |
FAQs
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What makes the Yamaha NS-10M a popular choice for studio monitoring?
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The Yamaha NS-10M is renowned for its flat frequency response, making it a reliable tool for mixing as it reveals flaws in recordings that might not be noticeable on other monitors.
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Is the Yamaha NS-10M an active or passive studio monitor?
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The Yamaha NS-10M is a passive studio monitor, meaning it requires an external power amplifier to function.
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Can the Yamaha NS-10M be used for both horizontal and vertical placement?
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The Yamaha NS-10M is designed for horizontal placement, optimizing its performance in this orientation, unlike some other NS-10 models which are intended for vertical use.
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What type of amplifier is recommended for use with the Yamaha NS-10M?
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A high-quality power amplifier with a clean and transparent sound is recommended to maintain the NS-10M's accurate and flat frequency response.
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Are replacement parts, such as drivers, available for the Yamaha NS-10M?
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While Yamaha discontinued the NS-10M, third-party suppliers and aftermarket options are available for replacement drivers and other components.
Videos
Pixel Pro Audio
Avantone CLA-10 vs Yamaha NS-10M Studio with RTA Measurements
Reviews
PROS
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Exposes mixing flaws for better corrections
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Mixes translate well on other systems
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Ideal for balancing mid frequencies in mixes
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Encourages critical listening and adjustments
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Passive design pairs well with various amps
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Multiple models offer versatility in use
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Durable and reliable over years of use
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Low bass production suits volume-limited environments
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Detailed mids facilitate critical mix changes
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Standard choice in professional studios
CONS
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Sound quality described as poor by some users
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Mid-frequency focus can be taxing on ears
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Requires a powerful amp for optimal performance
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Lack of low-end requires additional subwoofer for full range
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Highs can be harsh, requiring extra monitoring for balance
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Certain models (first gen) considered less useful
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Shipping prices from some retailers can be confusing
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Can be challenging to mix solely on these monitors
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Specific amp pairing (e.g., Bryston) suggested by some for best sound
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Several models complicate choosing the right version
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Yamaha NS-10M.
Features and functionality
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Users note NS-10M's fast transient response due to non-ported design and paper woofers, making them highly revealing of mix details.
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It's noted that NS-10Ms deviate significantly from neutral, potentially impacting perceptions of studio monitors as a whole.
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Removing the surround from a woofer can lower its free-air resonance, which is a technique used in subkick mic creation to capture kick drum transients.
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Comparisons
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The HEDD Type 20 MKII is suggested as a modern alternative, offering ported and sealed options for versatile acoustic performance.
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Some users argue that Yamaha's HS line continues the NS-10M's midrange coloration, contributing to a unique but controversial "house sound."
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Unlike typical woofers, the NS-10 woofer is more of a large midrange driver, providing accurate representation of high-volume bass transients in subkick applications.
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Setup and maintenance
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Owners stress the importance of pairing NS-10Ms with a quality amp to fully leverage their transient speed and headroom.
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Use cases and applications
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NS-10Ms are praised for their ability to make mixes translate well across various systems, despite their limited frequency range.
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The NS-10Ms' tonal coloration is believed by some to have misled the music production industry, affecting mixing philosophies.
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The NS-10 woofer is often used for subkick mics due to its lightweight paper cone, which allows it to move more freely compared to stiffer drivers.
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Many studios had spare NS-10s, making them a convenient choice for subkick mics when experimenting with available equipment.
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NS-10 woofers are favored for subkicks because they resonate at kick drum frequencies, offering low-mid information rather than deep sub-bass.
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User experience
Critic Reviews
5.0 out of 5
Based on 19 Reviews and 99 Ratings
108
Classic sound, great for reference
I've owned these for about 7 years now. They are incredibly flat, as stated by most engineers. There are plenty of engineers who would say these are great to mix on, but I would disagree for myself personally. Some people can, others (like myself) cannot. They're great to hear some differences in your mixes and get a better idea of how the mix might sound on other devices, but these are more of the solution to the "car speaker" test than full-time reference monitors. Don't expect to get any low-end out of these. If you plan to use these as your main monitors and work with anything that has low-end, get a sub to go along with it.
111
I love NS-10s
There is just something about the way music sounds on these speakers that I love and can't live without, especially from a mixing perspective.
149
Great vintage studio monitor
I use these as my main monitors (for now). I switch between my them and my Sennheiser hd-25 headphones to check that everything sounds right. Seeing as I live in an apartment building with quite thin floors, these are great cause they don't produce that much bass so I can play a bit louder without shaking the whole place up. They're also really good at bringing forth the problems in the mix so it makes it easier to hear what needs to be adjusted.
41029
actually most of us would mix on the NS10s really quiet and then go over to the big monitors once ina while as a reference and then check the mix in mono on a singe auratone cube... the NS10s have the mid detail, they cause you to mix brighter and deeper, and they don't fatigue your ears at all assuming you don't hit them so hard that you can't hear yourself speaking over the music. The big installed JBL and Urei type speakers in large commercial studios that were around in the NS10's heyday will blow your ears out really quickly even at very low volumes.
Trusty 'Can't Go Wrong' Set
The cliche is always 'if it sounds good on NS10's it sounds good everywhere'. The sweet spot is more in the levels for me. I can balance anything into proportion on medium to low volume levels and also my clients say 'wow, I didn't hear that before'. It might not appeal to the 'Beats By Dre' generation but hey, once you stray from McDonalds or KFC, you'll develop a taste for what you're hearing instead of what you think you hear. 'Patience my young padawan', Master Yoda would say..
69
The best Mixing Monitors
The Yamaha NS10s for me are one of the best monitors for mixing records
424
Best reference monitor ever!
I have all the 3 versions of them: 10M, 10 PRO, 10STUDIO. For all people who knows about them, still a great reference for all. PRO and STUDIO versions are a little bit harder in midrange response and the power amplifier is the most important thing to make them sound like a rock.
41029
god I love the 10M and the 10PRO
141
Industry Standards
These NS-10M speakers I have had since the 90's. I power them with a Hafler Transnova amplifier. Super clear, with a Mid bump. It may take some time to get to know how to mix on these, but if you get the mix sounding good on these, it should translate well on other systems.
154
Ledgend
Still some great monitors because of their really detailed mids when you can make critical changes in that fields.
41029
Yeah, young guys do not get what the NS10s are about or why they are so popular!
Artist usage
Add artist
A pair of Yamaha NS-10M Studio Monitors can be seen in this Instagram picture, uploaded by the artists themselves.
In this video, you can see the Yamaha NS-10M Studio Monitors on a desk in afojack's studio setup
Al Jourgensen is confirmed to use the Yamaha NS-10M studio monitors, as a pair can be seen on his home studio console in a photo featured in an article by J. Bennett for Revolver.
He used them in the studio with Future Music Magazine You see the monitors almost throughout the whole video.
On December 28, 2018, Alex Tumay mentioned on Twitter that he invested in a pair of Yamaha NS-10M studio monitors. Known for their unique sound quality, these monitors are a staple in studios for providing honest audio feedback.
In a photo captured during a recording session, Alicia Keys is seen using the Yamaha NS-10M studio monitors.
"Today's office." Towards the upper-right hand corner of the photo, the Yamaha NS-10M monitor can be spotted on top of the mixing board.
"Andrew Rayel: In my Studio I use the basic equipment and nothing special: a MIDI keyboard from M-Audio, a pair of studio monitors from Yamaha, a studio soundcard from T.C. Electronics and an simple Intel PC with Cubase 5 and a lot of VST’s on it. Today’s technologies have greatly improved, so in most cases there is no need a lot of hardware."
Album Usage
The Yamaha NS-10M has been featured on the following albums:
FATHER FIGURE
Jon Bellion (2025)
Time to Melt
Sam Evian (2021)
Ex Machina
Metrik (2020)
Glory Sound Prep
Jon Bellion (2018)
Smells Funny
Hedvig Mollestad Trio (2018)
SATURATION II
Brockhampton (2017)
Don't Take The Money (Organized Noize Remix)
Bleachers (2017)
Huncho Jack, Jack Huncho
HUNCHO JACK & Quavo & Travis Scott (2017)
A Moment Apart
Odesza (2017)
Meridian
Odesza (2017)
The Human Condition
Jon Bellion (2016)
We got it from Here... Thank You 4 Your service
A Tribe Called Quest & A Tribe Called Quest (2016)
Alone
Alan Walker (2016)
Angels (feat. Kat Nestel)
Vicetone (2015)
Angels (feat. Kat Nestel) [M35 Remix]
Vicetone (2015)
Cherry Bomb
Tyler, The Creator (2015)
Oxymoron (Deluxe)
Schoolboy Q (2014)
Suffering From Success
DJ Khaled (2013)
There Is Love in You (Expanded Edition)
Four Tet (2010)
The Button
Thomas Gold (2010)
In The Mode
Roni Size & Roni Size / Reprazent (2000)
The Colour And The Shape
Foo Fighters (1997)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Yamaha NS-10M, it is most commonly used with the following gear.
Community setups
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