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Average Price: $599
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$249
$700+
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Description
Unleashing a revolution in the music industry, the Akai S950 MIDI Digital Sampler is a rackmount titan with a pivotal role in the evolution of contemporary sound production. Renowned for its 12-bit stereo sampling and variable sampling rates ranging from 7.5kHz to 40kHz, this ground-breaking device provided a canvas for musical experimentation for greats from Prince to Dr. Dre, and even Bladerunner composer Vangelis.
Key Features:
- 12-bit stereo sampling
- Variable sampling rates from 7.5kHz to 40kHz
- 63 seconds of sampling time
- Rackmount format
- Integral in modern music development
Product specs
| Brand | Akai |
| Model | S950 MIDI Digital Sampler |
| Finish | White |
| Year | 1988 |
| Made In | Japan |
| Categories | Digital Synthesizers, Samplers |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, MIDI Through |
| Polyphony | 8 Voices |
FAQs
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What are the key features of the Akai S950 MIDI Digital Sampler?
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The Akai S950 offers 8-voice polyphony, a 12-bit sampling engine, and a programmable digital low-pass filter. It includes features like vibrato, ADSR envelopes, auto-bend, and MIDI connectivity, making it versatile for various sampling needs.
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Can the Akai S950 MIDI Digital Sampler perform timestretching?
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Yes, the Akai S950 includes a timestretching feature, allowing you to change the length and pitch of a sample independently, which is useful for creative sound manipulation.
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How does the Akai S950 integrate with other MIDI devices?
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The Akai S950 features MIDI Input, Output, and Through ports, allowing seamless integration with other MIDI-compatible devices, making it easy to incorporate into your existing setup.
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What is the maximum sample rate of the Akai S950?
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The Akai S950 supports a maximum sample rate of 48 kHz, providing high-quality digital audio sampling for various applications.
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Is the Akai S950 suitable for live performances?
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With its robust MIDI connectivity and 8-voice polyphony, the Akai S950 is well-suited for live performances, offering reliable and flexible sampling capabilities.
Videos
Dan Baker
Akai S950 Part ONE: An introduction to the sampler that changed everything..
Reviews
PROS
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Unique "mojo" not replicated by plugins
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Filter quality praised across reviews
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Capable of producing complete songs independently
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Fast navigation for an older sampler
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Continuously variable sampling rate offers unique sound
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Excellent for drum machine use with individual outputs
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Legendary 90's sound signature
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Features like timestretch and low-pass filter add significant value
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Intuitive use, even for beginners
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Superior polyphonic instrumental sampling capabilities
CONS
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Pricier due to its vintage status and hip-hop/jungle genre connections
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Considered cryptic compared to modern standards
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Some users prefer the sound of competitors like SP1200 or Sequential Prophet 2000
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Akai S950 MIDI Digital Sampler.
Software and compatibility
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SCSI2SD devices are recommended for replacing floppy drives, allowing easy sample loading via SD cards, enhancing the workflow significantly.
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Features and functionality
Setup and maintenance
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Ensure MIDI controllers are OS compatible to utilize software for advanced MIDI assignments like CC7 for volume control.
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Use cases and applications
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The S950 can be integrated into DAW setups using MIDI and audio outputs, similar to other vintage samplers like the Emulator IV.
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Sampling at 48kHz allows the S950 to clip in a way that adds pleasant new frequencies, enhancing the high end without sounding lo-fi.
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The S950 is favored for jungle drums due to its analog filters, highlighting its suitability for specific musical genres.
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Comparisons
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The S950 offers a sound characterized as "low-fi but super clear and glassy," distinct from the S5000's high-quality 16-bit playback.
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Value and pricing
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S950s are noted to be priced 2-3x higher than S1000s due to their desirable sound characteristics, with well-priced units being rare.
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Critic Reviews
5.0 out of 5
Based on 4 Reviews and 24 Ratings
12-bit << MEGA BEAST >>
Legendaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaary crunch. 90's sound signature. Really intuitive to use (imo). Sampling anything in this beast is great. Plus, you cant go wrong with the low-pass filter on this bad bwoy. Just a great, feature packed sampler. JUNGLIST MASSIVE!
125
A (perhaps the definative) classic sampler
Although it looks rather cryptic by todays standards, it is actually quite easy to use and sounds great. I eventually sold it when I got my mpc1000. However, the s950 had what sounded to me like a better system for polyphonic instrumental sampling. In other words, it is a great sampler for turning a short wave loop into an awesome sounding instrument part. Or, for making sick low-fi drum samples.
257
Nice
Easy to use, very very easy to use.. great for drums, warm and fat.. But i dont miss it when compared to the beef of the SP1200 or Sequential Prophet 2000. I loved its simplicity.
Artist usage
Add artistWhat kind of gear did you use at the time?
R: “Caustic” was a pretty minimal set up. All we used was the Atari, an Akai S1000 and S950, a Minimoog, Micromoog, Pro One and a Kawai K4 for strings… Less is more I’m starting to think! We did have a couple disks of Adrian Sherwood drums and Yello bass sounds for the Akai that were used a lot.
The Fabric "In The Studio With: Josh Wink" interview shows a photo of a 19" rack containing the S950 below other gear from Roland, Yamaha and Doepfer.
"Jesse West showed me how to work the 950 (red. Akai S950). From there I elevated to the MPC 3000, and now I use the MPC 4000."
" A few years ago I picked up 3 AKAI S900s for about 100$ each, and this year I got an AKAI S950 (for the time-stretching option). "
"i went through a phase of using old samplers for a while ... akai s950 for example."
Billy Currie mentions using an Akai sampler on his first solo album, likely referring to the Akai S950 MIDI Digital Sampler, as noted on his official website under "Solo Albums."
Per this Attack Magazine feature, dated Dec 2, 2019:
Not only can he effortlessly rattle off his equipment list from a 20-years-previous tour, but he subsequently rattles off every piece of kit used in making his early Peacefrog records: “An Allen & Heath GS3, which is a 16 channel analogue board; an Akai S950, a TR-909, a chord reverb and a Korg Mono/Poly, a DX7, a Digital Audio Tape machine, and a pair of NS-10s,”
Album Usage
The Akai S950 MIDI Digital Sampler has been featured on the following albums:
Syro
Aphex Twin (2014)
The Renaissance
Q-Tip (2008)
Why Does My Heart Feel So Bad?
Moby (1999)
Prince Among Thieves
Prince Paul (1999)
Big Loada
Squarepusher (1997)
Everything Is Wrong
Moby (1995)
People's Instinctive Travels and the Paths of Rhythm (25th Anniversary Edition)
A Tribe Called Quest & A Tribe Called Quest (1990)
Caustic Grip
Front Line Assembly (1990)
Storms in Africa (Pt. II) [2009 Remaster]
Enya (1989)
The Celts
Enya (1987)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Akai S950 MIDI Digital Sampler, it is most commonly used with the following gear.
Community setups
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