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Description
Step into the rich sonic world of the ARP 2600, a legendary synthesizer that has shaped the sound of countless music genres. Now revived and enhanced by KORG, this synth marries vintage charm with modern innovation, making it an indispensable tool for musicians and producers alike. Whether you're aiming to recreate iconic tracks or forge new musical paths, the ARP 2600 delivers unparalleled versatility and authentic analog warmth.
At the heart of the ARP 2600 is KORG's proprietary Component Modeling Technology (CMT), which meticulously recreates the original circuitry's nuances. This ensures that every waveform, filter, and envelope behaves just as the original hardware did, complete with the unique imperfections that give the synth its character. With switchable filter types and a second filter inspired by the classic SEM, you'll find fresh ways to sculpt your sound.
The ARP 2600 is not only a sonic powerhouse but also a learning playground for analog synthesis. The intuitive interface guides you through the signal path, with optional patch cables for those who want to delve deeper into sound design. Modern enhancements like extensive MIDI control, a sophisticated sequencer, and up to 16-voice polyphony ensure the 2600 remains relevant in today's music production landscape.
Join a community of musicians who trust the ARP 2600 for its distinctive voice and boundless creative potential. With its blend of classic tones and modern features, this synthesizer is poised to inspire your next musical masterpiece.
Key Features:
- KORG's CMT modeling technology for authentic analog sound
- Faithful reproduction of 100 original ARP 2600 patches
- Switchable main filter types and SEM-inspired second filter
- Expanded capabilities: polyphony, arpeggiator, and sequencer
- Premium audio quality with anti-aliasing and oversampling
- Intuitive interface with optional patch cables for deeper sound exploration
- Extensive MIDI control with a 30-slot mod-matrix
- Compatible with both Mac and PC systems
Product specs
| Brand | Korg |
| Model | ARP 2600 FS Semi-Modular Synthesizer |
| Finish | Black |
| Year | 2020 - 2025 |
| Categories | Analog Synths, Keyboard Synths |
| Analog / Digital | Analog |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| Number of Keys | 49 Keys |
| Polyphony | 2 Voices |
FAQs
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Is the ARP 2600 FS suitable for beginners in synthesis?
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Yes, the ARP 2600 FS is ideal for beginners as it can be operated without patch cords, allowing users to explore synthesis with ease while still offering advanced features for experienced sound designers.
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What type of synthesis does the ARP 2600 FS use?
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The ARP 2600 FS utilizes analog synthesis, providing rich, warm tones characteristic of vintage synthesizers, and features a semi-modular design for flexible sound creation.
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How many voices of polyphony does the ARP 2600 FS offer?
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The ARP 2600 FS offers 2 voices of polyphony, allowing for limited but effective layering of sounds and slightly more complex compositions compared to monophonic synthesizers.
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Does the ARP 2600 FS require patching to produce sound?
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No, the ARP 2600 FS can produce sound without patching, making it accessible for users who prefer straightforward operation, while also allowing patching for more advanced sound design.
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What are the standout features of the ARP 2600 FS's sound engine?
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The ARP 2600 FS features a classic analog sound engine with versatile modulation options and a spring reverb, offering a wide range of sonic possibilities from lush pads to aggressive leads.
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How does the ARP 2600 FS compare to fully modular synthesizers?
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The ARP 2600 FS is a semi-modular synthesizer, providing the flexibility of modular patching without the complexity of a fully modular system, making it more user-friendly while still offering extensive sound-shaping capabilities.
Videos
Reverb
The ARP 2600: The Story of a Legendary Synthesizer | Reverb Feature
Reviews
PROS
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Centerpiece of synth setups, engaging and intuitive layout
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Powerful sequencer with versatile pattern options and sequence recording
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Offers polyphony through external sequencer connection
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Massive fuzz tone capabilities when processing external audio inputs
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Spring reverb adds unique, vibey character to sounds
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Can produce a wide range of tones: freaky, full basses, wonderful leads
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Audio rate modulations sound characterful and distinct
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Special 4072 filter for diverse sound production, including great drum sounds
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Capable of creating vocal-sounds and "speaking" basses
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Darker, sometimes more imprecise sound adds unique character
CONS
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Sound may feel sterile and lack character compared to vintage units
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Spring reverb can be noisy compared to digital effects
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about ARP 2600.
Features and functionality
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It's mentioned that the ARP 2600 can create a "creamy" sound using sine and pulse waves on osc2, feeding back into osc1 filter input with pulse width modulation.
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Behringer's 2600 models include useful additions such as a dedicated keyboard and trigger area, enhancing usability beyond the original design.
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The synth's ring modulator adds a "metallic" edge, showcasing its versatility for both smooth and harsher soundscapes.
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The ARP 2600's filter inputs overdrive if pushed beyond 60%, and its VCA can clip readily, especially when using the exponential input, requiring careful adjustment.
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Some owners highlight the unique spring reverb and internal speakers as key features for creating distinctive feedback techniques that are only achievable with the original hardware.
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Mods and upgrades
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Owners report enhancing the Behringer 2600's sound by using external reverb effects like the Zoom CDR70, which offers transformative sound enhancements.
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Use cases and applications
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Combining the ARP 2600 with Eurorack systems creates a powerful sound design setup, favored by owners for its expansive modulation capabilities.
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Known for its "wild sound effect machine" quality, the ARP 2600 excels at retro vibes and encourages modulation at audio rates for dynamic sound shaping.
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The 2600 is noted for its capability to create a "beautiful midrange honk" that easily cuts through a mix, making it suitable for sounds that need presence.
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Known for its versatility, the ARP 2600 is used heavily in sound design and was famously utilized to create R2-D2's voice.
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User experience
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The Korg 2600M's portable case and ergonomic design, including feet for vertical positioning, are appreciated by those needing flexible setup options.
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Many owners praise the tactile experience of the ARP 2600's sliders, describing them as easy to move and adjust, contributing to an interactive workflow.
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Comparisons
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Users find the Behringer 2600's LED sliders beneficial for performance in low-light settings, contrasting with the more resistive sliders on the Korg 2600M.
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The ARP 2600 is described as having a more "wiry and precise" character compared to Moog, which is often perceived as harder and more direct.
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Despite its semi-modular nature, the ARP 2600 is considered more versatile than hardwired synths, balancing ease of use with extensive sound design possibilities.
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The ARP 2600's filter is a Moog-type design, which led to legal action from Moog. It offers a rougher, more open sound compared to the smoother Moog bass.
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5.0 out of 5
Based on 1 Review and 27 Ratings
91
Lots of character!
Mine is orange/black. It sounds darker than the Tonus model, sometimes more imprecise. Depending on your settings it can deliver freaky tones, full basses and wonderful leads though. Audio rate modulations sound more chracterful than on my other synths. The 4072 filter is very special. It can produce great drumsounds and changes its tone as soon as it gets modulated at high rates. Vocal- sounds and "speaking" basses are easy to set up. The reverb tank sounds very "Industrial".
Artist usage
Add artist
"Signal path was into the Arp 2600, out of that into a big rack of Surge gear, then a line to the floor so I could use whatever pedals I wanted, then a TC Fireworks unit, then digital into the Tascam D88." - A.J. Dunning from Guitar.com.
In a video from July 22, 1990, Praga Khan is visibly using the ARP 2600 synthesizer during a studio session at Adams Studio, as documented by footage from the Praga Khan Private Camcorder Collection. The video, which captures studio experiments with vintage analog synths, includes a specific timestamp at 0:24 where the ARP 2600 is clearly featured. The description notes that both the ARP 2600 and the EMS Synthi A were acquired from the legendary EBM band "The Klinik."
"I mostly use whatever's available in Blackwing studio. There's an ARP 2600, which provides sound effects such as the animal noises on 'Back to Nature', and a Roland SH1. Also there's a French synthesiser, the Kobol, used without a keyboard."
Info fom the 1993 Album Cover . air liquide - air liquide . (1993 blue 006) cd
Arp 2600 EML Electro comp 101/EML 400 EMS VCS 3/ Vocoder 3000/ Hifli E-mu Emulator 1/ Modular/ SP 1200 Korg MSM/ PS 3100/ PS 3300 Moog 55/ adv. Memory Moog/ Prodigy Oberheim SEM/ SEM 4 Voice/ DMX/ Matrix12 OSCar Rhodes Chroma RMI Keyboard Computer II Roland System 700/ System 100M/ SH101/ JD800/ TR909/ TR808/ TR727/ TR606/TB303 (3x)/ SH09/ SH5/ MKS7/ MKS30/ MKS50/ MKS80/ S750/ SVC350/ SPV350/ JX3P/ Jupiter 8 RSF Kobol Exp.II SCi Prophet10/ P600/ Pro One/ DrumTraks Steiner Parker Modular/ Synthecon Synthanorma Octavfilter Synergy II+ Synton Syrinx Yamaha CS 30L/ CS 15/ CS 80
In a YouTube video titled "Arp 2600 Synthesizer playing a Hard Beat," Kurt Uenala showcases his use of the ARP 2600 synthesizer.
'I kicked over the ARP 2600 in the rehearsal room, and said ‘’I’m leaving if you want to talk to me I’ll be in the pub next door’’ I don’t think anyone came to reason with me'
Ann Shenton speaking here...
http://www.localsuicide.com/interview-ann-shenton-add-n-to-x/
"But I've worked with sequencers since the day they first came out, so all these things are nothing compared with the problems I used to have. Years ago, even just a simple thing like a synthesizer going out of tune was a major headache in the studio. I've worked with every conceivable computer programmed sequencer - from the Roland CSQ-100, to the Prophet switch type, to the ARP ones that had the sixteen click thing that you'd line the notes up with. I've worked with an ARP 2600 synth also - in fact, I've just bought an ARP 1600 which I'm very pleased to have as part of my set-up here. But people just make such a big deal out of MIDI and sequencing."
"About those synths: “In addition to a Fender Rhodes, there was the [Access] Virus, the Moog Little Phatty, and the ARP 2600. Those were the center points, because you could get poly synthesizer stuff from the Virus, and then get really great, thick, monophonic stuff from the ARP. Then the Little Phatty, through the tape delay, and all this really nice, mushy, organic processing."
Album Usage
The ARP 2600 has been featured on the following albums:
The End (Original Motion Picture Soundtrack)
Marius de Vries (2024)
Together/Alone
The Blow Monkeys (2024)
Let My Love Open The Door (E. Cola Mix)
Pete Townshend (2023)
Look Alive
Guster (2018)
Airplay for the Planet (Remastered)
Jay Graydon (2017)
Dame Fortune
RJD2 (2016)
Drones
Muse (2015)
It's Album Time
Todd Terje (2014)
XSCAPE
Michael Jackson (2014)
Wonky
Orbital (2012)
Frankestein (Live)
Edgar Winter (2011)
In Rainbows
Radiohead (2007)
Thrills
Ellen Allien (2005)
Keep It Together
Guster (2003)
Mechanical Animals
Marilyn Manson (1998)
Version 2.0 (The Official Remixes)
Garbage (1998)
Air Liquide
Air Liquide (1994)
Thriller
Michael Jackson (1982)
Standing On Rock (Expanded Edition)
Edgar Winter (1981)
Closer
Joy Division (1980)
Ambient 1: Music For Airports (Remastered 2004)
Brian Eno (1978)
Sunlight
Herbie Hancock (1978)
Ommadawn
Mike Oldfield (1975)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use ARP 2600, it is most commonly used with the following gear.
Community setups
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