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Audient EVO 16 USB Audio Interface

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Audient EVO 16 USB Audio Interface

$435.00 to $1,376.00 Price Tier: High-end

4.0 (1)

4 Critic Reviews

1 Review

All time low price

Find out who is using Audient EVO 16 USB

1 community setup

4 wishlisted

15 saved

Page last updated Jun 22, 2026

Pricing and availability

We compare 600+ stores and found this item at 10 stores. Prices updated June 20, 2026.

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Reviews

Price

5.0 (2)

$1,376.00

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$674.99

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4.1 (115)

Used

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5.0 (2)

$481.26 16 available New

$479.62 2 available Used

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5.0 (7)

$674.99

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4.0 (3)

$749.99

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5.0 (2)

$674.99

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4.4 (53)

$455.00 $435.00 $20.00 · All time low

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£429.00

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$674.99

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Average Price: $677

High-end/Boutique

$150

$501+

Price Tier

In the Audio Interfaces category, Audient EVO 16 USB Audio Interface is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

Budget

Standard

High-end

Price History

Based on price data from 8 merchants for "Audient EVO 16 USB Audio Interface". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.

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Description

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The Audient EVO 16 USB Audio Interface is a powerful fusion of cutting-edge technology and award-winning design, delivering a studio-grade audio experience that is both innovative and intuitive. This dynamic audio interface boasts eight EVO preamps, renowned for their acoustically-accurate reproduction and 58dB of gain, providing a rich, clean, and true-to-source quality to your recordings. The Smartgain technology takes the guesswork out of setting levels, automatically analyzing the input signals and adjusting each channel's preamp gain, ensuring optimal recording levels across all applications and saving you valuable time.

Navigating the EVO 16 is a breeze, thanks to the clever Motion UI control system. The high-resolution TFT-LCD screen keeps you informed and in control of your audio sessions, with clear metering, channel status indicators, and a one-knob centralized control for effortless operation. With the Audient EVO 16, you get more than just an audio interface; you get a studio powerhouse designed to elevate your sound and streamline your workflow.

Key Features:

USB 2.0 audio interface provides 24-in/24-out over a common USB-C connection
8 analog EVO mic preamps with 58dB of gain and digital-precise control
2 JFET instrument inputs and 2 independent headphone outputs
Includes monitor control, audio loopback, and a word clock output
Top-notch 24-bit/96kHz AD/DA converters with 121dB of dynamic range
Smartgain technology for automatic gain adjustment
Intuitive Motion UI control system with high-resolution TFT-LCD screen
Clear, full-color metering for easy level monitoring
1-knob control and customizable F-button for simple operation
Ample digital I/O for future expansions.

Owner's manual

Audient EVO 16 USB Audio Interface User Manual

Product specs

Computer Connectivity	USB 2.0
Form Factor	Desktop
Simultaneous I/O	24 x 24
Number of Preamps	8 x mic
Phantom Power	Yes
A/D Resolution	24-bit/96kHz
Analog Inputs	6 x XLR-1/4" combo (mic/line), 2 x XLR-1/4" combo (mic/line/instrument)
Analog Outputs	8 x 1/4" (line)
Digital Inputs	2 x Optical Toslink
Digital Outputs	2 x Optical Toslink
Headphones	2 x 1/4"
USB	1 x USB-C
Clock I/O	1 x Word Clock (BNC)
Rack Spaces	1U (rackmount kit not included)
Power Supply	Standard IEC AC cable
Height	2.08"
Width	13.97"
Depth	10.03"
Weight	4 lbs.

FAQs

What are the main connectivity options for the Audient EVO 16 USB Audio Interface?: The Audient EVO 16 offers USB 2.0 connectivity, with 6 XLR-1/4" combo inputs for mic/line, 2 XLR-1/4" combo inputs for mic/line/instrument, 8 line outputs, and 2 optical Toslink digital inputs and outputs.
Is the Audient EVO 16 compatible with major DAWs like Ableton Live and Pro Tools?: Yes, the Audient EVO 16 is compatible with all major DAWs, including Ableton Live and Pro Tools, making it a versatile choice for any recording setup.
Does the Audient EVO 16 provide phantom power for condenser microphones?: Yes, the Audient EVO 16 supports phantom power, allowing you to use condenser microphones with its 8 mic preamps.
What is the dynamic range of the Audient EVO 16?: The Audient EVO 16 features a remarkable dynamic range of 121dB, ensuring high-quality audio conversion and precise gain control.
Can the Audient EVO 16 be rack-mounted?: The Audient EVO 16 is a 1U rack-mountable interface, though the rackmount kit is not included with the purchase.

Videos

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Produce Like A Pro

SMARTEST 8 Channel Audio Interface? EVO 16 by Audient

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The Evo 16 - Have Audient Lost Their Minds?

Creative Sauce

Audient EVO 16 and SP8 – USB Audio Interface and Mic Preamp Review (Smart Gain)

Julian Krause

EVO Mixer Software Overview | EVO 16 Audio Interface

EVO by Audient

Introducing EVO 16 Audio Interface

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Evo 16 Demo And Review

Alec Brits

Audient EVO 16 Audio Interface Review | This Interface Costs HOW MUCH?!

PresentDayProduction

The EVO 16 Audio Interface - What are people saying?

EVO by Audient

Reviews

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PROS

Exceptional audio quality with pristine preamps
Smartgain technology automates input levels, simplifying recording
Compact design saves desk space
Versatile with 16 inputs for comprehensive recording setups
Robust build quality and durable metal sides
Intuitive control panel and EVO Control app enhance user experience
High sample rate options for detailed recordings
Dual headphone ports for collaborative work
Comes with high-quality free plugins
Unique 16 channels of ADAT I/O at its price range

CONS

Smartgain not useful for all recording types, best for drums
Some users report coil winding sound and electrical interference in recordings
Buttons and knobs may feel insecure, prone to movement
Phantom power issue translating electrical sounds into recordings
Reports of pop and crackling sounds in headphone output
One dial user interface doesn't remember input gain settings
Auto gain feature issues on channels 1 and 2
No MIDI I/O for additional equipment connectivity
Inputs on the front can make setups look messy
Standalone mode only configurable via EVO application, not directly on device

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Audient EVO 16 USB Audio Interface.

Features and functionality

0 0

The EVO 16 requires connection to a computer via USB-C to enable audio routing, but settings can be stored to use it standalone without a computer.
Source
0 0

The EVO 16 preamps provide 58dB of gain, suitable for both condensers and dynamic mics, with 121dB dynamic range and 11.2 dBu output potential.
Source
0 0

The EVO 16 lacks direct insert points, necessitating signal routing adjustments for integrating outboard gear like compressors.
Source

Software and compatibility

0 0

Using the EVO 16 as an ADAT expansion with the Apollo x8 requires software configuration through the EVO application.
Source
0 0

The EVO 16 supports up to 96KHz, which might limit its appeal for users needing higher sample rates for specific applications.
Source

Use cases and applications

0 0

The EVO 16 can serve as an ADAT expansion, but users seeking simplicity might prefer the EVO SP8, which functions as a standalone preamp.
Source

User experience

0 0

Some users report issues with headphone output and speaker monitoring, suggesting potential troubleshooting may be required for specific setups.
Source
0 0

Multiple users appreciate the EVO 16's substantial features for its price, though would prefer more gain and louder headphone outputs for high Ohm headphones.
Source

Comparisons

0 0

EVO 16 offers more functionalities, such as dual headset outputs, but can complicate setups compared to the simpler SP8.
Source
0 0

The EVO 16 offers 58dB gain range, but some users suggest a cloudlifter for broadcast mics, highlighting a difference from the iD series known for better preamps and converters.
Source
0 0

The Behringer KT76 compressor is considered less desirable compared to Warm Audio 76 or Golden Age Comp-2A for coloration.
Source

Value and pricing

0 0

The EVO SP8 can be slightly more expensive than the EVO 16, but offers a simpler, standalone configuration.
Source

Setup and maintenance

0 0

Users recommend routing inputs to outputs via software for external processing, then back into the interface for recording.
Source

Mods and upgrades

0 0

For color and saturation, opto compressors like the Comp-2A are preferred over VCA models due to their unique tonal characteristics.
Source

Critic Reviews

Audient EVO 16

soundonsound.com

Audient's EVO 16 USB Audio Interface is a striking blend of professional features and user-friendly design targeted at newcomers. With a robust metal build, an impressive array of inputs and outputs, and innovative tech like Smartgain and Motion UI, it stands out in its price range. However, the illuminated buttons are hard to see in daylight, and the reported latency could be misleading. While it may not reach the highest professional standards, its value, intuitive controls, and comprehensive functionality make it a strong contender for both beginners and seasoned users looking for affordable versatility.

positive

Full Review

Audient EVO 16 - Expert Review | Production Expert

production-expert.com

The Audient EVO 16 delivers impressive performance with its innovative Smartgain feature and user-friendly Motion UI, making recording straightforward for both novice and experienced engineers. Its eight mic preamps are clean, offering robust sound quality for multichannel setups. However, while it excels in usability, some may find its audio specs less compelling in high-demand scenarios. Overall, the EVO 16 stands out as a well-designed, ergonomic interface that balances functionality and affordability, earning it high praise from reviewers.

positive

Full Review

Audient EVO 16 review | MusicRadar

musicradar.com

With its eight mic inputs and intuitive Smartgain feature, the Audient EVO 16 is a powerhouse for recording enthusiasts, offering excellent sound quality and a sleek interface. The vibrant LCD screen enhances usability, while the software app provides extensive control options. However, the lack of USB or alternative power sources could be a dealbreaker for mobile musicians. Overall, it balances performance and affordability effectively, making it a strong contender in the audio interface market.

positive

Full Review

Review: Audient EVO 16 USB-C Audio Interface - gearnews.com

gearnews.com

The Audient EVO 16 USB Audio Interface shines with its impressive array of features, including eight EVO preamps and a user-friendly Smartgain function that simplifies input level adjustments. Its sleek design and solid build add to its appeal for both desktop and rackmount setups. However, the lack of MIDI connectivity may be a drawback for some, and while the sound quality is commendable, it doesn't quite match higher-end counterparts. Overall, the EVO 16 offers excellent value for beginners and content creators alike, making it a compelling choice in the audio interface market.

positive

Full Review

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4.0 out of 5

Based on 1 Review and 1 Rating

5 star

4 star

3 star

2 star

1 star

groovizm

533

almost 3 years ago

Looks good and sounds good. I am missing physical controls, though.

-- edit: I may be stupid, but I simply had not noticed that to open the EVO application UI on MacOS you should do so from the menu bar. Because it is already started in the background at startup time. Doing this solves most of my issues with the EVO 16 so I've changed my rating and review accordingly... --

Sound On Sound did a review of the EVO 16, so I'll not go over all the details, but here are the things I found that are important to me:

Good

Works without drivers on mac
Inputs can be set to stereo pairs easily
Remembers headphone levels
16 channels of ADAT I/O are quite unique in this price range I think. (And what I bought it for.)
You can set up a stand alone mode in the EVO application and save it to the device.

Bad

I dislike the one dial user interface, especially since it does not remember the input gain settings
If I have signal on all inputs still the auto gain feature does not work on channels 1 + 2. It says there's a problem and mutes the inputs 1 + 2. On the other channels it works fine.
There's no midi I/O
There is a standalone mode, but you can only set it up in the EVO application, not on the device itself. (Like I know the MOTU 828 MKii can.)
I'd like input 1 and 2 on the back as well, I think having the inputs on the front is messy, although it could occasionally be handy, I guess.

Roles:

Keyboardist Composer Music Producer

Genres:

Electronic

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