"Zimmer does his MIDI arrangements and editing in Cubase, and his audio work in Pro Tools. “The new Cubase will only run in Mac OS X, which is great because I want my system to run really stable,” says Zimmer. “I need that." http://www.audiohead.net/interviews/hanszimmer/#
moreTwenty-three seconds into this video, Axwell points out that they are at the Metropolis Studio in London. Eight minutes into this video in which SHM produces "One", we see Pro Tools running on one of the studio screens. The room in which this video takes place fits the description of Metropolis' Studio E, which lists Pro Tools 10.3.7 amongst its equipment.
moreFrom his archived interview with Ableton: "So I used Ableton then to fully structure and lay out a basic rough version of the mix in the Arrangement View, and once the basic structure was done, I piped it via ReWire into Pro Tools for final adjustments."
moreIn this Instagram picture, Pro Tools can be seen running on 40's MacBook and judging by the date of this picture, we can assume that it is Pro Tools 10
more"Ólafur Arnalds still lives and works in Iceland, operating out of a studio complex by the harbour in Reykjavik called E7, which houses various production suites, a mastering room and even a cinema mix room. In his studio, he runs Pro Tools HD 10, using Mytek 192 converters and Barefoot MicroMain 35 monitors."
moreAt 0:45, you can see the screen behind his laptop where the software looks like Pro Tools. This video is an interview in his studio. Also seen at 0:53 on the screen, the software somewhat looks like [Pro Tools](https://imgur.com/a/G5iruji) but certainly not Logic Pro X (which looks like [this](https://imgur.com/a/lLDOvo2))
moreRJD2 posts a photo of his DAW session on Twitter, showing he uses Pro Tools for his productions. In an [emusician article](http://www.emusician.com/artists/1333/rjd2---more-is-than-isnt-and-the-mad-men-theme/45928) about the making of his 2013 album [More Is Than Isn't](https://www.youtube.com/watch?v=QXiQsrctShk), he talks about using Pro Tools: “I’ll chop up samples and pitch them to where it sounds natural,” he replies. “I try to keep it at A 440. But sometimes I forget to do that. Some of my older songs are between A and A-flat. Often I will start at 440 as closely as possible and still end up pitching stuff. With analog synths, you have to consider their ability to stay in pitch. I reference things against the Rhodes to know if it’s bang-on in terms of 440. Other times, I’m in the mixing phase and I’ll have to fix the pitch using the pitch shift in Pro Tools.” Since 2013, RJD2 still uses Pro Tools quite a bit. In an interview with [Reverb.com](https://reverb.com/news/reverb-interview-rjd2-on-his-favorite-gear-and-artists-hed-kill-to-work-with), Ramble mentioned that in the new 2016 album [Dame Fortune](https://officialrjd2.bandcamp.com/album/dame-fortune), he had used Pro Tools to record everything in the album.
more"I have a Mac and I run Pro Tools 10. I would go up to Pro Tools 11 but with 11 Avid, in typical fashion, stopped supporting the desk I use, my Control 24, and I love that desk, so I’ve stayed with 10 for the time being."
moreOn August 20th 2013, Tinashe shows us her bedroom studio. At 2:13 The Pro Tools interface can be seen on the computer screen behind her. She uploads her Logic Pro-produced beat into Pro Tools and says, "Once you have the beat, put it into Pro Tools, and then you can start recording your song."
moreTrevor Horn's Sarm West Coast LA studio uses Pro Tools 10, according to the Sarm website.
more"It's Cubase Pro but I also work in a lot in Ableton 9.2. I have Logic X & Pro Tools 10 but mainly for opening sessions when needed."
moreTy works on the Pro Tools Software several times during the Joe Moses Studio Session With Tydollasign & AOB video.
moreOn [his website](http://www.colinewman.com/studio.html), Colin Newman lists Pro Tools 10 as his DAW of choice.
more“I write with Ableton as my primary tool, but for mixing it’s all about Pro Tools. It’s a solid program - I’ve been using it for 11 years! When I open it, I enter a different mindset entirely - I get into the mixing zone. I tend to stop writing and actually listen to the sound; I go further into the arrangement and really concentrate on the actual balance.” [Jody Wisternoff](http://www.musicradar.com/news/tech/jody-wisternoffs-favourite-music-software-554186/2).
moreI See Monstas showing a Pro Tools session on Twitter in a conversation about the AAX format
moreIn the studio, Dave runs Pro Tools 10. He uses various mic pre's and DI's, although his usual choice is the Avalon 737 SP.
moreMark writes on a 12-core Mac Pro computer running Apple Logic Pro 9. Mark has been a Logic user from the very early Emagic days, and for the super old school guys, Mark was a StudioVision user before that. A second computer, an 8-core Mac Pro, sits at his console running Pro Tools 10HD. This computer runs the video that Mark will score to. Mark uses a very, very long list of plugins, and he is always experimenting with new sounds.
moreAt 0:07 an instance of Pro Tools can be seen running on the computer monitor.
moreLogic 9 is very strange in terms of the user interface settings. But worse than Pro Tools 10 I have not seen anything
morePrimary mixing and recording software
Not really my favorite for electronic music work, but a necessity for mastering and signal processing!
Industry standard
I use it because its gooooood
Got it with my purchase of Pro Tools 11. Smart move by Avid...
My current DAW for composition and arrangement. Excellent soft!
I have this, but no longer use this as my NATIVE DAW system with the UA Apollo system
The hub of all my production and engineering work. Totally trustworthy and very advanced software!
Highest performance I've ever seen in a DAW. This is this basis of my existence.
Been certified on this software since forever. Not much I can say about it other than the brand is proven in the industry and speaks for itself. Wouldn't mix or track vocals any other way!
Still the best audio editing/mixing program but I can't help but think that Avid are a massive bunch of cunts. 10HD has never been stable on my system and I now use Logic 10 almost exclusively.
This one has RTAS support, and can use more of my old plug-ins that are still used.
Its nice and it works.
Great tool to edit, and the new real time change gain is the best tool i use all the time!
Daw software is like religion. I started with pro tools 3 and pro tools it what i prefer
Iv used PT since the digi 001 came out .its by far the center of my operation as far as recording and mixing..........i love the feel of of it and im comfortable navigating the software..punches are seemless..10 has a few hidden gems that iv been lucky enuff to discover..and i like how it connects with my macshie
I used to record & mix vocals using protools 10. Use pro tools 10 too for mixing.
I'm Operator certified in Music and Post Production for Pro Tools 10 and hate it all.
But I use it for editing nasty bits of audio sometimes. I've been in forensic audio before and had to use it over Goldwave. With the advent of Pro Tools | First, I might give it another go. Generally it has been trumped by me in every field except recording and editing. it is by far the most powerful and professional in those areas.
Avid Pro Tools 10,DJ Tourbillon DAW.
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so you export stems from Ableton and mix in Pro Tools?
Pretty much. But not every single time. I learned Pro Tools in my Recording BA program, so it's just very second nature for me. I'm getting better with Abelton though.
Whoa...really interesting method
It's mostly just a "for now" method or final mixing sort of thing. I've worked with Pro Tools for a lot longer and I like it for pure mixing more than Ableton. I'm getting better with Live, but I'm still better with Pro Tools. Makes me wanna throw my computer a bit less than Live does sometimes haha