Pricing and availability

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Average Price: $5,495

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$500

$1501+

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Description

Released commercially in 1984 to huge acclaim, the Emulator II (or EII) was E-mu's second sampler. Like the original Emulator, it was an 8-bit sampler, however it had superior fidelity to the Emulator due to the use of digital companding and a 27.7 kHz sample rate. It also allowed more flexibility in editing and shaping sounds, as resonant analog filters were added. The EII also had vastly better real time control. It was priced similarly to the original Emulator, at US$7,995 for a regular model, and $9,995 for a 'plus' model featuring extra sample memory. Several upgrades, including a second floppy drive, a 20 MB hard drive, and a 512K memory upgrade were also available. Despite its price tag it was still considered very good value compared to the Fairlight CMI Series II, which, when first released, was priced at $30,000.

Product specs

Brand E-MU Systems
Model Emulator II 61-Key 8-Voice Sampler Workstation
Finish Black
Year 1984 - 1988
Made In United States
Categories Samplers, Workstation Keyboards
Analog / Digital Digital
Key Size Full Size
Keyboard Action Synth Action
MIDI I/O MIDI Input, MIDI Output
Number of Keys 61 Keys
Polyphony 8 Voices

FAQs

Is the E-Mu Emulator II polyphonic, and how many voices does it support?

The E-Mu Emulator II is polyphonic and supports up to 8 voices, allowing you to play multiple notes simultaneously for richer, more complex sounds.

What type of sampling capabilities does the E-Mu Emulator II offer?

The E-Mu Emulator II is an 8-bit sampler workstation that allows you to sample and manipulate sounds, providing flexibility for creative sound design.

Does the E-Mu Emulator II have MIDI connectivity?

Yes, the E-Mu Emulator II features both MIDI input and output, enabling it to connect with other MIDI-compatible devices for expanded performance and recording options.

What is the keyboard action like on the E-Mu Emulator II?

The E-Mu Emulator II features a synth action keyboard, offering a responsive and smooth playing experience suitable for various styles and techniques.

Can the E-Mu Emulator II be used for live performances?

Yes, the E-Mu Emulator II is designed for both studio and live performance settings, with its robust sampling capabilities and MIDI connectivity making it versatile for different musical applications.

Alex Ball

Alex Ball

FERRIS BUELLER'S SYNTHESIZER

Video thumbnail for FERRIS BUELLER'S SYNTHESIZER by Alex Ball

FERRIS BUELLER'S SYNTHESIZER

Alex Ball

Alex Ball

Video thumbnail for EMU Emulator II - Shining Moments 80's (Pt. 1) by Jason Mysteria

EMU Emulator II - Shining Moments 80's (Pt. 1)

Jason Mysteria

Jason Mysteria

Video thumbnail for E-mu Emulator II sound demos by SynthMania

E-mu Emulator II sound demos

SynthMania

SynthMania

Video thumbnail for More great E-mu Emulator II sounds by SynthMania

More great E-mu Emulator II sounds

SynthMania

SynthMania

Video thumbnail for E-Mu Emulator II Classic Sounds Demo (Part 1) by Perfect Circuit

E-Mu Emulator II Classic Sounds Demo (Part 1)

Perfect Circuit

Perfect Circuit

Video thumbnail for Emu Emulator II - Shining Moments 80's (Pt. 2) by Jason Mysteria

Emu Emulator II - Shining Moments 80's (Pt. 2)

Jason Mysteria

Jason Mysteria

Video thumbnail for E-mu Emulator II - a few cool sounds by SynthMania

E-mu Emulator II - a few cool sounds

SynthMania

SynthMania

Video thumbnail for The Sound of Depeche Mode - E-MU Emulator II by RetroSound

The Sound of Depeche Mode - E-MU Emulator II

RetroSound

RetroSound

Video thumbnail for EMU Emulator II - Shining Moments 80's (Pt. 3) by Jason Mysteria

EMU Emulator II - Shining Moments 80's (Pt. 3)

Jason Mysteria

Jason Mysteria

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about E-Mu Emulator II.

Comparisons

  • The Emulator 6400 Ultra offers classic EII and EIII sounds with more memory, polyphony, and support for modern hard drives.

    Source
  • The Emulator III offers more memory and features but lacks the distinctive sound texture of the Emulator II.

    Source
  • The MicroGranny sampler and Isla S2400 are potential hardware alternatives for the 8-bit sampling approach, though they may not fully replicate the Emulator II.

    Source
  • The Mirage and AKAI samplers can sample in 8-bit but lack the distinct "thing" of the Emulator II.

    Source
  • Several users prefer modern samplers like the Waldorf Quantum MK2 and Nord Wave 2 for better technology and ease of use.

    Source

Software and compatibility

  • Despite its iconic status, modern software like Arturia Emulator V struggles to replicate the Emulator II's unique sound characteristics accurately.

    Source
  • The Arturia Emulator II VST lacks some original disc sounds but attempts to replicate the original's iconic tones.

    Source

User experience

  • Owners note that the Emulator II's sound is favored by dark industrial bands for its gritty texture.

    Source
  • The Emulator II weighs 55lbs/25kg, making it cumbersome to transport and setup.

    Source

Features and functionality

  • The Emulator II's 12-bit playback of 8-bit samples adds grain and texture, particularly noticeable in lower-pitched samples.

    Source
  • The Amigo Sampler plugin automatically downsamples to 8-bit and 22kHz, offering a digital approximation of the Emulator II's sound.

    Source
  • The Emulator II utilized 8-bit companding sampling with SSM analog filters, crucial for its unique sound quality.

    Source
  • The Emulator II has slow load times and relies on a library of floppy disks.

    Source

Use cases and applications

  • For Depeche Mode-inspired projects, layer DM notes in a transparent sampler or use an 8-bit AKAI or Mirage for more affordable options.

    Source
  • Ideal for those seeking exact 80s sound profiles, though not practical for modern music production due to technological limitations.

    Source

Value and pricing

  • Collectors may find value due to its iconic status and sounds reminiscent of 80s bands like OMD and Depeche Mode.

    Source

Setup and maintenance

  • Owners report frequent backlight burnout on the screen, necessitating a flashlight for visibility.

    Source

Critic Reviews

Emu Systems Emulator II

soundonsound.com

The E-Mu Emulator II is hailed as a revolutionary leap in sampling technology, bringing features like velocity-sensitive keyboards and real-time sample control that set the standard for modern samplers. Its integration of filters, envelopes, and MIDI marked a significant evolution from previous models, allowing for more expressive musical performances. The inclusion of onboard hard drives and CD-ROM libraries further cemented its legacy. However, while its sequencer was limited and syncing to tape was cumbersome, the Emulator II's groundbreaking innovations far outweighed these shortcomings, making it a pivotal piece of music technology history.

positive

Emulator II (EMM Nov 84)

muzines.co.uk

The E-Mu Emulator II impresses with its superior sound quality, sample manipulation prowess, and performance features. The addition of dynamic keyboard control and comprehensive sound shaping tools make it a standout in the sampling keyboard market. However, the disk-based loading time is a notable inconvenience for live performers, and the keyboard quality is underwhelming considering the high price tag. Despite these drawbacks, its flexibility and sound fidelity make it a revolutionary tool for both studio and stage, appealing to performers and experimenters alike.

positive

4.5 out of 5

Based on 1 Review and 17 Ratings

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cfeijao

Sampler

The legend of the samplers! Digital but with analog circuits, it processes the sampled sounds in a different way.

This review has been translated automatically into English. See original

Artist usage

Add artist
See how Michael Iceberg uses E-Mu Emulator II

Michael Iceberg

Keyboardist

...
Verified via YouTube

At 1:46 on the left side of Micheal, the E-MU Emulator II can be seen with a floppy disk on its key bed.

See how Robert Kinkel uses E-Mu Emulator II

Robert Kinkel

Keyboardist, Music Producer

Savatage

...
Verified

DR: I want to skip ahead a little bit to your involvement with Savatage. The first record you were on was Hall of the Mountain King?

BK: Yeah, Hall of the Mountain King was the first record I played on with them. That's how I met Paul [O'Neill] and Jon [Oliva].

DR: Were they recording at Record Plant at the time?

BK: They were recording at Record Plant - that was the first record that Paul produced of theirs and Jim Ball was the engineer.

By this time, I had left Record Plant to go out and do session work and I was playing in a prog rock band led by Richard Termini. I'd be in sessions and a keyboard player would be brought in, and I was realizing that some of these guys would take four hours to play something that I could play in ten minutes. I started thinking, "Hey, I must be ok" because I never thought of myself as a great, great player. But I had chops and I was always practicing while I worked at Record Plant.

There was an early sampling keyboard called the Emulator II, which was the first one that made it easy to spread out samples. I was one of five people in the city that had one of those. I also had a Prophet 5, a Yamaha DX7 and a few other things. That was the era when I was doing jingles - that was when I did the Hefty commercial and was being successful in that world. I got a call from Jim Ball out of the blue who says, "Hey I'm working with this guy who wants to do a whole orchestra thing. Can you do that sort of thing with your samplers?". So I said "Sure" and came down to the studio and we did "Prelude to Madness". That whole thing is basically me and the band. I played every single part on that - the whole orchestra is me - and then we just all got along really well.

See how Tommy Hansen uses E-Mu Emulator II

Tommy Hansen

Keyboardist, Music Producer

...
Verified

Tommy Hansen is confirmed to use the E-Mu Emulator II, as listed among the keyboards at Jailhouse Studios in Denmark. This information is supported by the source captioned "JAILHOUSE STUDIOS."

Used With

Based on how musicians on Equipboard use E-Mu Emulator II, it is most commonly used with the following gear.

Community setups

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mirko_bostic

mirko_bostic

Gear IQ 94

mirko_bostic

mirko_bostic

Gear IQ 94

lunatic_77

lunatic_77

Gear IQ 60

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