Pricing and availability
We compare 600+ stores and found this item at 1 store. Prices updated .
Store
Reviews
Price
Average Price: $5,495
High-end/Boutique
$500
$1501+
Price Tier
Budget
Standard
High-end
* Product prices and availability are updated by Equipboard every 24hrs and are subject to change. Equipboard may receive compensation for purchases made at participating retailers linked on this site. This compensation does not affect what products or prices are displayed, or the order of prices listed. For more information, please refer to our affiliate disclosure.
Description
Released commercially in 1984 to huge acclaim, the Emulator II (or EII) was E-mu's second sampler. Like the original Emulator, it was an 8-bit sampler, however it had superior fidelity to the Emulator due to the use of digital companding and a 27.7 kHz sample rate. It also allowed more flexibility in editing and shaping sounds, as resonant analog filters were added. The EII also had vastly better real time control. It was priced similarly to the original Emulator, at US$7,995 for a regular model, and $9,995 for a 'plus' model featuring extra sample memory. Several upgrades, including a second floppy drive, a 20 MB hard drive, and a 512K memory upgrade were also available. Despite its price tag it was still considered very good value compared to the Fairlight CMI Series II, which, when first released, was priced at $30,000.
Product specs
| Brand | E-MU Systems |
| Model | Emulator II 61-Key 8-Voice Sampler Workstation |
| Finish | Black |
| Year | 1984 - 1988 |
| Made In | United States |
| Categories | Samplers, Workstation Keyboards |
| Analog / Digital | Digital |
| Key Size | Full Size |
| Keyboard Action | Synth Action |
| MIDI I/O | MIDI Input, MIDI Output |
| Number of Keys | 61 Keys |
| Polyphony | 8 Voices |
FAQs
-
Is the E-Mu Emulator II polyphonic, and how many voices does it support?
-
The E-Mu Emulator II is polyphonic and supports up to 8 voices, allowing you to play multiple notes simultaneously for richer, more complex sounds.
-
What type of sampling capabilities does the E-Mu Emulator II offer?
-
The E-Mu Emulator II is an 8-bit sampler workstation that allows you to sample and manipulate sounds, providing flexibility for creative sound design.
-
Does the E-Mu Emulator II have MIDI connectivity?
-
Yes, the E-Mu Emulator II features both MIDI input and output, enabling it to connect with other MIDI-compatible devices for expanded performance and recording options.
-
What is the keyboard action like on the E-Mu Emulator II?
-
The E-Mu Emulator II features a synth action keyboard, offering a responsive and smooth playing experience suitable for various styles and techniques.
-
Can the E-Mu Emulator II be used for live performances?
-
Yes, the E-Mu Emulator II is designed for both studio and live performance settings, with its robust sampling capabilities and MIDI connectivity making it versatile for different musical applications.
Videos
Alex Ball
FERRIS BUELLER'S SYNTHESIZER
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about E-Mu Emulator II.
Comparisons
-
The Emulator 6400 Ultra offers classic EII and EIII sounds with more memory, polyphony, and support for modern hard drives.
Source -
The Emulator III offers more memory and features but lacks the distinctive sound texture of the Emulator II.
Source -
The MicroGranny sampler and Isla S2400 are potential hardware alternatives for the 8-bit sampling approach, though they may not fully replicate the Emulator II.
Source -
The Mirage and AKAI samplers can sample in 8-bit but lack the distinct "thing" of the Emulator II.
Source -
Several users prefer modern samplers like the Waldorf Quantum MK2 and Nord Wave 2 for better technology and ease of use.
Source
Software and compatibility
User experience
Features and functionality
-
The Emulator II's 12-bit playback of 8-bit samples adds grain and texture, particularly noticeable in lower-pitched samples.
Source -
The Amigo Sampler plugin automatically downsamples to 8-bit and 22kHz, offering a digital approximation of the Emulator II's sound.
Source -
The Emulator II utilized 8-bit companding sampling with SSM analog filters, crucial for its unique sound quality.
Source -
The Emulator II has slow load times and relies on a library of floppy disks.
Source
Use cases and applications
Value and pricing
-
Collectors may find value due to its iconic status and sounds reminiscent of 80s bands like OMD and Depeche Mode.
Source
Critic Reviews
4.5 out of 5
Based on 1 Review and 17 Ratings
367
Sampler
The legend of the samplers! Digital but with analog circuits, it processes the sampled sounds in a different way.
This review has been translated automatically into English. See originalArtist usage
Add artist
At 1:46 on the left side of Micheal, the E-MU Emulator II can be seen with a floppy disk on its key bed.
DR: I want to skip ahead a little bit to your involvement with Savatage. The first record you were on was Hall of the Mountain King?
BK: Yeah, Hall of the Mountain King was the first record I played on with them. That's how I met Paul [O'Neill] and Jon [Oliva].
DR: Were they recording at Record Plant at the time?
BK: They were recording at Record Plant - that was the first record that Paul produced of theirs and Jim Ball was the engineer.
By this time, I had left Record Plant to go out and do session work and I was playing in a prog rock band led by Richard Termini. I'd be in sessions and a keyboard player would be brought in, and I was realizing that some of these guys would take four hours to play something that I could play in ten minutes. I started thinking, "Hey, I must be ok" because I never thought of myself as a great, great player. But I had chops and I was always practicing while I worked at Record Plant.
There was an early sampling keyboard called the Emulator II, which was the first one that made it easy to spread out samples. I was one of five people in the city that had one of those. I also had a Prophet 5, a Yamaha DX7 and a few other things. That was the era when I was doing jingles - that was when I did the Hefty commercial and was being successful in that world. I got a call from Jim Ball out of the blue who says, "Hey I'm working with this guy who wants to do a whole orchestra thing. Can you do that sort of thing with your samplers?". So I said "Sure" and came down to the studio and we did "Prelude to Madness". That whole thing is basically me and the band. I played every single part on that - the whole orchestra is me - and then we just all got along really well.
Album Usage
The E-Mu Emulator II has been featured on the following albums:
Pateando Piedras
Los Prisioneros (2016)
Ride The Tiger
Geoff Downes (2015)
Rendez-Vous
Jean Michel Jarre (2015)
展覧会の絵 ultimate edition
Isao Tomita (2014)
In Rainbows
Radiohead (2007)
Enlighten Me
Masterplan (2002)
Le Roi Est Mort, Vive Le Roi!
Enigma (1996)
Wild Mood Swings
The Cure (1996)
The Cross Of Changes
Enigma (1993)
Woodface
Crowded House (1991)
MCMXC a.D.
Enigma (1990)
Corazones
Los Prisioneros (1990)
Pretty Hate Machine
Nine Inch Nails (1989)
They Live - Expanded Original Motion Picture Soundtrack 20th Anniversary Edition
John Carpenter & Alan Howarth (1989)
The Celts
Enya (1987)
Hall Of The Mountain King
Savatage (1987)
Life As We Know It
REO Speedwagon (1987)
Rage For Order (Remastered) [Expanded Edition]
Queensrÿche (1986)
Invisible Touch (2007 Remaster)
Genesis (1986)
Power Windows
Rush (1985)
A Cappella
Todd Rundgren (1985)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use E-Mu Emulator II, it is most commonly used with the following gear.
Community setups
Show yoursMore E-Mu Synthesizers
Accessories & Related Items
Similar
Gear Guides
Most Popular Synthesizers
Most Popular Brands
-
Added to Equipboard on by
adamdavidsonGear IQ 266
-