Joe mount used the Edp wasp on the first two Metronomy albums it is visible in some pictures and in the video for "holiday"

An EDP Wasp was used on the album Small Moon, according to the liner notes.

Included on Sonic's equipment list

On June 5th, John Foxx will be taking his group The Maths to the Roundhouse in Chalk Farm London for a one-off performance of his classic album Metamatic. Now, after our feature on Benge's synths was such a hit with you lot, we thought that some of you might like to get warm under the collar and quivery of the finger tip to learn what John Foxx will be packing in the back of the van for the Roundhouse show - please check out the mouthwatering list below, and have a look at some John Foxx & The Maths on YouTube while you're at it. Find out more about this incredible event (which also features a DJ set by Gary Numan and Ade Fenton) at the Roundhouse website. John Foxx'Metatronic best-of is out now.

Synthesizers:

ARP Odyssey x 2, ARP Sequencers x 2, Crumar Multiman, EDP Wasp, Korg MonoPoly, Korg 700, Logan String Machine, Moog Mini x 2, Moog Modular plus Sequencers, Moog Opus 3, Roland Modular System 100m x 10 Modules, Roland SH2, Roland SH-101, Roland Juno 60, Sequential Circuits Multitrack

Drum machines:

Amdek Percussion Synthesiser, Boss Dr Rhythm, Linn Drum, Klone Drum, Roland CR78, Roland TR808

Effects & Processors:

Boss Chorus, Boss Flanger, Boss Phaser, Electro Harmonix electric mistress Flanger, Furman Spring Reverb, Ibanez AD80 Analog Delay, Maestro PS-1 Phase Shifter, Mu-tron Phasor, MXR Phase 100, Roland Space echo RE-201

Other Equipment

Tascam & Revox Analogue Reel to Reel Tape Machines

EDP Wasp is included in the list of synths at Daniel Miller's home studio.

Mentioned by Stewart in this Sound on Sound "Classic Tracks" interview about "Sweet Dreams (Are Made of This)".

On the same trip, in a hotel room in Wagga Wagga, New South Wales, Stewart began playing around with EDP’s Wasp synthesizer, accidentally stumbling upon the future, more electronic direction that he and Lennox were to pursue as Eurythmics. “I could actually get some interesting things happening,” he says. “Y’know, like, sequenced little sort of random hold patterns that sounded very exciting to us, even though it was just coming out of the plastic speaker in a crappy hotel room in Wagga Wagga. We weren’t even writing songs, I was just messing about on it.”

(...) Soon after, Lennox travelled to her native Scotland to visit her parents, leaving Stewart with time alone to further his experiments with the Wasp, pairing it with EDP’s matching proto-sequencer the Spider, and a TEAC 144 Portastudio. “I kind of voraciously learned how to use that really quickly,” he says of the latter, “and I realised it was little miracle. I had done things before, even before I met Annie actually, where I’d managed to get my hands on a Revox tape recorder, and I’d bounce things in a really crappy way, back and forth, and make a kind of montage of stuff.

“But with this Portastudio and the Wasp and the Spider sequencer, and then the [Roland TR-606] Drumatix, in one way or another I managed to manipulate the drums and the sequenced keyboard together. Then I was able to choose which sections I’d sequenced and sort of fly them over and bounce them. So I’m recording on track one with the sequencer, but then I’d sort of send it to track three or four and then I could switch it in and out when I didn’t want it. I could drop in if I wanted to change to a different chord or note or sequence. So I kinda built a track, kept bouncing back and forth. Some of them became the actual tracks on the Sweet Dreams album.”

EDP Wasp is included in the equipment list.

can be seen @1:14

A EDP Wasp can be seen in this gear photo posted to Maso Yamazaki’s Instagram

During an interview with Tape Op magazine in 2010, Jerry states; "We loved the sound of the Wasp and we were so excited about the Wasp that, in a suicide move, we used them onstage during the Duty Now for the Future tour. As soon as any drip of sweat from my head or hands hit this thing, it'd go 'Bleewwwdawablawdwa!' I wouldn't be touching it, and it would be playing. Everybody on stage would be looking at me and I'm like, 'But I'm not playing it.'"

in this video, Bon sites the Wasp as his first synths when he sold his BMX bike !!!

In this vídeo at 1:36 is possible to see na EDP Wasp in Paul Hartnoll studio