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Average Price: $358
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Description
The Electro-Harmonix EH-3060 Graphic Fuzz combines vintage fuzz tones with a graphic equalizer, giving guitarists the perfect tool to sculpt their sound with precision. This versatile fuzz pedal offers a distinctive tonal palette, allowing musicians to dial in anything from subtle warmth to aggressive, roaring distortion. The integrated equalizer provides six bands of EQ control, enabling users to tailor their fuzz tone to perfectly complement their playing style and the genre they’re exploring.
With the EH-3060, you can easily switch between different sound profiles on the fly, making it an excellent choice for both studio work and live performances. The pedal's intuitive layout ensures that even those new to effects can quickly master its controls, while seasoned players will appreciate the depth of customization available. Built with sturdy construction, it’s designed to withstand the rigors of touring, ensuring consistent performance night after night.
Whether you're seeking to recreate the classic sounds of the '60s and '70s or push the boundaries of modern fuzz, the Electro-Harmonix EH-3060 Graphic Fuzz offers the flexibility and reliability needed to achieve your sonic goals.
Key Features:
- Integrated six-band graphic equalizer for precise tonal shaping
- Wide range of fuzz tones from subtle to aggressive
- Intuitive control layout for easy sound customization
- Durable build quality suitable for live and studio use
- Versatile enough for various music genres and playing styles
Product specs
| Brand | Electro-Harmonix |
| Model | Graphic Fuzz EQ / Distortion / Sustainer |
| Finish | Black / Red |
| Year | 1980s |
| Categories | Distortion Pedals, EQ Pedals |
FAQs
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What type of sound can I expect from the Electro-Harmonix EH-3060 Graphic Fuzz?
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The Electro-Harmonix EH-3060 Graphic Fuzz delivers a unique combination of fuzz, EQ, and sustain, providing a wide range of distorted tones with the ability to shape your sound using its graphic EQ section.
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How does the graphic EQ on the Electro-Harmonix EH-3060 Graphic Fuzz enhance its functionality?
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The graphic EQ allows you to fine-tune the frequency response of your fuzz tone, offering more control over your sound compared to standard fuzz pedals that lack EQ features.
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Is the Electro-Harmonix EH-3060 Graphic Fuzz suitable for both guitar and bass?
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Yes, the Electro-Harmonix EH-3060 Graphic Fuzz can be used with both guitar and bass, offering versatile tonal shaping and powerful fuzz effects for both instruments.
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Does the Electro-Harmonix EH-3060 Graphic Fuzz work well with other pedals?
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The Electro-Harmonix EH-3060 Graphic Fuzz is designed to integrate smoothly with other pedals, allowing you to place it in various positions in your signal chain for creative sound experimentation.
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What are the key features of the Electro-Harmonix EH-3060 Graphic Fuzz?
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Key features include a fuzz circuit with EQ and sustain capabilities, a graphic EQ for detailed tone shaping, and robust construction typical of Electro-Harmonix pedals, making it a versatile tool for guitarists seeking unique distortion sounds.
Videos
EHX
Electro-Harmonix Graphic Fuzz EQ / Distortion / Sustainer (Demo by Peter Stroud)
Electro-Harmonix Graphic Fuzz EQ / Distortion / Sustainer (Demo by Peter Stroud)
EHX
Pedals and Effects: Graphic Fuzz by Electro-Harmonix
Pedals and Effects
Electro-Harmonix - Graphic Fuzz (90's)
collector//emitter
Reviews
4.5 out of 5
Based on 0 Reviews and 2 Ratings
Artist usage
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Used for Dylan's vocals on "Things Have Changed", as mentioned by sound engineer Chris Shaw in this December 31, 2008 Electronic Musician article. It predates the XO version of the Graphic Fuzz.
“After we tracked the song ‘Things Have Changed,’ for The Wonder Boys soundtrack, Bob asked me for a quick mix,” Shaw recalls of his first session with Dylan. “I figured the final mix would be done by someone like Daniel Lanois. So I did a quick rough mix to DAT. Bob listened and said everything was too clear, too easy to pick out every instrument and note. He wanted to ‘mush’ it up.”
According to Shaw, Dylan employed a trick of his own for ensuring his vocal track was tailor made to sit perfectly in what would become a delightfully murky mix: running his vocal back through a guitar amplifier to exaggerate its natural asperity. Shaw took it one step further and placed an Electro-Harmonix Graphic Fuzz box in the signal chain (he also says that he ran the snare and the room mics through the unit as well). Nodding in approval, Dylan reached over and pushed the percussion track up nearly all the way, the shaker now a bayonet piercing the left side of the mix. “I thought, it’s just a reference mix and ran the DAT again,” says Shaw. “A couple of days later Jeff Rosen, Bob’s manager, called and asked me for the quarter-inch [tape] of the mix. I was stunned—it was just a rough mix, a very rough mix. Jeff said, ‘Oh, you don’t know Bob. That was the final mix.’ The DAT was the master. Two months later it was nominated for an Oscar for best song. Two months after that, it won the Oscar for best song.”
An EH3060 Graphic Fuzz is listed as being used by Tetsuya during the 30th L'Anniversary Starting Live 'L'APPY BIRTHDAY!' Concerts as per FREE THE TONE's article who designed Tetsuya's rig.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Electro-Harmonix EH-3060 Graphic Fuzz, it is most commonly used with the following gear.
Community setups
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