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Go to synth for live performance

Along with the OT and Rytm, the A4 forms the core of my set up. It has deep programming that is accessed via a menu system on the LCD screen. While some people have issues with menu diving and prefer to have more controls laid out on the synth I like it because it packs in a lot of power to a small footprint and makes it portable for live performance. You soon become familiar where to find each parameter and realise that they are logically planned out.

All of the Elektron machines are the same size and have screw holes on the side which allows you to stack them using side panel stands.

For those with modular/semi modular gear, the A4 has CV sequencer which I believe is pretty diverse and can be set to V/Oct or Hz/V. This is something that I haven't used yet.

Gear Agenda Ends Here

How could that be, you ask? Because the Analog Four is the apex of features, and the peak of routing capabilities for digital and analog synths across the globe. But the secret behind the wonder of this synth is that everything you ever desired to do on a synth, is not only possible, but analog and stable. For those who like the perfection of digital control, but crave that analog swag, you get it all, including polyphony, sequencing, external cv control, and probably just a hair shy of a trillion routing possibilities. Let's not neglect the inputs that allow for external signal processing for use of the gigantic filters that will turn anything into gold. To truly understand the perfection of the Analog Four, you have to just dive in for hours.

The brain.

The Elektron Analog Four is the summation of what I sought in the engine behind my live setup. I needed drums; bass; in-depth sequencing of notes, parameters, and external gear; a sound that lived and breathed in its own atmosphere; and I needed it to fit in my backpack. The Analog Four does all of this, and to be honest, I don't need anything other than this to play a live show. The only reason I bring other equipment along is to keep myself entertained. The Analog Four is perfect for live, no-laptop electronic music performance. That said, the Analog Four doesn't have much in the way of character, and programming the thing isn't what I would call "fun". It's a utility instrument: a tool, not a toy. I think I like toys more than tools, but if you need a job doing, this'll do the job with an able body and a stable mind (though it may not have much spirit).

Very deep and playable tabletop synth.

Great sequencing and playability features for live use. Lots of interesting timbres can be achieved that are not found in many traditional East Coast style synths. I just wish it had individual out for each track, overbridge works fairly well, but I like to track things through my mixer.

The best modern Analog poly synth

Love the incredible variety of sounds I can get out of it. Has a very old school sound to it, but you can also coax very modern sounds out of it as well. So many features it takes awhile to get the hang of it. There is a decent amount of menu diving which is a bit annoying, but the sound quality at this price is insane.

Improvisational Wet Dream

Setting aside the fact that this thing just sounds amazing, the performance mode alone is perfect for creating more expressive songs, and allows you to improv new takes on your existing tracks on the fly

Four voices, almost infinite possibilities

Elektron are known for there unique workflow and the analog four is no exception. With parameter locks, great effects and a very capable sequencer, don't expect to know all the surprises this machine has for years to come. An amazing tool.

As with all elektron gear, A+++ build quality, features, it is one of my lonely island tools of choice!

As with all elektron gear, A+++ build quality, features, it is one of my lonely island tools of choice!

Game Changer

Deep basses, piercing leads, mellow bells and haunting drones. all in one!