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Description

Introducing the Elektron Octatrack DPS-1, a true game-changer in the world of music production and performance. This revolutionary instrument is not just another sampler, it's a complete reimagining of what a sampling machine can be. With its 8 individual sample and sequencing tracks, the Octatrack DPS-1 offers an unsurpassed level of flexibility and control, making it an ideal tool for both studio production and live performance. At its heart is an intuitive user interface that puts you in the driver's seat, allowing you to manipulate samples and incoming audio in real-time with dynamic pitch shifting, time stretching, and a range of other effects.

Key Features: - 8 individual sample and sequencing tracks - Comprehensive and pioneering studio device - Intuitive user interface for dynamic real-time control - 16 banks of 256 patterns for ample storage and variety - Ability to heavily process samples and incoming audio - Dynamic pitch shifting and time stretching capabilities - Wide range of effects including delays and filters.

Product specs

Brand Elektron
Model Octatrack DPS-1
Finish Black
Year 2010s
Made In Sweden
Categories Samplers, Sequencers
Analog / Digital Digital
MIDI I/O MIDI Input, MIDI Output, MIDI Through, USB MIDI
Number of Pads 16 Pads
Polyphony 8 Voices

FAQs

What is the primary function of the Elektron Octatrack DPS-1?

The Elektron Octatrack DPS-1 is a dynamic performance sampler designed for live performances and studio work, allowing for real-time sample manipulation, sequencing, and looping.

How many audio tracks can the Octatrack DPS-1 handle simultaneously?

The Octatrack DPS-1 can handle up to 8 audio tracks simultaneously, offering extensive flexibility for live sampling and on-the-fly audio manipulation.

Is the Elektron Octatrack DPS-1 compatible with external MIDI devices?

Yes, the Octatrack DPS-1 features MIDI input, output, and through, allowing it to integrate seamlessly with external MIDI devices for expanded control and sequencing capabilities.

What sampling rate does the Elektron Octatrack DPS-1 support?

The Elektron Octatrack DPS-1 supports a sampling rate of 44.1 kHz, which is standard for high-quality audio playback and recording.

Can the Octatrack DPS-1 be used as a standalone unit for live performances?

Yes, the Octatrack DPS-1 is designed to function as a standalone unit, making it ideal for live performances with its powerful sampling, sequencing, and effects capabilities.

B&H Photo Video Pro Audio

B&H Photo Video Pro Audio

Elektron Octatrack DPS-1

Video thumbnail for Elektron Octatrack DPS-1 by B&H Photo Video Pro Audio

Elektron Octatrack DPS-1

B&H Photo Video Pro Audio

B&H Photo Video Pro Audio

Video thumbnail for Elektron Octatrack DPS-1: Ohrwert Deeptech Session by Arjen Schat

Elektron Octatrack DPS-1: Ohrwert Deeptech Session

Arjen Schat

Arjen Schat

Video thumbnail for mmag.ru: ELEKTRON OCTATRACK DPS-1 USE EXAMPLES by MusicMagTV

mmag.ru: ELEKTRON OCTATRACK DPS-1 USE EXAMPLES

MusicMagTV

MusicMagTV

Video thumbnail for mmag.ru: Elektron Octatrack DPS-1 video review and demo by MusicMagTV

mmag.ru: Elektron Octatrack DPS-1 video review and demo

MusicMagTV

MusicMagTV

Reviews

PROS

  • Versatile: studio in a box for live, sound processing, and track making

  • Powerful sampler with deep feature set for creative sound manipulation

  • 8 track MIDI sequencer for programming hardware

  • Unique effects like chorus, delay, flanger, bitcrusher, distortion

  • Ideal for making techno loops and sequencing synths

  • Central mixing station capability for audio routing

  • Enhances live performance with real-time effects and parameter locks

CONS

  • Steep learning curve; demands time and effort to master

  • Lacks a user-friendly interface, making initial use challenging

  • Not polyphonic, limiting chordal playback on samples

  • Requires extensive knowledge of audio engineering to fully utilize

  • Some aspects remain confusing even after prolonged use

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Elektron Octatrack DPS-1.

Features and functionality

  • The MKII offers more input headroom and extra buttons that reduce the need for multiple button presses, enhancing user efficiency.

    Source
  • The Octatrack MKI and MKII share the same firmware, but the MKII includes additional shortcut buttons for improved usability.

    Source
  • The Octatrack offers 4 outputs and 2 effects per track, plus 2 master effects, setting it apart in terms of performance capabilities.

    Source

User experience

  • The DPS-1's learning curve is steep, but once mastered, it becomes a versatile tool used frequently across various scenarios.

    Source
  • Owners report a continuous learning curve with the Octatrack, still discovering new capabilities even after years of use.

    Source
  • Owners express concerns about the longevity of DPS-1 components, particularly encoders, suggesting potential wear over time.

    Source

Setup and maintenance

  • For those using the DPS-1, the 85mb RAM handles extensive setups, such as three-hour DJ sets with multiple static and flex tracks, without issues.

    Source

Other

  • MKI units may be over a decade old, so checking for recent manufacturing dates can prevent potential wear-related issues like encoder and button deterioration.

    Source

Use cases and applications

  • An owner successfully used the DPS-1 for a three-hour DJ set, utilizing crossfades between static tracks and multiple loaded samples, demonstrating its robust capabilities.

    Source
  • The Octatrack can serve as a brain for setups, integrating smoothly with synths like Peak and Prologue 8, while also handling atmospheric samples effectively.

    Source

Comparisons

  • The Digitakt has better effects quality and additional outputs compared to the Octatrack, which colors recorded sound more distinctively.

    Source

Value and pricing

  • Used Octatrack DPS-1 units frequently sell for $500-$700, with mint condition listings potentially reaching $680, often including original packaging and accessories.

    Source
  • Some buyers have found Octatrack DPS-1 units for as low as $550 on platforms like Reverb, usually lacking original packaging or manuals.

    Source
  • In Australia, Octatrack DPS-1 units in near-new condition have been purchased for around $653 USD, indicating regional price variations.

    Source
Add

5.0 out of 5

Based on 16 Reviews and 108 Ratings

5 star
4 star
3 star
2 star
1 star
fathand

An amazing instrument that is the brain of my hardware set up.

The Octatrack took me several months to get my head around. As my first step sequencer, first sampler and first piece of Elektron gear it was probably not the easiest one to start with but once I cracked the work flow it quickly became the backbone of what is now my hardware only live electronic set up. The sampler element of the machine has a deep set of features that allow you to take recorded sounds to very interesting places you might not go with other machines or even with software. On top of the crazy sample mangling ability of this machine it also has an 8 track midi sequencer that allows you to programme any other hardware that you may own.

As I use the OT along with quite a few other pieces of equipment, including other Elektron boxes, I have developed a workflow that doesn't require me to dig too deep when performing. All of my needs are met and more with the current feature set of the OT however I understand those more advanced users have features that they would love for Elektron to implement. Knowing the company though I am sure that over time they will continue to develop this classy machine.

simfonik

Great review, and welcome to Equipboard!

I've been considering the OT for a while now, but I'm worried I won't get on with the Elektron workflow. You mention that you use other Elektron boxes as well; would you recommend any of them as a better starting point for their gear?

fathand

Thanks simfonik!

I found learning the OT initially a very frustrating process to go through but I did it like a 5 year old who didn't need/read the instructions. Once I got past loading samples, setting up projects, setting up the midi options and understanding the differences between the different machines I started flying and coming up with really cool jams. It really informs the style of writing now. There are some amazing tutorial videos from a bunch of helpful super users that are worth watching before you make the decision. Also worth checking out http://www.elektronauts.com/ for other user opinions.

In terms of other elektron gear, if you have modular stuff then I'd recommend the Analog 4 so you can use the CV sequencer. It is also a really capable 4 track anaolgue synth, each one can be sequenced separately or you can play it as a 4 note polyphonic synth. I love it in combination with the OT.

simfonik

I tend to get acquainted with new gear in that same way, just jumping in and seeing where I can go. From the little time I spent with a Machinedrum at a shop, I got the impression that I'd need to get pretty intimate with the manual before fully understanding its capabilities (and having fun with it). It seemed like the OT would probably be the same kind of learning curve, which isn't necessarily a turn off. Of the people I've talked to who have one, they've pretty much echoed what you said about it informing their writing style. That's good to know.

The Analog 4 looks amazing, especially with the CV sequencer. I didn't know you could sequence it as a 4 track (assuming multitimbral?) synth – that's really attractive!

Thanks for sharing your thoughts on these!

dystopiansoundscapes

Unnecessary complexity leads to unfathomable outcomes.

This thing sat on my desk, testing my patience for a year and a half. I just could not wrap my head around even the basics of this thing. So I gave it one more try before throwing it in the ocean. 6 weeks later I had about 40 song ideas. I still have almost no idea how some aspects of it work and honestly I see no reason why anyone would make something so unnecessarily counter-intuitive. I'm really big on simplicity and in that department this is a total disaster. However: it is very powerful and allows you to do things that I've never seen anywhere else except Ableton, so... I love it I hate it. *If you buy one search reddit for the "Merlin guide to Octatrack".

From Gear Setup
noize_guerilla_subalot

It's the future! Omg ths sampler is awesome! Great tool for recording(synth lines) on the fly while live-setting and messing up samples BIG TIME.

Great Sampler. the possibilities are sheer endless, I got basslines out of snare samples which make your nosewalls flatter. Very creative tool, but in my opinion it took the most time of all elektron instruments to get used to, as it is so diffrent. 4 inputs which I myself use in livesets (Analog Rytm takes 2 ins, + 2 mono synths). When you have a few synths this can really multiply your possibilities in a logarythmic way... chorus,delay,flanger,bitcrusher,distortion ... all those effects can be used with the octatrack... on the inputs or on the internal tracks. The delay is very nice.

L

Sound From Space

When you take the time to really delve into this magical box you'll see it holds layers upon layers of crazyness. Only thing I'd say I would've liked to see added is the extension of more midi parts per bank. With only 8 (audio) tracks it would be nice to have 16 parts to accompany the 16 patterns per bank. It's the hart of my 'Analog Kitchen' live setup and also the hub for my Minitaur basslines. It also serves as a Mono to Stereo in/out for the Minitaur by adding some fx and routing it to the cue outs.

shinhito

One of the best pieces of equipment you can own.

The Octatrack is a beast. You can sample/loop/effect/mangle audio to your heart's content with this box. You can use it as the heart of your live setup, you can use it in the studio to create music, you can use it as a live looper. The Octatrack is definitely worth its high price of entry.

koldunya

The best at what it does

pre-ordered as my first Elektron box and got it in 2011, and was not disappointed. I actually don't like sampling with it all that much, but prefer to mangle my existing sample library with it and use it as a central mixing station and hub to route audio between my other gear.

paul_walerian_badaszewski

Best bit of kit I own!!!

It's great for making crazy techno loops and gave my synths a new lease of life when I started sequencing them with it. And it capable of so so much, it's the centre of my setup.

mayen

8 Audio tracks and 8 Midi tracks

I have mine rigged so I can play 8 audio tracks and 8 midi tracks. I use channels 1-4 to control my Elektron Analog 4, Channel 5 for my Korg Minilogue and Channel 6 for my Sub37. It has changed the way I make music.

viladsun

good machine but ...

Good machine but I think it has a very big fault, it´s not polyphonic.

K

Really getting into it.

wow... i've had this thing for several years and didn't really like it too much. But now really opening it up and getting into it. Massive capabilities.

U

On the other hand, I love it. It's on my never sell list.

Artist usage

Add artist
See how Actress uses Elektron Octatrack DPS-1

Actress

Music Producer

...
Verified via Flickr

In this 2012 photo, an Octatrack MK1 can be seen behind Actress' laptop in his live setup. The photo is a bit difficult to make out given that it's somewhat blurry, but the Octatrack is nonetheless clearly visible.

See how John Tejada uses Elektron Octatrack DPS-1

John Tejada

Music Producer

...
Verified via XLR8R

"Is your current live set-up still all Elektron pieces? Yeah, it is. When I travel, they just have this great bag where you can fit three of them in it. I don’t know if it’s because I’m doing something wrong, but I usually have to squeeze into really tight spaces at gigs."

"I’ve had different iterations over the years, but what I do now is use the Octatrack as my Ableton-esqe workstation. So starting here in the studio, I send sync to everything and use my Elektron toys to get paint-splatter writing going. It's not thinking too much, just jamming. The Octatrack is quite good at capturing things, so I don’t use my computer at all. So I capture things into the record buffers, and I assign them to tracks—just things that work together. I’ll do that for eight channels and will set it up so not everything plays at once at first—because on the Octatrack, it's not like the typical Roland, 16 patterns with banks. What you have is 16 banks and, within each of those banks, you have 16 patterns—so, each bank is essentially a song. So within a bank I can have 16 variations, and the great thing about the Elektron gear is that they do these things called parameter locks. So per line, you can copy in parameters and info, and it makes it quite easy to change parameters just for that one step."

See how Kangding Ray uses Elektron Octatrack DPS-1

Kangding Ray

Music Producer

...
Verified via Facebook

Kangding Ray comments, "It's packing time... Next stop : Detroit," in this Facebook post. The Elektron Octatrack can be seen in the rack above the DSI Tempest.

See how Alan Braxe uses Elektron Octatrack DPS-1

Alan Braxe

Music Producer

Alan Braxe & Fred Falke

...
Verified via Attack Magazine

I bought the Octatrack about five months ago and I’m not in full control of it yet because it’s quite complex. You can do a lot of things but what I find really interesting are the parameter locks on the sequencer. I’m mainly starting to use it as a MIDI sequencer because you can control every parameter of hardware synths with it. In one minute you can build a pattern and control notes, filter settings, decay, attack, MIDI continuous controllers on every step of the bar. It’s really cool

See how Jimmy Edgar uses Elektron Octatrack DPS-1

Jimmy Edgar

Music Producer

...
Verified via Trashaudio

"I just got an octatrack, which is blowing my mind."

See how The Field uses Elektron Octatrack DPS-1

The Field

Music Producer

...
Verified via YouTube

Machinedrum and Octatrack used live

See how Audion uses Elektron Octatrack DPS-1

Audion

Music Producer

...
Verified via Instagram

Audion uses the Elektron Octatrack DPS-1 during live performances, as seen in a post on Instagram tagged #audionlive.

See how The Bug uses Elektron Octatrack DPS-1

The Bug

Music Producer

...
Verified via Elektronauts

"When we started working on the Zonal sketches, I already had the Octatrack, Analog Four, and Rytm."

See how Jacques Greene uses Elektron Octatrack DPS-1

Jacques Greene

Music Producer

...
Verified via YouTube

At 0:03 you can clearly see Jacques using the Octatrack.

See how Matthew Dear uses Elektron Octatrack DPS-1

Matthew Dear

Music Producer, DJ

...
Verified via MusicRadar

“I’ve said it before, and I’ll say it again: this thing has a mind of its own. The more you push it, the more intelligent it gets. Whether you’re using it for drum patterns, or sample warping, you never end up anywhere near where you started.”

See how Pye Corner Audio uses Elektron Octatrack DPS-1

Pye Corner Audio

...
Verified via Photo

In an Instagram post by dystopian_vectors, Pye Corner Audio is shown using the Elektron Octatrack DPS-1 while preparing for a performance.

See how Karenn uses Elektron Octatrack DPS-1

Karenn

Music Producer

...
Verified via Photo

There is an Electron Octatrack in the foreground of the image.

Used With

Based on how musicians on Equipboard use Elektron Octatrack DPS-1, it is most commonly used with the following gear.

Elektron Analog RYTM
16
Elektron Analog Four
Elektron Analog Four Keyboards, Synthesizers & MIDI
14
Elektron Digitone
Elektron Digitone Tabletop Synthesizers
10
Elektron Digitakt
Elektron Digitakt Keyboards, Synthesizers & MIDI
9
Ableton Live
Ableton Live DAW Software
8
Apple MacBook Pro (General)
Apple MacBook Pro (General) Computers & Peripherals
7
Yamaha DX7
Yamaha DX7 Synthesizers
6
Korg Wavestate
Korg Wavestate Synthesizers
5
KRK RP5 Rokit 5 G4
KRK RP5 Rokit 5 G4 Active & Passive Monitors
5

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