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Average Price: $1,199
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Description
Unlock a universe of sound with the Eventide DSP4000 UltraHarmonizer, a revolutionary effects processor that’s been shaping the sonic landscapes of studios worldwide. Known for its stunning array of effects and unparalleled versatility, this processor is a staple for sound engineers and musicians seeking to elevate their recording and live performance experiences. The DSP4000 combines Eventide's hallmark quality with cutting-edge technology, providing a vast library of presets and the ability to create custom algorithms. Whether you're looking to add rich harmonies, intricate delays, or lush reverbs, this unit offers endless creative possibilities.
The DSP4000 is equipped with a powerful digital signal processing engine that ensures pristine audio quality. It features a user-friendly interface, making navigation through its features a breeze. Connect effortlessly with its extensive I/O options, which accommodate various studio setups. This processor is not just a tool but a creative companion that inspires innovation in music production.
Key Features:
- Over 500 preset effects including pitch shifting, reverb, delay, and modulation
- Customizable algorithms for personalized sound design
- High-quality 24-bit digital signal processor
- Comprehensive MIDI implementation for seamless integration
- Extensive I/O options including analog and digital connections
- User-friendly interface with a large LCD display
- Compatible with Eventide's VSIG programming software for algorithm creation
Product specs
| Brand | Eventide |
| Model | DSP4000 Ultra Harmonizer |
| Finish | Grey |
| Year | 1990s |
| Categories | Multi-Effect |
FAQs
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What are the key features of the Eventide DSP4000 UltraHarmonizer?
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The Eventide DSP4000 UltraHarmonizer is a versatile digital audio signal processor with capabilities for pitch change and a wide range of effects. It offers extensive programmability, making it suitable for both studio and live applications.
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Can the Eventide DSP4000 UltraHarmonizer be used in live performances?
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Yes, the Eventide DSP4000 UltraHarmonizer is designed for both studio and live settings, providing reliable performance and a wide array of effects that can enhance live sound.
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What types of effects can the Eventide DSP4000 UltraHarmonizer produce?
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The DSP4000 UltraHarmonizer offers a variety of effects including pitch shifting, reverb, delay, and modulation, among others. It is known for its high-quality sound processing and flexibility in creating complex audio effects.
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Is the Eventide DSP4000 UltraHarmonizer suitable for beginner producers?
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While the DSP4000 UltraHarmonizer is powerful and versatile, it may be more suitable for experienced producers due to its complex programming and broad range of features. Beginners might find it challenging without prior experience with multi-effects processors.
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How does the Eventide DSP4000 UltraHarmonizer compare to other effects processors?
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The Eventide DSP4000 UltraHarmonizer is renowned for its high-quality sound and extensive programmability, often considered a benchmark in the industry for multi-effects processing, offering superior pitch shifting and a wide range of effects compared to many competitors.
Videos
Rob Hayes
IBANEZ RGR420EX LINE6 POD PRO EVENTIDE DSP4000 HARMONIZER TEST VIDEO
IBANEZ RGR420EX LINE6 POD PRO EVENTIDE DSP4000 HARMONIZER TEST VIDEO
Rob Hayes
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide DSP4000 UltraHarmonizer.
Features and functionality
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Simon Posford's Eventide DSP4000 is noted for its use in creative effect chains, particularly in psychedelic music production.
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Squarepusher utilized a Yamaha QY700 sequencer known for its 480 ppq, offering very tight and fast timing, enhancing the live recording feel.
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The Akai S6000 sampler was integral, known for its extensive memory, allowing for detailed sample manipulation.
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Squarepusher's use of MIDI pickups on his bass allowed him to play and manipulate keyboards and effects processors directly, integrating live performance into studio recordings.
Source
Software and compatibility
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Simon uses Valhalla Freq Echo and Molekular inside Reaktor, suggesting these as software alternatives to achieve similar effects as the DSP4000.
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Tracker software like Milky Tracker is suggested for programming cut breaks and achieving the 'organised chaos' glitch aspect of Squarepusher’s work.
Source
Critic Reviews
5.0 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
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can be seen at 0:40 in the video
In a photo from cEvin Key’s Vancouver studio in 1997, an Eventide DSP4000 UltraHarmonizer is visible in one of the equipment racks, showcasing its use in his setup.
In the interview linked to above, Daniel Lanois talks about using an Eventide DSP4000 Harmonizer (misspelt as ‘Evantide’ in the report).
Used in "a Big Muff setting" on the bass drum and snare on Only by the Night, as stated by producer Jacques King in this December 2008 Sound on Sound interview.
"The microphones on the drums changed a lot from song to song. On the kick it could be a Beta 52, sometimes it was an RE20, or a [Sennheiser] 421, or a [Neumann] FET 47, or an NS10 [i.e. the driver from a Yamaha NS10 monitor used as a mic], or a combination. It depends on what I was trying to achieve. The mics were usually in front of the kick, or just barely inside. On one song, 'Crawl', I did put a U87 on the batter side of the kick, next to the pedal, which gives a very attack-orientated sound, with a Led Zeppelin-ish quality. On 'Sex On Fire' I used the 52, FET 47 and NS10 on the kick. I had all the kick mics on a Neve BCM10 sidecar and I'd submix them and run them through a GML EQ and then to one track on the tape. I didn't want to keep them separate. It was a matter of get the sound, make the decision, and move on.
"The snare was recorded in similar fashion to the kick. I had the option of various mics that all went through a BCM10 and were submixed, through a GML 580 EQ, then a [Empirical Labs] Distressor, just to give it some control and make sure the snare hit the tape at the right level. On the track sheet a transformerless Shure SM57 is indicated. It was something I read about a couple of years ago, and it's a really good thing. It gives a nicer, more transparent, usable sound that requires less EQ. You lose a bit of level, but typically the things that you record with a 57 are so loud anyway that it doesn't matter. So I asked the people at Blackbird to take the transformer out of one of their 57s and they were gracious enough to do this. After recording I also ran the snare and kick through an Eventide DSP4000 on a Big Muff setting, and recorded that in Pro Tools during the transfer to the computer."
In this article, Sugizo's rig was also shown to consist of multiple Eventide DSP4000 effect processors.
The item can be seen at 7:06 in the video as part of one of his tall rack spaces.
You can see the eventide DSP4000 in the rack in the Scooter's studio.
In an Instagram post captioned "Bass night," Matt Lange is shown using the Eventide DSP4000 UltraHarmonizer.
In this episode of Producers House, you can see the Ultra Harmonizer.
Marius de Vries, a renowned composer and music producer, is confirmed to use the Eventide DSP4000 UltraHarmonizer as part of his recording setup. This information is supported by a detailed feature on de Vries' work and equipment preferences published by Soundonsound, in an article titled "MARIUS DE VRIES: Launching A Massive Attack On Madonna." The Eventide DSP4000 UltraHarmonizer is listed among other critical pieces of gear that contribute to his distinctive sound in studio recordings.
Album Usage
The Eventide DSP4000 UltraHarmonizer has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Eventide DSP4000 UltraHarmonizer, it is most commonly used with the following gear.
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