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Average Price: $1,199
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Description
Unlock a universe of sound with the Eventide DSP4000 UltraHarmonizer, a revolutionary effects processor that’s been shaping the sonic landscapes of studios worldwide. Known for its stunning array of effects and unparalleled versatility, this processor is a staple for sound engineers and musicians seeking to elevate their recording and live performance experiences. The DSP4000 combines Eventide's hallmark quality with cutting-edge technology, providing a vast library of presets and the ability to create custom algorithms. Whether you're looking to add rich harmonies, intricate delays, or lush reverbs, this unit offers endless creative possibilities.
The DSP4000 is equipped with a powerful digital signal processing engine that ensures pristine audio quality. It features a user-friendly interface, making navigation through its features a breeze. Connect effortlessly with its extensive I/O options, which accommodate various studio setups. This processor is not just a tool but a creative companion that inspires innovation in music production.
Key Features:
- Over 500 preset effects including pitch shifting, reverb, delay, and modulation
- Customizable algorithms for personalized sound design
- High-quality 24-bit digital signal processor
- Comprehensive MIDI implementation for seamless integration
- Extensive I/O options including analog and digital connections
- User-friendly interface with a large LCD display
- Compatible with Eventide's VSIG programming software for algorithm creation
Product specs
| Brand | Eventide |
| Model | DSP4000 Ultra Harmonizer |
| Finish | Grey |
| Year | 1990s |
| Categories | Multi-Effect |
FAQs
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What are the key features of the Eventide DSP4000 UltraHarmonizer?
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The Eventide DSP4000 UltraHarmonizer is a versatile digital audio signal processor with capabilities for pitch change and a wide range of effects. It offers extensive programmability, making it suitable for both studio and live applications.
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Can the Eventide DSP4000 UltraHarmonizer be used in live performances?
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Yes, the Eventide DSP4000 UltraHarmonizer is designed for both studio and live settings, providing reliable performance and a wide array of effects that can enhance live sound.
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What types of effects can the Eventide DSP4000 UltraHarmonizer produce?
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The DSP4000 UltraHarmonizer offers a variety of effects including pitch shifting, reverb, delay, and modulation, among others. It is known for its high-quality sound processing and flexibility in creating complex audio effects.
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Is the Eventide DSP4000 UltraHarmonizer suitable for beginner producers?
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While the DSP4000 UltraHarmonizer is powerful and versatile, it may be more suitable for experienced producers due to its complex programming and broad range of features. Beginners might find it challenging without prior experience with multi-effects processors.
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How does the Eventide DSP4000 UltraHarmonizer compare to other effects processors?
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The Eventide DSP4000 UltraHarmonizer is renowned for its high-quality sound and extensive programmability, often considered a benchmark in the industry for multi-effects processing, offering superior pitch shifting and a wide range of effects compared to many competitors.
Videos
Rob Hayes
IBANEZ RGR420EX LINE6 POD PRO EVENTIDE DSP4000 HARMONIZER TEST VIDEO
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Eventide DSP4000 UltraHarmonizer.
Features and functionality
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Simon Posford's Eventide DSP4000 is noted for its use in creative effect chains, particularly in psychedelic music production.
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Squarepusher utilized a Yamaha QY700 sequencer known for its 480 ppq, offering very tight and fast timing, enhancing the live recording feel.
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The Akai S6000 sampler was integral, known for its extensive memory, allowing for detailed sample manipulation.
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Squarepusher's use of MIDI pickups on his bass allowed him to play and manipulate keyboards and effects processors directly, integrating live performance into studio recordings.
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Software and compatibility
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Simon uses Valhalla Freq Echo and Molekular inside Reaktor, suggesting these as software alternatives to achieve similar effects as the DSP4000.
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Tracker software like Milky Tracker is suggested for programming cut breaks and achieving the 'organised chaos' glitch aspect of Squarepusher’s work.
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Critic Reviews
5.0 out of 5
Based on 0 Reviews and 5 Ratings
Artist usage
Add artistSpectrasonics Studio List The equipment list for the Spectrasonics studio reads like a gear-head's dream. Favourites amongst Eric's sizeable synthesizer collection include the Access Virus, the Prophet VS, his collection of Waldorf synthesizers, and a 1976 Yamaha CS80. "It's my favourite axe to play, because of the awesome polyphonic aftertouch and that sensuous ribbon," explains Eric.
For effects processing Eric is a fan of the Roland SRV330 reverb, an item that "gets missed by most people, mainly because it doesn't say Lexicon on the front panel." For distortion tricks Eric often uses a rare Boss GL100 guitar preamp: "It's basically the history of Boss pedals in one rack space."
Mixing, until recently, was done on some "very odd, custom-made analogue mixers made by a guy named Mo West," reveals Eric. He recently purchased a Roland VM 7000-series mixer, however, taking him one step closer to an all-digital setup.
SAMPLERS • Roland S760 and S770 • Kurzweill K2000 • Bitheadz Unity DS1 (running on an Apple Macintosh G4)
SYNTHESIZERS/DRUM BOXES • Access Virus • Clavia Nord Lead • Doepfer modular synth • Emu modular synth • Moog Minimoog (modified by Studio Electronics) • Oberheim SEMs • Polyfusion modular synth • Roland JP8000 prototypes & production units • Roland JP8080 • Roland JD800/990 • Roland Jupiter 8 • Roland JV1080 and 2080 • Roland MKS50 Alpha Juno • Roland MKS80 Super Jupiter • Roland System 700 and 100m modular synths • Roland MC303 • Roland MC505 • Roland TB303 • Roland TR808 • Roland TR909 • Korg EX8000 • Korg M1R • Korg Mono/Poly • Sequential Circuits Prophet VS • Waldorf Wave, Microwave, Microwave XT • Yamaha CS80
SOFTWARE • Alchemy • Arboretum HyperEngine • Arboretum Hyperprism plug-in pack • Arboretum Ionizer • Arboretum Raygun noise-reduction plug-in • Antares Infinity • BIAS Peak audio editor • BIAS SFX machine effects • Emagic Logic Audio Platinum • Emagic Sound Diver synth editor/librarian • Fireball • GRM Tools plug-in pack • Metasynth • Opcode Vinyl, Vocode & Filter plug-ins • Propellerheadz Rebirth soft synth • Prosoniq SonicWorx Artist effects • Steinberg Magneto tape-saturation emulator • Steinberg ReCycle sample editor • Thonk soft synth • RAIFF • Region Munger • Transfer Station • Samplifier sample transfer software • Saturator • Sound Morph • Sound Hack audio editor • Unisyn synth editor • Waveboy Voder
SIGNAL PROCESSORS • AMS RMX reverb • API 5502 equaliser • Boss GL100 guitar driver • Boss SE70 multi-effects • Dimension beam controller • Euphonics mixing console • Eventide DSP4000 & H3500 harmonizers • GML stereo parametric EQ • Innovonics compressors • Langevin passive equalisers • Lexicon PCM70/80/480 reverbs • MXR Distortion Plus • Quest custom mixers • Roland Dimension D & C processors • Roland RSP550 multi-effects • Roland RSS10 3-dimensional effects • Roland SDE330 delay • Roland SDX330 chorus • Roland SRV330 reverb • Roland SVC330 vocoder • TC Electronics Fireworx multi-effects • Summit tube mic preamps
In this transcription of a 1998 interview with Guitar magazine, Chad discussed the recording of Mansun's Six album. "We also used an Eventide DSP4000, an old MXR flanger which is fantastic... As I was playing that riff through this MXR flanger, Paul was twirling the knobs around as I played. Really fucked-up sound ¬great! We also used a Bell BF20 rack flanger - you can hear that on the main riff of 'Anti-Everything'."
"I do almost all of my music work out of my studio at home. Ok, here goes: I use a pair of Adats, a Soundcraft Ghost for mixing, a bunch of outboard Symetrix and Lexicon processors for dynamics and effects, and an Eventide Ultraharmonizer DSP4000 for pre/post processing and vocal effects. For keyboards I use a mix of older and newer stuff. I have an old Prophet 5, a Casio FZ-1, a Roland MKS-50 with a programmer and an Oberheim Matrix 6. For newer gear, the Roland JP-8000, MC303, and the Novation BassStation are nice for creating new sounds quickly. I also have a little Korg 01/wR with a software programmer that can be coaxed into making some fat sounds (no analog filter tho). I'm pretty religious about not using presets, so I really favor the more programmable synths.
A lot of the recording and arrangement happens inside a PC; I run Logic Audio 2.5 for digital recording, post-processing and midi arrangement. I use an Audiomedia III card for digital transfers to and from a Tascam DA-30 dat. For guitar I use my trusty Les Paul through a Marshall half-stack, with an Oberheim Echoplex on the fx loop. "
Having gone out to various studios to produce sessions, these days Ethan Johns always returns to his Three Crows home studio to mix the results. Working with an API desk and Ampex 24-track, along with his RADAR system and Pro Tools 10, Johns favours outboard over plug-ins, his effects workhorses including the Roland R880, the Eventide DSP4000 and the Lexicon PCM70.
Album Usage
The Eventide DSP4000 UltraHarmonizer has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Eventide DSP4000 UltraHarmonizer, it is most commonly used with the following gear.
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