Pricing and availability

We compare 600+ stores and found this item at 3 stores. Prices updated .

Reverb
5.0 (21)
$3,057.22 25 available Used
zZounds
$4,649.00
Thomann
5.0 (5)
$4,444.00 $4,399.00 $45.00 · All time low

Average Price: $4,035

High-end/Boutique

$200

$601+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 1 merchant for "Gibson J-200". Prices shown reflect NEW condition. Tracking began Apr 9, 2026.

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Description

Introducing the Gibson J-200, a stunningly beautiful addition to your musical arsenal. Famous not just for its visual appeal, this acoustic-electric guitar is also renowned for the depth, balance, and power of its sound, making it an ideal choice for musicians looking to make a strong sonic statement. It's not just a guitar, it's a Gibson, promising unparalleled quality and performance.

The Gibson J-200 takes affordability to a new level without compromising on craftsmanship. The guitar boasts a handcrafted design, using exquisite tonewoods to deliver an acoustic instrument of superior quality. Its visually striking, figured maple back and sides are complemented by a Sitka spruce top, creating a unique blend of aesthetics and functionality.

Adding a touch of elegance is the rosewood fingerboard, offering smooth playability and precision. The Gibson J-200 also features a distinctive 'moustache' bridge, not just a design element but a testament to Gibson's dedication to detail and quality. This guitar isn't just built, it's crafted with a passion for music and a commitment to excellence.

Key Features:

  • Acoustic-electric guitar with deep, balanced, and powerful sound
  • Affordable Super Jumbo design handcrafted from beautiful tonewoods
  • Features beautifully figured maple back and sides
  • Comes with a Sitka spruce top for superior sound quality
  • Rosewood fingerboard for smooth playability
  • Includes a unique 'moustache' bridge for added aesthetic appeal

Product specs

Brand Gibson
Model J-200
Finish Antique Natural, Vintage Sunburst
Year 1989 - 2006
Made In United States
Categories Jumbo Acoustic Guitars
Active Preamp No
Back Material Maple
Body Shape Jumbo
Color Family Brown, Tan
Finish Pattern Sunburst
Fretboard Material Rosewood
Model Family Gibson J-200
Neck Material Maple
Number of Frets 20
Number of Strings 6-String
Pickup None
Right / Left Handed Right Handed
Series Gibson Montana Factory Era
Sides Material Maple
String Type Steel
Top Material Spruce

FAQs

What type of wood is used for the back and sides of the Gibson J-200?

The Gibson J-200 features maple for the back and sides, which contributes to its bright and clear tonal characteristics.

Is the Gibson J-200 suitable for live performances?

While the Gibson J-200 does not come with a built-in pickup, its large jumbo body delivers powerful projection, making it suitable for live acoustic performances when properly mic'd.

What is the neck material of the Gibson J-200?

The Gibson J-200 has a neck made of maple, providing strength and contributing to the guitar's overall bright tonal quality.

How many frets does the Gibson J-200 have?

The Gibson J-200 comes with 20 frets, offering a wide range for playing complex chords and solos.

What is the top material of the Gibson J-200?

The top of the Gibson J-200 is made from spruce, which is known for its excellent resonance and dynamic range.

Acoustic Letter

Acoustic Letter

Gibson J200 Review - How does it sound?

Video thumbnail for Gibson J200 Review - How does it sound? by Acoustic Letter

Gibson J200 Review - How does it sound?

Acoustic Letter

Acoustic Letter

Video thumbnail for J-200 vs J-45 - What's the Best Gibson Acoustic!? by Acoustic Letter

J-200 vs J-45 - What's the Best Gibson Acoustic!?

Acoustic Letter

Acoustic Letter

Video thumbnail for Why Everyone Should Own a Gibson J-200 Acoustic Guitar!! by Acoustic Letter

Why Everyone Should Own a Gibson J-200 Acoustic Guitar!!

Acoustic Letter

Acoustic Letter

Video thumbnail for Gibson 2019 J-200 Standard Acoustic-Electric Guitar by Musician's Friend

Gibson 2019 J-200 Standard Acoustic-Electric Guitar

Musician's Friend

Musician's Friend

Video thumbnail for Gibson SJ-200 Alpine White by WM SOUND Guitars 원미사운드

Gibson SJ-200 Alpine White

WM SOUND Guitars 원미사운드

WM SOUND Guitars 원미사운드

Video thumbnail for Gibson SJ-200 Alpine White / 기타리스트 김태인 by WM SOUND Guitars 원미사운드

Gibson SJ-200 Alpine White / 기타리스트 김태인

WM SOUND Guitars 원미사운드

WM SOUND Guitars 원미사운드

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Gibson J-200.

Build quality

  • Owners highlight the importance of checking for excess glue and inspecting bracing quality inside the guitar for a high-standard purchase.

    Source
  • The J-200's flamed maple top and back are noted to have more detail compared to the SJ-200, which contributes to its visual appeal and potential tonal differences.

    Source
  • The truss rod cover should feature a wide white border with circles around screw holes; deviations may suggest non-original parts.

    Source
  • Authentic J-200 models typically have multi-ply binding around the headstock, not thin single-ply.

    Source
  • Genuine J-200s possess a specific headstock design with parallel verticals aligning to the center line; any misalignment can indicate a counterfeit.

    Source
  • The fretboard's swoop design at the soundhole should match Gibson's precise specifications; variations could signal a fake.

    Source
  • The 4-bar mustache bridge should have 3 small dark lines set in cream binding rather than a wide dark line within the cream section.

    Source

Setup and maintenance

  • Keeping the J-200 in a case with humidity packs is essential to prevent damage, as expensive acoustics are delicate.

    Source

User experience

  • The J-200's sound reportedly improves over time with regular play, enhancing the joy of ownership for dedicated musicians.

    Source
  • A 1957 SJ-200 custom model is described as more "alive" compared to Martins and Taylors, suggesting a unique tonal character that resonates with certain players.

    Source

Comparisons

  • Some suggest considering a Martin D-28 or D-41 for different sound profiles, indicating the J-200 may not suit all musical styles.

    Source
  • Owners mention the SJ-200 as having a newer, warmer sound that hasn't "opened up" like older J-200 models, highlighting the aging effect on tone.

    Source
  • The J-185 has a shorter 24.75" scale length compared to the J-200's Fender-like 25.5", affecting sound thickness and playability.

    Source

Use cases and applications

  • The guitar's large body and deep sound make it less ideal for casual or travel situations, like campfires, due to its size and delicacy.

    Source

Features and functionality

  • The J-200 Standard includes Grover tuners with kidney bean knobs, while the SJ-200 Vintage features Gotoh keystone tuners, indicating slight hardware differences.

    Source
Add

5.0 out of 5

Based on 4 Reviews and 44 Ratings

5 star
4 star
3 star
2 star
1 star
oedipoes

A dream come true

Ever since I've known of their existence, I've been a fan of the sound of an SJ-200 or J-200. I have played a lot of 200's before finding mine. I went from local guitar shops to Denmark street vintage shops over international acoustic specialty shops. Every one I played seemed to sound different: used or new, good or bad shape, they all have their unique character. After years of searching and trying SJ's, I finally found the one for me: a well priced used one, 33 years old, not quite vintage yet. A beautiful natural SJ Standard that sounds exceptionally good. A guitar you fall asleep with on the bed. You can't stop playing it, because the sound and feel are so rewarding. What a contrast with my high end Yamaha FG. No comparison possible. The J-200 is a classic. It has a very balanced sound with good volume. Studio's are beautifully simple, but Standards add real abalone and fine craftsmanship on top. It is one of the few guitars that look good with all the baroque ornaments. That is personal taste of course. Mine didn't come with a pick-up. Not a problem because I only play at home. Also I'm not a fan of the acoustic piezo sound, I much prefer a good microphone to pick up the glorious sound.

skylinerr

Best Acoustic

I sold my Martin D-28 because I wanted this a second hand 2015 SJ-200 standard I cannot speak highly enough of it.

Genres:
willemtk

The best acoustic guitar ever made!

What a lovely sound its probably the best acoustic guitar ever made! Played by music legends like John Lennon, George Harrison, Noel Gallagher, Chris Martin etc...

chris_ames

Reverend Gary Davis

rafael_alonso

Fantastic

It's the best acoustic instrument that i played.

Artist usage

Add artist
See how Jeff Bridges uses Gibson J-200

Jeff Bridges

Singer, Guitarist

Believable Picnic

...
Verified via TSM Interactive

Bridges can be seen in this photo with a Gibson J-200.

See how Michael Kiske uses Gibson J-200

Michael Kiske

Singer

Helloween

...
Verified via YouTube

We see Michael Kiske Playing a black Gibson SJ-200 during a 1992 performance of "A Tale That Wasn't Right" with Helloween.

See how Dave Van Ronk uses Gibson J-200

Dave Van Ronk

Guitarist

...
Verified via Rolling Stone

Dave Van Ronk, a pivotal figure in the 1960s American folk revival and the Greenwich Village music scene, was known for his diverse musical repertoire, including blues, jazz, and ragtime guitar pieces. According to a Rolling Stone article, Van Ronk played a Gibson J-200, an iconic steel-string acoustic guitar. This instrument was integral to his performances, which influenced many artists, including Bob Dylan.

See how Terry Reid uses Gibson J-200

Terry Reid

Guitarist

...
Verified via Guitar.com | All Things Guitar

Reid’s also an avid guitar collector, with his most cherished instruments being a 1952 Gibson Les Paul Goldtop, Gretsch Black Falcon, a Stratocaster with custom Jimi Hendrix pickups from Seymour Duncan, a ’72 Martin D-45, a Gibson J-200 Custom and a Danelectro Baritone.

See how Kip Moore uses Gibson J-200

Kip Moore

Composer

...
Verified via Photo

Photo of kip Moore performing at the Royal Albert Hall, London, 20 May 2023

See how Zella Day uses Gibson J-200

Zella Day

Singer

...
Verified via PhotoBucket

In this photo, Zella Day can be seen playing a Gibson J200.

See how Alex Vargas uses Gibson J-200

Alex Vargas

Guitarist, Singer

Above & Beyond

...
Verified via YouTube

In this live version of Alex Vargas' Tears in the water Alex can be seen using the Gibson SJ-200.

See how Helmuth Franke uses Gibson J-200

Helmuth Franke

Guitarist

Wonderland

...
Verified via Photo

In the picture you can see Helmuth Franke with his natural Gibson SJ-200 Acoustic Guitar.

See how Jamie Campbell Bower uses Gibson J-200

Jamie Campbell Bower

Singer, Guitarist

Counterfeit

...
Verified via YouTube

You can see him playing this guitar at 1:16

See how Boris Grebenschikov uses Gibson J-200

Boris Grebenschikov

Singer, Guitarist

...
Verified via Photo

In a user-uploaded photo on Flickr, Boris Grebenschikov is seen with a Gibson J-200, highlighting his use of this iconic steel-string acoustic guitar.

See how Jess Carson uses Gibson J-200

Jess Carson

Singer, Guitarist

Midland

...
Verified via YouTube

In this video from Reverb around 2:12, Jess says

This here is a 1964 J-200, the king of all flat tops. The sort of Cadillac, the guitar that has been played by many of my idols from Bob Dylan to John Prine to Bruce Springsteen. This is kind of the legendary biggest and boldest acoustic. They're so cool. This era especially with the neck shape, before they went to the much smaller neck. This year is what I consider to be the best neck shape of these guitars. You know, people like Keith Richards play a '64. It's just kind of the perfect feeling neck. This one also is very original. I installed a pickup in it so I could play it live, but it comes with the original bridge. It has an L.R. Baggs system in it right now, and the bridge was replaced to put that in but it comes with the original one. It's got the original case. It's the Iced Tea burst, which for me was the color I've seen the least. When I'd go out and play J-200s in stores, I'd seem to see the Tabacco Burst and the blonde ones a little more so when I saw this one I thought it was really really cool. This one has that J-200 big sound in the open chords. Very even sounding. Very warm and rich.

See how Patty Griffin uses Gibson J-200

Patty Griffin

Guitarist, Singer

Band of Joy

...
Verified via Archive

"Patty primarily plays Gibson guitars. She has two that she plays regularly – a 1993 Gibson J-200 Junior (this is the one I always see her playing and very similar to the Gibson CJ-165) and a 1965 Gibson J-50 (source: Gibson). We have also seen her play a Charles Fox Guitar (she even endorsed the guitar in 1999). We have seen her change her guitars repeatedly during shows. We assume she does this to be able to more quickly be ready for songs with alternate tunings since she moves between different tunings frequently."

Album Usage

The Gibson J-200 has been featured on the following albums:

Gibson J-200 as heard on NYC Made by Ricky Byrd (2025)

NYC Made

Ricky Byrd (2025)

Gibson J-200 as heard on Fire by Saraya (2025)

Fire

Saraya (2025)

Gibson J-200 as heard on Frente by Lanza Internacional (2022)

Frente

Lanza Internacional (2022)

Gibson J-200 as heard on Tiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition) [2021 Remaster] by Stone Temple Pilots (2021)

Tiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition) [2021 Remaster]

Stone Temple Pilots (2021)

Gibson J-200 as heard on Diplo Presents Thomas Wesley: Chapter 1 - Snake Oil by Diplo (2020)

Diplo Presents Thomas Wesley: Chapter 1 - Snake Oil

Diplo (2020)

Gibson J-200 as heard on Tearing At The Seams by Nathaniel Rateliff & The Night Sweats & Nathaniel Rateliff (2018)

Tearing At The Seams

Nathaniel Rateliff & The Night Sweats & Nathaniel Rateliff (2018)

Gibson J-200 as heard on The Beatles by The Beatles (2018)

The Beatles

The Beatles (2018)

Gibson J-200 as heard on Party Of One by George Thorogood (2017)

Party Of One

George Thorogood (2017)

Gibson J-200 as heard on Dopamine by BØRNS (2015)

Dopamine

BØRNS (2015)

Gibson J-200 as heard on Saturns Pattern by Paul Weller (2015)

Saturns Pattern

Paul Weller (2015)

Gibson J-200 as heard on AM by Arctic Monkeys (2013)

AM

Arctic Monkeys (2013)

Gibson J-200 as heard on Do I Wanna Know? by Arctic Monkeys (2013)

Do I Wanna Know?

Arctic Monkeys (2013)

Gibson J-200 as heard on Venus (DJ Hammond Hardtechno Remix 2012) by Bananarama (2012)

Venus (DJ Hammond Hardtechno Remix 2012)

Bananarama (2012)

Gibson J-200 as heard on Beyond The Sun by Chris Isaak (2011)

Beyond The Sun

Chris Isaak (2011)

Gibson J-200 as heard on Undertow by Warpaint (2011)

Undertow

Warpaint (2011)

Gibson J-200 as heard on Wake Me up When September Ends (Live at Foxboro, MA, 9/3/05) by Green Day (2005)

Wake Me up When September Ends (Live at Foxboro, MA, 9/3/05)

Green Day (2005)

Gibson J-200 as heard on Deja Vu (All Over Again) by John Fogerty (2004)

Deja Vu (All Over Again)

John Fogerty (2004)

Gibson J-200 as heard on This Is Where I Came In by Bee Gees (2001)

This Is Where I Came In

Bee Gees (2001)

Gibson J-200 as heard on Burn the Priest by Burn the Priest (1999)

Burn the Priest

Burn the Priest (1999)

Gibson J-200 as heard on Stanley Road by Paul Weller (1995)

Stanley Road

Paul Weller (1995)

Gibson J-200 as heard on Cruisin' Deuces by Danny Gatton (1993)

Cruisin' Deuces

Danny Gatton (1993)

Gibson J-200 as heard on March Or Die by Motörhead (1992)

March Or Die

Motörhead (1992)

Gibson J-200 as heard on The Iron Man: The Musical By Pete Townshend by Pete Townshend (1989)

The Iron Man: The Musical By Pete Townshend

Pete Townshend (1989)

Gibson J-200 as heard on Danger Danger by Danger Danger (1989)

Danger Danger

Danger Danger (1989)

Gibson J-200 as heard on All Of This And Nothing by The Psychedelic Furs (1988)

All Of This And Nothing

The Psychedelic Furs (1988)

Gibson J-200 as heard on The Ballad of Sally Rose by Emmylou Harris (1985)

The Ballad of Sally Rose

Emmylou Harris (1985)

Gibson J-200 as heard on True (Special Edition) by Spandau Ballet (1983)

True (Special Edition)

Spandau Ballet (1983)

Gibson J-200 as heard on Blue Kentucky Girl (Expanded & Remastered) by Emmylou Harris (1979)

Blue Kentucky Girl (Expanded & Remastered)

Emmylou Harris (1979)

Gibson J-200 as heard on Let It Be (Remastered) by The Beatles (1970)

Let It Be (Remastered)

The Beatles (1970)

Gibson J-200 as heard on Green River (Remastered 1985) by Creedence Clearwater Revival (1969)

Green River (Remastered 1985)

Creedence Clearwater Revival (1969)

Gibson J-200 as heard on Led Zeppelin (Remaster) by Led Zeppelin (1969)

Led Zeppelin (Remaster)

Led Zeppelin (1969)

Gibson J-200 as heard on Abbey Road (Remastered) by The Beatles (1969)

Abbey Road (Remastered)

The Beatles (1969)

Gibson J-200 as heard on Headquarters Sessions by The Monkees (1967)

Headquarters Sessions

The Monkees (1967)

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Gibson J-200, it is most commonly used with the following gear.

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4
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2
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2
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2
Electro-Harmonix POG Polyphonic Octave Generator
Electro-Harmonix POG Polyphonic Octave Generator Harmonizer & Octave Effects Pedals
2
Gibson Hummingbird
Gibson Hummingbird Steel-string Acoustic Guitars
2
Fender Vibro King Amplifier
Fender Vibro King Amplifier Combo Guitar Amplifiers
2
Gibson Country Western
Gibson Country Western Steel-string Acoustic Guitars
2
Fender Stratocaster Electric Guitar
Fender Stratocaster Electric Guitar Solid Body Electric Guitars
2

Community setups

Show yours
blaketallent

blaketallent

Gear IQ 238

adam_reynolds

adam_reynolds

Gear IQ 155

iannash

iannash

Gear IQ 274

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