Pricing and availability

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Reverb
5.0 (21)
$3,057.22 25 available Used
zZounds
$4,649.00
Thomann
5.0 (5)
$4,444.00 $4,399.00 $45.00 · All time low

Average Price: $4,035

High-end/Boutique

$200

$601+

Price Tier

Budget

Standard

High-end

Price History

Based on price data from 1 merchant for "Gibson J-200". Prices shown reflect NEW condition. Tracking began Apr 9, 2026.

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Description

Introducing the Gibson J-200, a stunningly beautiful addition to your musical arsenal. Famous not just for its visual appeal, this acoustic-electric guitar is also renowned for the depth, balance, and power of its sound, making it an ideal choice for musicians looking to make a strong sonic statement. It's not just a guitar, it's a Gibson, promising unparalleled quality and performance.

The Gibson J-200 takes affordability to a new level without compromising on craftsmanship. The guitar boasts a handcrafted design, using exquisite tonewoods to deliver an acoustic instrument of superior quality. Its visually striking, figured maple back and sides are complemented by a Sitka spruce top, creating a unique blend of aesthetics and functionality.

Adding a touch of elegance is the rosewood fingerboard, offering smooth playability and precision. The Gibson J-200 also features a distinctive 'moustache' bridge, not just a design element but a testament to Gibson's dedication to detail and quality. This guitar isn't just built, it's crafted with a passion for music and a commitment to excellence.

Key Features:

  • Acoustic-electric guitar with deep, balanced, and powerful sound
  • Affordable Super Jumbo design handcrafted from beautiful tonewoods
  • Features beautifully figured maple back and sides
  • Comes with a Sitka spruce top for superior sound quality
  • Rosewood fingerboard for smooth playability
  • Includes a unique 'moustache' bridge for added aesthetic appeal

Product specs

Brand Gibson
Model J-200
Finish Antique Natural, Vintage Sunburst
Year 1989 - 2006
Made In United States
Categories Jumbo Acoustic Guitars
Active Preamp No
Back Material Maple
Body Shape Jumbo
Color Family Brown, Tan
Finish Pattern Sunburst
Fretboard Material Rosewood
Model Family Gibson J-200
Neck Material Maple
Number of Frets 20
Number of Strings 6-String
Pickup None
Right / Left Handed Right Handed
Series Gibson Montana Factory Era
Sides Material Maple
String Type Steel
Top Material Spruce

FAQs

What type of wood is used for the back and sides of the Gibson J-200?

The Gibson J-200 features maple for the back and sides, which contributes to its bright and clear tonal characteristics.

Is the Gibson J-200 suitable for live performances?

While the Gibson J-200 does not come with a built-in pickup, its large jumbo body delivers powerful projection, making it suitable for live acoustic performances when properly mic'd.

What is the neck material of the Gibson J-200?

The Gibson J-200 has a neck made of maple, providing strength and contributing to the guitar's overall bright tonal quality.

How many frets does the Gibson J-200 have?

The Gibson J-200 comes with 20 frets, offering a wide range for playing complex chords and solos.

What is the top material of the Gibson J-200?

The top of the Gibson J-200 is made from spruce, which is known for its excellent resonance and dynamic range.

Acoustic Letter

Acoustic Letter

Gibson J200 Review - How does it sound?

Video thumbnail for Gibson J200 Review - How does it sound? by Acoustic Letter

Gibson J200 Review - How does it sound?

Acoustic Letter

Acoustic Letter

Video thumbnail for J-200 vs J-45 - What's the Best Gibson Acoustic!? by Acoustic Letter

J-200 vs J-45 - What's the Best Gibson Acoustic!?

Acoustic Letter

Acoustic Letter

Video thumbnail for Why Everyone Should Own a Gibson J-200 Acoustic Guitar!! by Acoustic Letter

Why Everyone Should Own a Gibson J-200 Acoustic Guitar!!

Acoustic Letter

Acoustic Letter

Video thumbnail for Gibson 2019 J-200 Standard Acoustic-Electric Guitar by Musician's Friend

Gibson 2019 J-200 Standard Acoustic-Electric Guitar

Musician's Friend

Musician's Friend

Video thumbnail for Gibson SJ-200 Alpine White by WM SOUND Guitars 원미사운드

Gibson SJ-200 Alpine White

WM SOUND Guitars 원미사운드

WM SOUND Guitars 원미사운드

Video thumbnail for Gibson SJ-200 Alpine White / 기타리스트 김태인 by WM SOUND Guitars 원미사운드

Gibson SJ-200 Alpine White / 기타리스트 김태인

WM SOUND Guitars 원미사운드

WM SOUND Guitars 원미사운드

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Gibson J-200.

Build quality

  • Owners highlight the importance of checking for excess glue and inspecting bracing quality inside the guitar for a high-standard purchase.

    Source
  • The J-200's flamed maple top and back are noted to have more detail compared to the SJ-200, which contributes to its visual appeal and potential tonal differences.

    Source
  • The truss rod cover should feature a wide white border with circles around screw holes; deviations may suggest non-original parts.

    Source
  • Authentic J-200 models typically have multi-ply binding around the headstock, not thin single-ply.

    Source
  • Genuine J-200s possess a specific headstock design with parallel verticals aligning to the center line; any misalignment can indicate a counterfeit.

    Source
  • The fretboard's swoop design at the soundhole should match Gibson's precise specifications; variations could signal a fake.

    Source
  • The 4-bar mustache bridge should have 3 small dark lines set in cream binding rather than a wide dark line within the cream section.

    Source

Setup and maintenance

  • Keeping the J-200 in a case with humidity packs is essential to prevent damage, as expensive acoustics are delicate.

    Source

User experience

  • The J-200's sound reportedly improves over time with regular play, enhancing the joy of ownership for dedicated musicians.

    Source
  • A 1957 SJ-200 custom model is described as more "alive" compared to Martins and Taylors, suggesting a unique tonal character that resonates with certain players.

    Source

Comparisons

  • Some suggest considering a Martin D-28 or D-41 for different sound profiles, indicating the J-200 may not suit all musical styles.

    Source
  • Owners mention the SJ-200 as having a newer, warmer sound that hasn't "opened up" like older J-200 models, highlighting the aging effect on tone.

    Source
  • The J-185 has a shorter 24.75" scale length compared to the J-200's Fender-like 25.5", affecting sound thickness and playability.

    Source

Use cases and applications

  • The guitar's large body and deep sound make it less ideal for casual or travel situations, like campfires, due to its size and delicacy.

    Source

Features and functionality

  • The J-200 Standard includes Grover tuners with kidney bean knobs, while the SJ-200 Vintage features Gotoh keystone tuners, indicating slight hardware differences.

    Source
Add

5.0 out of 5

Based on 4 Reviews and 44 Ratings

5 star
4 star
3 star
2 star
1 star
oedipoes

A dream come true

Ever since I've known of their existence, I've been a fan of the sound of an SJ-200 or J-200. I have played a lot of 200's before finding mine. I went from local guitar shops to Denmark street vintage shops over international acoustic specialty shops. Every one I played seemed to sound different: used or new, good or bad shape, they all have their unique character. After years of searching and trying SJ's, I finally found the one for me: a well priced used one, 33 years old, not quite vintage yet. A beautiful natural SJ Standard that sounds exceptionally good. A guitar you fall asleep with on the bed. You can't stop playing it, because the sound and feel are so rewarding. What a contrast with my high end Yamaha FG. No comparison possible. The J-200 is a classic. It has a very balanced sound with good volume. Studio's are beautifully simple, but Standards add real abalone and fine craftsmanship on top. It is one of the few guitars that look good with all the baroque ornaments. That is personal taste of course. Mine didn't come with a pick-up. Not a problem because I only play at home. Also I'm not a fan of the acoustic piezo sound, I much prefer a good microphone to pick up the glorious sound.

skylinerr

Best Acoustic

I sold my Martin D-28 because I wanted this a second hand 2015 SJ-200 standard I cannot speak highly enough of it.

Genres:
willemtk

The best acoustic guitar ever made!

What a lovely sound its probably the best acoustic guitar ever made! Played by music legends like John Lennon, George Harrison, Noel Gallagher, Chris Martin etc...

chris_ames

Reverend Gary Davis

rafael_alonso

Fantastic

It's the best acoustic instrument that i played.

Artist usage

Add artist
See how John Fogerty uses Gibson J-200

John Fogerty

Singer, Guitarist

Creedence Clearwater Revival

...
Verified via Vintage Guitar® magazine

I bought a J-200 right around the early Creedence days, and that’s on “Green River” and some of the other ones where I’m strumming an acoustic. (...) I’m not a big fan of J-200s. They’re not mellow. I love Taylors. The strummy guitar on “Déjà Vu” is a Taylor.

According to an interview with Russ Gary, sound engineer of the studio where CCR recorded "Green River" in, he double-tracked this guitar.

See how Myles Kennedy uses Gibson J-200

Myles Kennedy

Singer, Guitarist

Alter Bridge

...
Verified via YouTube

Someone mentioned that Myles said it was bob Dylan’s signature guitar and that 175 were made

See how Vic Fuentes uses Gibson J-200

Vic Fuentes

Singer, Guitarist

Pierce the Veil

...
Verified via Photo

In this Instagram photo, Vic Fuentes can be seen holding a Gibson Super Jumbo SJ-200 acoustic guitar in Antique Natural finish, given to him by his manager.

"My manager bought me my dream acoustic guitar to help finish our new album. She's been with us through all the ups and downs since we started this band. Words cannot describe how much I love and appreciate you, Michele. So I'll let the guitar do the talking haha!!"

See how Alex Kapranos uses Gibson J-200

Alex Kapranos

Singer, Guitarist

Franz Ferdinand

...
Verified via YouTube

Alex Kapranos uses a Gibson SJ-200 Standard in this acoustic session for Oüi FM.

See how Jack Antonoff uses Gibson J-200

Jack Antonoff

Singer, Guitarist

Bleachers

...
Verified via YouTube

In this video, Jack Antonoff can be seen playing a Gibson SJ-200 Standard in a live performing "Somebody That I Used to Know" with Fun and Hayley Williams on BBC 1 Radio.

See how Mark Morton uses Gibson J-200

Mark Morton

Guitarist

Lamb of God

...
Verified via Photo

In an Instagram post by Mark Morton, he is clearly seen playing a Gibson J-200. The caption mentions, "Just over a week of Without The Pain. Thanks for listening and to everyone who picked up a copy on Record Store Day!" This serves as proof that the artist uses this specific gear. The post is credited to photographer Eric Ahlgrim.

See how Elvis Presley uses Gibson J-200

Elvis Presley

Singer, Guitarist

The Blue Moon Boys

...
Verified via Photo

In this photo, we can see Elvis Presley playing a Gibson SJ200.

See how Paul Stanley uses Gibson J-200

Paul Stanley

Guitarist, Singer

Kiss

...
Verified via Twitter

"KISS Warehouse Today. Playing an awesome 1954 Gibson J200 with Fran looking over my shoulder".

See how Mike Campbell uses Gibson J-200

Mike Campbell

Guitarist

Fleetwood Mac

...
Verified via YouTube

In this episode of The Collection by Gibson TV, Mike discusses his Gibson J-200 at 18:04. Campbell mentions the guitar is a 1956 model. He mentions that this is a guitar he uses for songwriting on his couch or in his studio.

See how Paul Weller uses Gibson J-200

Paul Weller

Singer, Guitarist

The Style Council

...
Verified via NPR.org

NPR TINY DESK concert Paul Weller July 28, 2015 2:03 PM ET Bob Boilen

There's a reason Paul Weller is so respected by his fans despite his shifts in musical styles over the years. Weller follows his heart and his tunes stay true to the times and his age. I first heard him in 1977, when I bought a British import of a 45 and later an album, each called In The City, by The Jam. Inspired by The Who, the music of The Jam was infused with urgency and melody. Then Weller wanted more from music and began The Style Council with a bit of R&B, ballads and even jazz. For nearly 25 years, Weller has been recording under his own name. Now he has new songs for us all and an album called Saturns Pattern. Here at the Tiny Desk he brings this humble collection of songs acoustically and includes a tune from what may be his best known record, his 1995 album Stanley Road. It's a pretty heartwarming moment — especially for longtime followers of his shifting but consistent music.

See how Jack Bruce uses Gibson J-200

Jack Bruce

Singer, Bassist

Cream

...
Verified via YouTube

Jack Bruce can be seen using a Gibson J-200 in this video performance of "Rope Ladder to the Moon," with a good shot at the beginning of the video.

See how Jason White uses Gibson J-200

Jason White

Guitarist, Singer

Green Day

...
Verified via Photo

In this photo, one can see Jason White with a Gibson J-200.

Album Usage

The Gibson J-200 has been featured on the following albums:

Gibson J-200 as heard on NYC Made by Ricky Byrd (2025)

NYC Made

Ricky Byrd (2025)

Gibson J-200 as heard on Fire by Saraya (2025)

Fire

Saraya (2025)

Gibson J-200 as heard on Frente by Lanza Internacional (2022)

Frente

Lanza Internacional (2022)

Gibson J-200 as heard on Tiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition) [2021 Remaster] by Stone Temple Pilots (2021)

Tiny Music... Songs From The Vatican Gift Shop (Super Deluxe Edition) [2021 Remaster]

Stone Temple Pilots (2021)

Gibson J-200 as heard on Diplo Presents Thomas Wesley: Chapter 1 - Snake Oil by Diplo (2020)

Diplo Presents Thomas Wesley: Chapter 1 - Snake Oil

Diplo (2020)

Gibson J-200 as heard on Tearing At The Seams by Nathaniel Rateliff & The Night Sweats & Nathaniel Rateliff (2018)

Tearing At The Seams

Nathaniel Rateliff & The Night Sweats & Nathaniel Rateliff (2018)

Gibson J-200 as heard on The Beatles by The Beatles (2018)

The Beatles

The Beatles (2018)

Gibson J-200 as heard on Party Of One by George Thorogood (2017)

Party Of One

George Thorogood (2017)

Gibson J-200 as heard on Dopamine by BØRNS (2015)

Dopamine

BØRNS (2015)

Gibson J-200 as heard on Saturns Pattern by Paul Weller (2015)

Saturns Pattern

Paul Weller (2015)

Gibson J-200 as heard on AM by Arctic Monkeys (2013)

AM

Arctic Monkeys (2013)

Gibson J-200 as heard on Do I Wanna Know? by Arctic Monkeys (2013)

Do I Wanna Know?

Arctic Monkeys (2013)

Gibson J-200 as heard on Venus (DJ Hammond Hardtechno Remix 2012) by Bananarama (2012)

Venus (DJ Hammond Hardtechno Remix 2012)

Bananarama (2012)

Gibson J-200 as heard on Beyond The Sun by Chris Isaak (2011)

Beyond The Sun

Chris Isaak (2011)

Gibson J-200 as heard on Undertow by Warpaint (2011)

Undertow

Warpaint (2011)

Gibson J-200 as heard on Wake Me up When September Ends (Live at Foxboro, MA, 9/3/05) by Green Day (2005)

Wake Me up When September Ends (Live at Foxboro, MA, 9/3/05)

Green Day (2005)

Gibson J-200 as heard on Deja Vu (All Over Again) by John Fogerty (2004)

Deja Vu (All Over Again)

John Fogerty (2004)

Gibson J-200 as heard on This Is Where I Came In by Bee Gees (2001)

This Is Where I Came In

Bee Gees (2001)

Gibson J-200 as heard on Burn the Priest by Burn the Priest (1999)

Burn the Priest

Burn the Priest (1999)

Gibson J-200 as heard on Stanley Road by Paul Weller (1995)

Stanley Road

Paul Weller (1995)

Gibson J-200 as heard on Cruisin' Deuces by Danny Gatton (1993)

Cruisin' Deuces

Danny Gatton (1993)

Gibson J-200 as heard on March Or Die by Motörhead (1992)

March Or Die

Motörhead (1992)

Gibson J-200 as heard on The Iron Man: The Musical By Pete Townshend by Pete Townshend (1989)

The Iron Man: The Musical By Pete Townshend

Pete Townshend (1989)

Gibson J-200 as heard on Danger Danger by Danger Danger (1989)

Danger Danger

Danger Danger (1989)

Gibson J-200 as heard on All Of This And Nothing by The Psychedelic Furs (1988)

All Of This And Nothing

The Psychedelic Furs (1988)

Gibson J-200 as heard on The Ballad of Sally Rose by Emmylou Harris (1985)

The Ballad of Sally Rose

Emmylou Harris (1985)

Gibson J-200 as heard on True (Special Edition) by Spandau Ballet (1983)

True (Special Edition)

Spandau Ballet (1983)

Gibson J-200 as heard on Blue Kentucky Girl (Expanded & Remastered) by Emmylou Harris (1979)

Blue Kentucky Girl (Expanded & Remastered)

Emmylou Harris (1979)

Gibson J-200 as heard on Let It Be (Remastered) by The Beatles (1970)

Let It Be (Remastered)

The Beatles (1970)

Gibson J-200 as heard on Green River (Remastered 1985) by Creedence Clearwater Revival (1969)

Green River (Remastered 1985)

Creedence Clearwater Revival (1969)

Gibson J-200 as heard on Led Zeppelin (Remaster) by Led Zeppelin (1969)

Led Zeppelin (Remaster)

Led Zeppelin (1969)

Gibson J-200 as heard on Abbey Road (Remastered) by The Beatles (1969)

Abbey Road (Remastered)

The Beatles (1969)

Gibson J-200 as heard on Headquarters Sessions by The Monkees (1967)

Headquarters Sessions

The Monkees (1967)

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

Used With

Based on how musicians on Equipboard use Gibson J-200, it is most commonly used with the following gear.

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4
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2
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2
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2
Electro-Harmonix POG Polyphonic Octave Generator
Electro-Harmonix POG Polyphonic Octave Generator Harmonizer & Octave Effects Pedals
2
Gibson Hummingbird
Gibson Hummingbird Steel-string Acoustic Guitars
2
Fender Vibro King Amplifier
Fender Vibro King Amplifier Combo Guitar Amplifiers
2
Gibson Country Western
Gibson Country Western Steel-string Acoustic Guitars
2
Fender Stratocaster Electric Guitar
Fender Stratocaster Electric Guitar Solid Body Electric Guitars
2

Community setups

Show yours
blaketallent

blaketallent

Gear IQ 238

adam_reynolds

adam_reynolds

Gear IQ 155

iannash

iannash

Gear IQ 274

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