Included in list of recording equipment on Christopher Franke's website.

According to a list of equipment which is used in his studio, Crowdspacer, Joakim is also a user of Lexicon 480L reverb.

Marroquin also worked on singer Pink's first album, produced in 1997 by Babyface and the hip-hop team Presidential Campaign. The record, which spawned the minor hit 'Most Girls', was "Pink before she was Pink", he says, as the singer was developing both a persona and a performance style. In keeping with her own sharp edges, Marroquin used a combination of pro reverbs, including an AMS and Lexicon 480L and 224XL units, and the clangy spring reverb from a Fender guitar amp. "Hip-hop can tend to have very little reverb, and what there is is short," he says. "When I get kind of off-the-wall records, I like to play with spring reverbs. They're cool-sounding. You can make it short and tight with a gate and it adds tone and depth to the sound without washing it out. I also EQ the reverb return. I listen for the frequency where the reverb matches the input signal and tweak that. When you have one thing in a crowded mix you really want to bring out but adding EQ would make it sound too harsh, put it through a spring reverb. They're noisy, but thank God for gates."

In this video you can see Philippe Zdar showing the remote of the 480L

He talks about his outboard gear at 2:16 in his studio tech talk.

I also have a couple analogue effects of course. Like the Lexicon 480L, or a PCM 81

In the Headphone Commute feature "In the Studio with Ben Lukas Boysen," a photo shows Ben Lukas Boysen using the Lexicon 480L effects processor, highlighting its role in his studio setup.

Prince Charles Alexander confirmed that Mary J. Blige used the Lexicon 480L on her album, stating, "We were renting gear as well. The Lexicon 480L was the main reverb unit we were using. For delays, we were using the PCM 42." This information is supported by the article "Key Tracks: Mary J. Blige’s My Life" on the Red Bull Music Academy website.

From the Mad Professor interview in Tape Op magazine by Geoff Stanfield:

“What reverbs and delays do you like to use?

Well, I’ve been stuck on the [Lexicon] 480L for the past 20 years, but I’ve got a load of others. I’ve got a few spring reverbs from Grampian. I like using the reverbs by ART and MXR. I’m always trying them, but the one I’ve stuck with is the Lexicon.”

In this video at 3:31 we can see Lexicon 480 L

"In the past I used the Lexicon 224, 480 and to this day I still use the PCM 42. With Lexicon, you know the type of effect you are going to get and what the quality of the sound is," he said. "With the younger generation of musicians, they don't necessarily know the heritage of Lexicon, but when they hear something they like, they will ask you what they are hearing. That has been the case on more than one occasion when I've been using the Lexicon plug-in."

Jools Holland's equipment list, from the January 1993 issue of Music Technology:

(Helicon Mountain studios)

Instruments: Casio FZ1 Keyboard Sampler Casio FZ10M Sampler Module w/80-disk sound library Casio VZ1 Synth Hohner Clavinet Korg CX3 Organ w/Leslie 145 Cabinet Yamaha C5 Grand Piano Yamaha DX7 Synth

Recording: Atari 1040ST w/Steinberg Pro24 and C-Lab Creator sequencing software Fisher CD Player Revox PR99 two-track Saturn 824 24-track (Dolby SR on arrangement) Soundtracs Quartz 48-channel in-line desk (96 inputs on mixdown) Casio DA1 DAT Recorder Casio DA2 DAT Recorder XRI XR300 SMPTE Synchroniser

Effects: Drawmer Gate Drawmer Dual Compressor/Limiter Eventide Harmonizer Lexicon 480L Reverb Lexicon PCM70 Multi-effects Processor Roland SDE2000 Digital Delay SA PPE 240 Teac Graphic Equaliser Yamaha REV7 Reverb Yamaha R1000 Reverb Yamaha SPX90 (x2) Multi-effects Processor

Microphones: Neumann U87, AKG, Shure, PZM

Kenji Kawai uses two Lexicon 480L units, as confirmed by his official website.