At 14:13, Armin says he, “Ahh, yep we’ve been using the Lexicon Reverb a lot" He goes on to confirm that it is the Lexicon 244 UAD plug in.

In this Facebook photo, Prydz can be seen using the Lexicon 224.

Dr. Dre uses the Lexicon 224 Digital Reverberator, as seen in the YouTube video titled "D12 Eminem in the studio with Dr Dre" by slimkaraz.

Per this interview in a 1981 issue of Keyboard:

Since I'm normally working in studios I'm liable to use two or three echoes at once. For instance, the Roland, and then a Lexicon Prime Time, and then maybe a long digital reverb as well, a Lexicon 224 or something like that, or the plate reverb or whatever they have in the studio.

In this image, Vangelis can be seen at Nemo Studios surrounded with studio equipment, including a Lexicon 224.

"We've got a Lexicon 224, a Lexicon 224X, a Quantec Room Simulator and an AMS system. So really that's four very good quality reverbs. We also use quite a bit of natural echo, because there's a long corridor that still has the original church stonework intact, and above Blackwing Studio there is a natural echo chamber which lies under the main roof of the church. When I originally designed Blackwing, I left the area under the roof as a natural echo room, really because it seemed too good to waste. I think nowadays the selection and application of reverb has become the most difficult - and at the same time, the most productive - area of the recording process, because that is where a lot of the new production work is going on, particularly with things like drum sounds. I spend a lot of time adding reverb to the LinnDrum and the Fairlight, because it is very difficult to get it absolutely right, though when you do of course, the results can be very impressive."

Around the 8:54 mark Neal says he used the Lexicon for songs like Send Her My Love and Faithfully.

In this profile from the May 1982 issue of Electronics & Music Maker magazine, Keith states that he used a Lexicon 224 in his time with PiL.

"My TX rack I used quite a bit. I MIDI'd my MiniMoog and that is fabulous. It really sounds great, and the MIDI on it is really fast. My old Juno 60 is still there, which isn't MIDI'd at the moment but I plan to get it done. The TR808 I used, which is MIDI'd, and a bit of the D50 - there are some good guitar-type sounds in there. I also like the Roland MKS50, which is a rack-mounted analogue synth module. The Korg SG1 piano is very good, and has some excellent sounds, and obviously the Mac. For effects I used the Lexicon 224 digital reverb, AMS, Yamaha SPX90, Klark Teknik reverb, Korg digital delays... the usual things, nothing exotic."

"Not as often — but definitely with something like the AMS digital reverb. I got terrifically excited when I first tried that out because it's beautiful - one of the deepest and best reverb sounds I've ever heard. I've also got a Lexicon 224 reverb which I've had a long time, but it doesn't have that depth. I always look for a reverb unit that gives me that perspective back behind the speakers - the Lexicon does a bit, but the AMS has got real depth to it. And the Quantec Room Simulator also; a beautiful piece of equipment."

Isao Tomita used the Lexicon 224 Digital Reverberator in his project "Grand Canyon," as detailed on his official website.

In a studio tour video by MusicRadar Tech, Joakim showcases the Lexicon 224 Digital Reverberator as part of his recording setup.