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Average Price: $2,982
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$100
$501+
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Description
Product Description Fat and dense reverbs that you can 'hear' in the mix. Stereo output reverb, with algorithms not duplicated in later models.
This unit contains firmware version 1.3 which includes the following:
Halls Plates Chambers Rich Plates (V1.3 update) Rich Splits (V1.3 update) Inverse Rooms (V1.3 update)
Controls
Numeric keypad Knobs for pre-delay time, reverb time, and size Buttons for pre-echoes, diffusion levels, reverb time contours, and rolloff 12-section LED meters Buttons for stereo/mono input, input mute, and reverb stop Sliders for input level and output mix
From the owner's manual:
The Lexicon Model 200 Digital Reverberator is an economical, general purpose digital reverberation device designed for recording studios, musicians, film/video production houses, and broadcasters. lt's versatility and high quality are the result of Lexicon’s extensive experience with digital audio. The Lexicon Model 200 is carefully engineered to the same exacting standards that have earned Lexicon worldwide praise for its professional and broadcast digital audio products.
The Lexicon Model 200 is a two-in, two-out all-electronic digital system; its advanced technology brings you:
Six different Reverb programs (expandable) most with 10 factory preset variations – in full stereo. Size control – dramatically increasing the versatility of each program. Adjustable pre-delay and reverb time. Selectable pre-echoes, diffusion, reverb time contour, and roll off. On-board mixing. Programmable nonvolatile memory for storing up to 10 user modifications with instant recall. Human-engineered panel controls for easy, intuitive operation. Remote control functions for stage performances. Input level switch to accommodate a wide range of instruments and input sources. Balanced input and output connections with a maximum level of +24 dBm.
In the recording studio, the 200 performs all the functions of conventional reverb units, with the wide dynamic range and high sonic quality expected of Lexicon digital equipment. In addition, the Lexicon Model 200’s Hall and Chamber programs create realistic acoustic environments that, coupled with the size control, add emotional context to sound through associations with specific halls, chambers, or rooms.
Using the Lexicon Model 200’s remote control functions, stage performers can step through preset reverb effects, use an input mute to capture-and sustain notes or chords, and control reverb time to change an effect during a performance. Vocalists and instrumentalists will find the 200 useful in stage-monitoring systems, and it can improve house systems on all instruments from vocals to drums.
As a sound reinforcement tool, the 200 can alter hall acoustics – increasing the apparent size and volume of a performance space and greatly expanding its versatility.
For film/video producers and broadcasters, the 200 can match studio-recorded dialog and effects to the ambience of a location recording and create reverb enhancements for special effects. It greatly adds to the impact of a given scene by placing the sound in an appropriate acoustic context; in addition, the Lexicon Model 200 can increase the apparent loudness of dry recordings without increasing peak levels.
Every effort has gone into making the 200 perform to the highest industry standards."
Product specs
| Brand | Lexicon |
| Model | Model 200 Digital Reverberator |
| Finish | Black |
| Year | 1980s |
| Categories | Reverb |
FAQs
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What makes the Lexicon Model 200 Digital Reverberator unique compared to other reverbs?
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The Lexicon Model 200 is known for its lush, distinctive reverb sound, which was groundbreaking in the 1980s. It offers fully programmable settings and stereo I/O, providing a classic Lexicon reverb experience that remains sought after by producers for its rich and immersive sound.
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Is the Lexicon Model 200 suitable for modern studio setups?
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Yes, while the Lexicon Model 200 is a vintage unit, its stereo I/O and programmable features allow it to integrate well into modern studio environments, offering unique reverb textures that complement digital recordings.
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Can the Lexicon Model 200 Digital Reverberator be used for live performances?
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The Lexicon Model 200 can be used in live settings, but given its vintage nature, it's primarily favored for studio use. Its robust reverb options can enhance live sound, but careful handling and setup are recommended due to its age.
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Does the Lexicon Model 200 offer different reverb types?
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Yes, the Lexicon Model 200 provides a range of reverb types, allowing users to craft various ambient environments. Its programmability ensures flexibility in achieving the desired sound character for different musical applications.
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How does the Lexicon Model 200 compare to the Lexicon 480L?
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While both are renowned for their reverb quality, the Model 200 is more compact and easier to use than the 480L. The 480L offers more advanced features and a broader range of reverb options, but the 200 provides the classic Lexicon sound in a simpler package.
Videos
SynthMania
Lexicon 200 and Linn 9000
Reviews
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Lexicon Model 200 Digital Reverberator.
Comparisons
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Audio Damage's emulation of the Lexicon Model 200 focuses on the plate algorithm, while NI RC 24 and UAD Lexicon 224 plugins offer alternatives for the Hall algorithm.
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Valhalla Vintage Verb is highlighted as a comparable plugin for achieving the classic Lexicon reverb sound.
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Digitech Polara features Lexicon reverberator algorithms in a pedal format, offering a hardware alternative for similar reverb tones.
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Software and compatibility
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MonoFury is recommended as a free VST emulation of the Korg Mono/Poly, suitable for those seeking similar sound characteristics digitally.
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Features and functionality
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The Lexicon Model 200 is specifically noted for its digital hall reverb, a sought-after effect for creating expansive soundscapes.
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The Model 200's digital reverb is appreciated for its musicality, offering distinct, expansive soundscapes that are particularly effective in lush, atmospheric settings.
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Setup and maintenance
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Owners have noted that the Lexicon Model 200 can develop high-frequency noise in the output filter, requiring specialized servicing which is time-consuming and potentially costly.
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Servicing the Lexicon Model 200 can be challenging, as there are limited specialists available for repairs, often necessitating shipping to distant locations.
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4.5 out of 5
Based on 1 Review and 2 Ratings
1264
It's a "Classic Lexicon"
It does what it does very well. It has a sound and that sound is pretty amazing. It's not a Bricasti. It's not a Reverb 4000. And it's not an AMS. It does that Lexicon 80's spinny modulating tail reverb thing perfectly, because it is a "Classic Lexicon"
Artist usage
Add artist
In this Instagram photo, BT talks about taking home a Lexicon Model 200 Digital Reverberator unit. He talks about having used the reverb unit quite a bit on his project All Hail the Silence. He says, "2 things I've wanted my whole life. The reverb from Blade Runner (used a to on The Silence) and a System-100m. Vintage condition, coming home with me. #soexciteditscrazy" (posted May 2014)
The main reverb on this album is an AKG BX20 they own — they have a BX5 too. It's mono, and it's on every track. Whenever we needed stereo reverb, Jean?Benoît added his Lexicon 200, always using the same preset. No reverb plug?in was ever used!
In the video titled "INDASTUDIO #8 Feat Cerrone," Dabeull can be seen using a Lexicon Model 200 Digital Reverberator.
For this, Fridmann favours his EMT 240 'gold' plate, his AKG BX20 spring reverb, the Lexicon 200 and even the Alesis Midiverb II. "There's a couple of presets on there that I love,” he says of the latter. "They crunch up in this really nice way.”
In the video titled "Cozy LA HOME STUDIO Setup | DAVID PETERS 2026 Studio Tour," David Peters, a music producer and audio engineer, is seen at the 12:53 mark showcasing a vintage Lexicon Model 200 Digital Reverberator in his studio's effects rack.
According to the top right of page 74 of the October 1985 issue of Keyboard Magazine, Alan Fitzgerald had a Lexicon Model 200 Digital Reverberator unit in a rack case assembled by keyboard technician Jack Jacobsen. 
Album Usage
The Lexicon Model 200 Digital Reverberator has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Lexicon Model 200 Digital Reverberator, it is most commonly used with the following gear.
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