Primitive World discusses using the Lexicon PCM-70 Reverb in their studio setup, noting its high cost when it was first released. This information is featured in an article by Adam Gilbert for Attack Magazine.

"The Lexicon PCM70's all right but I don't use that much any more. I mostly use the TC Electronic M5000, which is very good. I'm stuck on 'Large Hall' at the moment!"

List of effects at Paul Robb's studio:

Aphex Type C2 Exciter. BBE 462 Sonic Maximiser enhancer. Drawmer DL241 dual compressor. "I generally strap this across the stereo buss. At some point I'd like to get a better compressor, though." Boss SE50. Boss SE70. "I primarily use these for distortion." Digitech VFX Valve FX. "This is an awesome distortion box. It's so bright it will rip your head off." Ensoniq DP/2. "I also use this primarily for distortion. All four of my distortion boxes [Digitech Valve FX, Roland SE50 and SE70, Ensoniq DP2] are absolutely critical to me. They're indispensable. I rarely use synthesizers anymore without running them through a guitar box." Eventide H3000 multi‑effects. FMR Audio RNC1773 Really Nice Compressor (x3). "These are my new favourite boxes. They make them in Texas, and they're incredibly cheap — 179 dollars, I think it was. But they're great, and on a par with the Drawmer compressor." Focusrite Red 2 Dual EQ. "It's mostly just gorgeous looking! Everyone who comes in here notices it. It looks like a piece of candy, you just want to bite on it. The thing is, it's so intimidating to look at, you really can't tell if it's any good or not — it doesn't need to be any good! I like it, though it's not quite good enough to strap across the whole mix: the EQ3D is on a par, even though it's half the price." Focusrite Red 7 Voice Channel. "This has a mic pre, a compressor, an enhancer and a de‑esser in it, which we use for recording vocals." Lexicon MPX1 multi‑effects. Lexicon PCM70 multi‑effects. Nightpro EQ3D filter. Peavey Analog Filter. "I actually very rarely use this. I've run some loops through it to make them sound crunchy and lo‑fi and it works OK. These techno people use outboard filters all the time — it's just that this one isn't a particularly good one, and I can't justify spending a grand on something like the Waldorf DPole or the Mutator." Roland SDE1000. "I just use this for simple delays." Roland SRV2000 reverb. SPL Vitalizer. "I think this is a lot more popular in Britain than it is here. I like it, but it has so much background hiss that I can only use it in loud noisy music. The great thing about it is the way it spreads the stereo fields, it's got some kind of phase." TC Electronic M2000 multi‑effects. Yamaha SPX90 multi‑effects. "This was the first effects box I ever bought and it's totally on its last legs. I keep it for its stereo split program, because it sounds so grainy and nice."

Having gone out to various studios to produce sessions, these days Ethan Johns always returns to his Three Crows home studio to mix the results. Working with an API desk and Ampex 24-track, along with his RADAR system and Pro Tools 10, Johns favours outboard over plug-ins, his effects workhorses including the Roland R880, the Eventide DSP4000 and the Lexicon PCM70.

In a studio tour video by MusicRadar Tech on YouTube, Dubka showcases the Lexicon PCM-70 Reverb as part of his recording setup.

Brent Rowan confirms he uses the Lexicon PCM-70 Reverb in his rack for circular delays, as stated in an interview with Zac Childs for Vintage Guitar® magazine.