In a Kreativsound article, Tom Rowlands of The Chemical Brothers discusses their creative process, mentioning the use of the Native Instruments Maschine to explore more instinctive music-making.

When asked what his favorite piece of studio gear is, Adam Beyer replied "Maschine by Native instruments really impressed me"

Underworld's Darren Price talks about Maschine by Native Instruments: "We've had bits of equipment over the last years coming into the studio - it's blown us away - but Maschine is one that's stood out over them all. So this is what we normally do in a live situation. Say we probably write some beats in Maschine in a hotel room somewhere in the world and think 'Oh, I want to play that tonight.' So I'm upping Maschine, I'm on top of the DJ kit, and then I'm ready to rumble. I can either jam it straight from Maschine or put some parts into the main desk. From hotel room mode to live gig on the spur of the moment we normally just run Maschine in sync and... rocking. Since 1.6 I've been running it standalone because of all of the new features. Floating external instruments, plugins, all of my core audio units, whether they're Native Instruments, third party, whatever, I can kind of do the whole track in Maschine and it's great. That's why we've kind of being using it, trying to reinvent some of the old Underworld records to perform live in 2011. They sound a little bit old drum-wise and you put Maschine on and it kind of gives it a new edge, it gives it this new kind of sound. So that's how we've been finding it and it's been very successful. Over the last few weeks us trying different things Everybody Jack...I wrote that in one day. And now it's going to be in the Underworld live set so it's like, you now, [I've] not written a track in one day, on the computer, in any program, in quite a long time. You've got so hands on with each note, holding pads down, tuning, length, position. Don't even touch a mouse - there's no mouse involved. If I'm looking at arranging a track on the screen I'd probably let the section go for probably less time... but if I'm in front of a console or Maschine, you go with your feeling. If your feeling isn't to go 16 bars an hour then you leave it for 32 or 64. it's just a different way to arrange and mix the track. If I spent three weeks in the studio I could translate all the Underworld stuff into Maschine and I could turn up like that and we could do an Underworld gig out of it. We could do it without taking all of that backline and all of the live stuff. It's just a great, great piece of kit, and I love it."

Nicolas Jaar has an NI Maschine in this live performance, evidenced by the Native Instruments logo on the back.

In the Point Blank Music School's "A State of Bliss Track Masterclass" video, Cazzette mentions the Native Instruments Maschine, highlighting its quality. This suggests they incorporate it into their music production.

During Kraftwerk's 2015 encore performance of "Autobahn" at the Amsterdam Paradiso, a Native Instruments Maschine is visible on their second rig, as shown in the YouTube video by Willy Billiams.

Mentioned in this October 2017 Sound on Sound interview.

Davis’ trusty old MPC60, though, is sadly long gone from his setup. Over successive DJ Shadow albums, however, he has progressed through variations on it: upgrading to an MPC2000 for his production of Unkle’s 1998 album Psyence Fiction, then MIDI’ing two of them together for the second DJ Shadow album The Private Press, released in 2002.

“I basically had nearly unlimited sample power and chop power,” he says. “But after The Private Press, I felt like it was important to switch things up. I had purchased Pro Tools so I was fully up and running on that. There’s probably two or three songs on [2006’s] The Outsider where the initial ideas or sketches were done on an MPC. It’s been I’d say 13, 14 years since I used one.

“I will say though that in I think about 2008, I got whatever was new at that time [the MPC5000], thinking, ‘Oh I kinda miss it, let me see what the new version’s like.’ But I just couldn’t go back. It seemed a bit silly to me, knowing what was possible within stuff like Maschine. Once you go into the software synth world, it’s really hard to legitimise going back into the box.”

It is also mentioned in this October 17, 2016 Music Radar interview.

"After that, I went to Pro Tools. I always feel like it's important to break out of your comfort zone a little bit, but I'll say that Ableton Live is the most intuitive music-making program I've used since the MPC - much more so than Pro Tools or Maschine, but that might just be the way my brain works.

"Another box of fun arrived from our sponsors, Native Instruments!! Thanks Guys! @NI_News"

"I can work with the Maschine, control the volumes with the Maschine" - Chris Liebing at :20s in this video.

”We mix together three things; Maschine, Logic and Abelton and we use each one interchangeably. A lot of the initial stages of production will be done in Maschine, Logic for the overall mixing, matching and layout of the song and then our live performances are all done in Abelton.”

Used for temp drum samples for demoes for The 2nd Law.

At 0:11 you can see his Maschine mk1 with an Apple Bluetooth keyboard on top.