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Description
Step into the world of music production with the Akai MPC 2000, a timeless classic that has shaped the soundscapes of hip-hop and electronic music for decades. This iconic Music Production Center, co-designed by the legendary Roger Linn, is revered for its signature rubber pads, offering an intuitive and tactile experience for beat-makers and producers. With its streamlined design, the MPC 2000 is a masterful blend of simplicity and power, providing you with the tools to craft complex rhythms and sequences.
The MPC 2000 is equipped with robust sampling capabilities and a user-friendly interface that caters to both seasoned professionals and aspiring artists. Its ability to handle 64-track sequencing, paired with a floppy disk drive, makes it a versatile instrument that bridges the gap between vintage charm and modern production needs.
Whether you're laying down the foundation for a track or adding intricate layers to your compositions, the MPC 2000 delivers precision and creativity at your fingertips. Join the ranks of renowned artists like Trent Reznor and The xx, who have harnessed the power of this legendary device to create unforgettable music.
Key Features:
- 16 responsive rubber touch pads for dynamic beat-making
- 2 MB sampling memory, expandable for more extensive sampling
- 16-bit, 44.1 kHz sampling rate for high-quality sound
- Two MIDI inputs and outputs for seamless integration with other gear
- 64-track sequencing capability, perfect for complex arrangements
- Built-in floppy disk drive for sample storage and retrieval
Product specs
| Brand | Akai |
| Model | MPC2000 MIDI Production Center |
| Finish | Grey |
| Year | 1997 - 2001 |
| Categories | Drum Machines, Samplers |
| Analog / Digital | Digital |
| MIDI I/O | MIDI Input, MIDI Output, USB MIDI |
| Number of Pads | 16 Pads |
| Polyphony | 32 Voices |
FAQs
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What are the key features of the Akai MPC 2000 for music production?
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The Akai MPC 2000 features 16 velocity-sensitive pads, 32-voice polyphony, and robust sampling capabilities, making it ideal for beat-making and sample-based music production. It also includes MIDI input and output for integration with other gear.
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How does the Akai MPC 2000 compare to the MPC 2000XL?
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The MPC 2000 and MPC 2000XL are similar in many respects, but the XL includes additional features such as a larger screen and more advanced sequencing capabilities due to hardware revisions.
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Is the Akai MPC 2000 suitable for live performances?
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Yes, the Akai MPC 2000 can be used for live performances, thanks to its intuitive pad layout and real-time control options, allowing for dynamic beat creation and sample triggering.
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Can the Akai MPC 2000 be integrated with modern DAWs?
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The Akai MPC 2000 can be integrated with modern DAWs using its MIDI input and output, though it may require additional adapters or interfaces for seamless connectivity with newer systems.
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What type of music genres is the Akai MPC 2000 best suited for?
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The Akai MPC 2000 is highly versatile and well-suited for genres that rely heavily on sampling and beat-making, such as hip hop, electronic, and R&B. Its powerful sampling engine allows for creative manipulation of sounds.
Videos
Mikromix Studio, DMV
Can YOU hear the difference between the MPC Live and the MPC 2000?
Can YOU hear the difference between the MPC Live and the MPC 2000?
Mikromix Studio, DMV
Akai MPC 2000 Test Drive by The Daydream Sound
The Daydream Sound
Akai MPC 2000 Sampler - My Opinion
vintagestereos
Akai mpc 2000 - Sample Tutorial For Beginners | how to sample
Tommy Vamoz
Reviews
PROS
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Classic, iconic sampler with a unique sound
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Great for sparking creativity with its limitations
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Versatile options for sound production and recording
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Excellent timing and shuffle features for sequencing
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Durable and reliable over the years
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Expanded memory and output options available
CONS
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Learning curve to fully utilize its features
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Floppy disk storage is outdated and inconvenient
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Trimming samples can be difficult and frustrating
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The jog wheel is poorly designed and unresponsive
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Akai MPC 2000.
Features and functionality
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The MPC 2000's sound is credited to its compression based on the S1000 series samplers, distinct from later Z series engines.
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Overloading the MPC 2000's analog output can produce a desirable distortion that many users appreciate for its unique character.
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The MPC 2000 only supports 16-bit files, necessitating conversion for users with 24-bit audio files.
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Comparisons
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Compared to Maschine, the MPC 2000 offers a more "live" sound with less latency, appealing to those seeking traditional hardware workflow.
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The MPC One has smaller pads compared to the classic MPC 2000, which may affect playability for users accustomed to larger pads.
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Consider MPC 2500 for similar pricing but potential jjOS inclusion, offering a modern alternative to the 2000XL.
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Software and compatibility
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Using the MPC 2000 as a MIDI controller requires a USB/firewire interface, highlighting its limited connectivity options.
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Use cases and applications
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The MPC 2000 excels in live performance and jamming but may not be as efficient for production compared to modern MIDI controllers.
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Some users prefer the MPC 2000 for its tactile feel and iconic 1990s sound, despite its older technology.
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Excels in sample-heavy hip hop production, pairing well with newer samplers like Digitakt for extended capabilities.
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Setup and maintenance
Mods and upgrades
User experience
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The MPC 2000 takes up significant space in a workspace, a factor to consider for those with limited room.
Source
4.5 out of 5
Based on 6 Reviews and 32 Ratings
578
absolute classic
There's not really much I can say about the MPC that hasn't been said. It's a fantastic workhorse sampler and sequencer. I picked mine up for 250$, and while it's definitely not in amazing shape, it works. Dealing with floppy disks to save is a headache, but I usually track my beats into Ableton to mix anyway, so it's not a huge deal for me.
326
CLASSIC!
I rarely use it anymore but I can't bring myself to get rid of it. It served me so well for so many years. Sometimes I run sounds through it just to get the "MPC sound" then track them in. Haven't actually sequenced on it in at least 4 years though :(
195
midi production center
16 bits digital sampler sequencer, great timing and shuffle
outdated. maybe the worst of the MPCs
painful to trim samples. jog wheel is the worst. this machine has aged well. the world is much better without it. good pads... that's about it
46
My 1st ever MPC... sad to see my baby go. (The Rawest!)
Classic for life.... #1997Flow. I made many #Bangas with this joint!
Artist usage
Add artist
In this archived version of a December 2000 article from Sound On Sound, Underworld bandmate Rick Smith explains Karl's then-current rig. "Hyde's live rack is very complex, according to Smith, partly because the guitarist/singer has several input sources to choose from: vocal mic, guitar, vocoder, Mesa Boogie Triaxis guitar preamp, CD player, and Akai MPC2000."
"It dates back to my school days before I joined SEGA. I used it during and around the time when I was working part-time to buy equipment for music production, make demos for the band I was working on at the time, and produce music and sound effects for a theater company operating in a small theater. One of the equipment is a sampler called 'AKAI MPC2000'."
I was and still am into electronica, so I programmed an Akai MPC 2000 to combine hip-hop beats with old drum-machine sounds mixed with acoustic guitars. Out of that record there came a sound where guitars would come into the chorus.
In a 1997 video, Björk discusses synthesizers with Mika Vainio in Barcelona, where Mika is shown using an Akai MPC 2000. The source of this information is a YouTube video titled "Björk talks to Mika Vainio about synthesizers in 1997," provided by Björk's Joyous Tunes.
From an interview on producing the 2009 Souls of Mischief album "Montezuma's Revenge":
"If people are true fans of Souls of Mischief, which, coming into it, I was, they know what they want to hear on this record. I sat and analyzed all the records they’ve put out, even the solo projects. I tried to figure out what I liked and what I didn’t like. I told them, 'I’m going to make what should have been your follow up to 93 ‘Til Infinity. I’m going to make a retro record and scale back technology.' To do that, I decided to use an SP-12, ASR-10, MPC-2000, and MPC-60."
In this video MElissa talks about the gear she owns and mentioned the MPC 2000 as one of her favourite pieces.
Pictured here playing Madvillain Revisions off an MPC 2000.
Nate Smith has confirmed his use of the Akai MPC 2000 during his journey into home recording, as he noted, "I was doing tracks on my Akai MPC2000, which I still have." This statement is documented in an interview featured in Tape Op Magazine.
I’m an old school MPC guy. I love these. As well as the MPC4000 I have a 2500 and a 500, and my old MPC2000 too. I used to just make everything on that, like my Landscape EP on Panhandle.
At 7:25 In this video, Dj Evil Dee shows some of the gear in his lab and states, "It's nothing complicated my SP, y'know my Mpc 2000".
In this Instagram story posted by Amtrac, he is using an Akai MPC 2000.
Album Usage
The Akai MPC 2000 has been featured on the following albums:
Featuring Ty Dolla $ign
TYDOLLA$IGN & Ty Dolla $ign (2020)
Live in Manchester: The Mountain Has Fallen Tour
DJ Shadow (2018)
Lost Wigs Of Ohio
Odd Nosdam (2018)
A Long Player
Jaisu (2015)
Politics Of The Business
Prince Paul (2003)
The Private Press
DJ Shadow (2002)
The Landscape EP
Mark Farina (2001)
The Fragile
Nine Inch Nails (1999)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Akai MPC 2000, it is most commonly used with the following gear.
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