Pricing and availability
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Average Price: $850
High-end/Boutique
$100
$401+
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Description
Meet the AKG C 414 B-ULS, an embodiment of versatility and character in the realm of condenser microphones. This gem, a studio staple for over three decades, offers unparalleled adaptability with its four selectable polar patterns and three-position switches for attenuation and bass rolloff. Unlike its modern counterparts, the C 414 B-ULS retains an output transformer, infusing the sound with a unique vibe while maintaining the natural quality that has made the 414 series iconic. This microphone doesn't just capture sound; it captures the essence of your music.
Key Features:
- Four selectable polar patterns (cardioid, supercardioid, bidirectional, omnidirectional)
- Three-position switches for attenuation and bass rolloff
- Utilizes an output transformer
- Produces a vibrant yet natural sound quality
- Part of the legendary 414 series
Product specs
| Brand | AKG |
| Model | C414 B ULS Large Diaphragm Multipattern Condenser Microphone |
| Finish | Black |
| Year | 1990s |
| Categories | Microphones |
| Electronics | Solid State |
| Microphone Type | Large-Diaphragm Condenser |
| Polar Pattern | Multipattern |
| Wired/Wireless | Wired |
FAQs
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What are the polar patterns available on the AKG C414 B-ULS?
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The AKG C414 B-ULS offers four switchable polar patterns: cardioid, hypercardioid, omnidirectional, and figure-eight, allowing versatile recording options for various applications.
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Is the AKG C414 B-ULS suitable for vocal recording?
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Yes, the AKG C414 B-ULS is highly regarded for vocal recording due to its accurate frequency response and smooth top end, making it a favorite for capturing detailed vocal performances.
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How does the AKG C414 B-ULS handle high sound pressure levels?
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The AKG C414 B-ULS can handle sound pressure levels up to 150 dB SPL with its switchable 10-dB and 20-dB preattenuation pads, allowing it to record loud sources without distortion.
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What is the self-noise level of the AKG C414 B-ULS?
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The self-noise level of the AKG C414 B-ULS is a low 14 dB (A-weighted), ensuring quiet operation and capturing subtle details in recordings.
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Can the AKG C414 B-ULS be used for instrument recording?
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Yes, the AKG C414 B-ULS is versatile and suitable for a wide range of instruments, providing accurate sound reproduction for both studio and live settings.
Videos
Tom Szy Music
AKG C414 BXLS vs XLII vs BULS vs TLII comparison mic shootout
Reviews
PROS
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Clear, detailed, and full sound
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Multiple patterns, bass roll-off, and pad with physical switches
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Versatile for various recording applications
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Excellently balanced, avoiding harsh highs and boomy lows
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Vintage models have unique internal differences from current ones
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Favoured for its classic sound ambiance in stereo pair use
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Not overly bright, helping to tame sibilance in vocals
CONS
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Market prices can be excessively high due to demand
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Vintage quality and appeal may inflate prices unjustly
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about AKG C414 B-ULS.
Comparisons
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The AKG C414 B-ULS is noted for being less bright than newer XLS models, offering a different tonal palette for users seeking variety.
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The C414eb with a brass capsule is highly favored for its versatility and is often mentioned as an all-time favorite microphone by owners who have used various C414 models.
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The TLII model, a transformerless version of the B-ULS, is described as "airy-er" and still an all-rounder, performing well on vocals without the transformer characteristics of the B-ULS.
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Newer XLS and XLII models are considered bright, with the XLII having a C12ish capsule and presence boost, making it less of a "reference" mic compared to the XLS.
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The B-ULS offers a darker, thicker sound preferred for instruments, while the XLS is chosen for cleaner vocals, likened to a modern B-ULS.
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Owners note that EB-P48 models accept standard 48V phantom power and sound slightly darker compared to original EB variants.
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Use cases and applications
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The C414 B-ULS is highly recommended for those prioritizing versatility across vocals, acoustic guitars, and percussion.
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Some users find the B-ULS darker compared to newer models, which may not suit overhead use if brightness is preferred.
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The B-ULS is particularly praised for its rounded tone with an upper-end roll-off, making it excellent for toms.
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User experience
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The WA-47, paired with a quality preamp, is praised for delivering exceptional warmth and character, enhancing vocal and guitar recordings significantly.
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Owners who have used both XLS and B-ULS models report little difference in sound, even using them as a stereo pair without noticeable variations.
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Value and pricing
Features and functionality
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The TL-II, with a C12-ish capsule and transformerless design, excels on vocals and drums for its brighter sound profile.
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Critic Reviews
5.0 out of 5
Based on 3 Reviews and 11 Ratings
572
Desert Island mic
The vintage 414's are much more interesting mics than the current ones. They're completely different on the inside. I got mine on Ebay for around $350 in 2013. It's extremely versatile, I've used it on sax, room, kick, guitar cab, upright bass, and vocals. Its a bit dark compared to a modern XL-II. Mine is from the late 80's.
41029
the 80s ones with the good output transformers are the best version to my ear. Even the new ones are a total swiss army knife.
1824
Best All Round Stereo Pair Mic (Classic Sound Ambient)
Best All Round Stereo Pair Mic (Classic Sound Ambient)
Artist usage
Add artist
In a video tour by DRUM! Magazine, John Mahon is shown using the AKG C 414 B-ULS microphone as part of Elton John's live percussion setup.
In this YouTube music video (acoustic cover of "Golden Leaves" by Passenger), Vanni Tagliavento is using an AKG c414 B-ULS large diaphragm condenser studio microphone.
Charli D'Amelio has been seen using the AKG C 414 B-ULS microphone, as evidenced by a photo she posted on her official Facebook page.
414 b-uls can be seen in this report from okolitza studio. Michał Wasyl uses 414s on toms.
Mentioned and pictured in this May 2019 Sound on Sound interview.
Virtually all of the recording is done direct; for the occasional acoustic instrument, Elder will pull out either an AKG C451B or C414 B-ULS microphone. There's no acoustical treatment to speak of, but Elder feels that none is necessary, really; he can reduce the contribution of the room by leaning in on his Mackie HR824 studio monitors or remove it by listening on his Beyer DT770 and Sennheiser IE 80S headphones.
Album Usage
The AKG C414 B-ULS has been featured on the following albums:
Le Pays de nos Désirs (Live)
Emma Roberts (2025)
Death & Sex (CX40 Version)
The Cassandra Complex (2024)
The Plague
The Cassandra Complex (2022)
Software (Wetware 2019 Remaster)
The Cassandra Complex (2019)
Hardware (Wetware 2019 Remaster)
The Cassandra Complex (2019)
Golden Leaves
Vanni Tagliavento (2016)
Unfabulous and More
Emma Roberts (2005)
The Odyssey
Symphony X (2002)
Definitely Maybe (Deluxe Edition Remastered)
Oasis (1994)
Sex & Death
The Cassandra Complex (1993)
The War Against Sleep
The Cassandra Complex (1991)
First and Last and Always
The Sisters of Mercy (1985)
Eliminator
ZZ Top (1983)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use AKG C414 B-ULS, it is most commonly used with the following gear.
Community setups
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