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Average Price: $140
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$100
$501+
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Description
The DBX 166 - 2 Channel Stereo Compressor is a meticulously engineered tool designed to enhance your studio recording experience. As a versatile signal processor, it excels at managing dynamic range, ensuring your audio maintains clarity and consistency. Whether you're smoothing out vocals, tightening up drum tracks, or adding punch to your guitar lines, this compressor delivers reliable performance every time.
The DBX 166 features OverEasy® compression technology, a proprietary DBX innovation that allows for smooth transitions and natural sound. With its dual-channel design, the 166 is perfect for both stereo and mono applications, offering great flexibility in various recording and live sound scenarios. Its intuitive interface includes a full complement of controls for threshold, ratio, attack, release, and output gain, providing you with precise command over your sound.
With the addition of an expander/gate, this unit not only compresses but also helps reduce unwanted noise in your mix, enhancing the overall audio quality. The peak limiter function ensures that your output remains clean and distortion-free, even during intense passages. Built to withstand the demands of both studio and live environments, the DBX 166 is a reliable choice for musicians and sound engineers alike.
Key Features:
- Dual-channel stereo compressor
- OverEasy® compression technology for smooth transitions
- Expander/gate for noise reduction
- Peak limiter to prevent distortion
- Threshold, ratio, attack, release, and output gain controls
- Suitable for both studio and live sound applications
Product specs
| Brand | dbx |
| Model | 166 2-Channel Dynamics Processor |
| Finish | Black |
| Year | 1980s |
| Categories | Compressors and Limiters |
FAQs
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What type of compressor is the DBX 166?
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The DBX 166 is a dual-channel stereo compressor that also functions as a limiter and gate, designed to enhance audio quality in both live sound and studio environments.
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Can the DBX 166 be used in both stereo and mono modes?
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Yes, the DBX 166 can operate in either stereo mode or dual mono mode, offering flexibility for different audio processing needs.
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What are the main features of the DBX 166 compressor?
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The DBX 166 features compression, limiting, and gating capabilities, with controls for threshold, ratio, and output gain, making it a versatile tool for dynamic audio processing.
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Is the DBX 166 suitable for live sound applications?
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Yes, the DBX 166 is well-suited for live sound applications, providing polished, professional audio quality by controlling dynamics effectively.
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What is the typical use case for the DBX 166?
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The DBX 166 is typically used in recording studios and live sound setups to manage audio dynamics, ensuring consistent levels and reducing unwanted noise.
Videos
LPR Sound Foundation
Studio Tour Series - How Good Does the DBX 166 Compressor Sound?
Reviews
PROS
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Hardware character enhances vocals better than plugins, sits perfectly in the mix
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Smooth mixbuss compressor, excellent for singer-songwriter genres
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Punchy up to 4db gain reduction, ideal for drums
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Stereo Couple mode retains stereo image well
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Peakstop can double as a distortion effect for creative sound shaping
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Unique series compression possibilities with linked channels
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Exceptionally punchy for drums and bus work, providing a console-like sound
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Adds subtle widening effect, enhancing stereo sound
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A cost-effective step up from plugins
CONS
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Gate feature is underwhelming, often clipping or letting noise through
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Sounds dark at higher gain reductions, lacking brightness
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Compression is neutral to a fault; lacks distinct character
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Gate is ineffective on fast settings, especially for drums
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about DBX 166 - 2 Channel Stereo Compressor.
Features and functionality
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The DBX 166 has noticeable crosstalk between channels, requiring modifications for studio use.
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The compressor is noted for rolling off high-end frequencies, adding a "warmth" to the audio.
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The feedforward VCA design of the DBX 166 can lead to aggressive compression, making it suitable for users seeking an "over-squashing" effect.
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Build quality
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Users report mechanical issues like scratchy pots and intermittent bypass/stereo-couple switches.
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Comparisons
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Owners compare the DBX 166's warmth to the Alesis 3630's "subtle trashiness," recommending the latter for electronic music.
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Despite its criticisms, some users mention that the DBX 166 can make a great bus compressor, contrasting with opinions that it sounds lifeless or dark.
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The DBX 166 is often compared to the FMR RNC for affordability, though the latter is more reliably recommended as a low-cost compressor.
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Use cases and applications
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The DBX 166 is favored for compressing kicks and bass, enhancing low frequencies without muddying the mix.
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The DBX 166 is praised for handling over-resonant kick drums effectively in live sound settings, particularly with parallel kick and snare gated compression.
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The DBX 166 is frequently used by owners for tracking vocals with light compression, leveraging familiarity with the unit for effective results.
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The DBX 166 is considered ideal for those with budget constraints, providing a practical solution for rack space in smaller systems or dry hires.
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Setup and maintenance
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Testing the unit's functionality is best done with a VU meter to ensure accurate audio signal reduction.
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Mods and upgrades
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Some users experiment with adding lookahead by delaying the signal before it exits the computer and feeding a dry signal to the sidechain for different compression results.
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User experience
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Some owners have transitioned from using the DBX 166 out of necessity to preferring it due to extensive familiarity, even when more expensive options are available.
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4.5 out of 5
Based on 0 Reviews and 6 Ratings
Artist usage
Add artist
In a video tour of his house and studio featured by Guitar World on YouTube, Dimebag Darrell is shown using the DBX 166 - 2 Channel Stereo Compressor, highlighting its role in his recording setup.
A rig diagram confirms that Jeff Ament uses the DBX 166 - 2 Channel Stereo Compressor.
Quoted from the interview, Bob said this about his dbx 166:
I also like really shitty compressors, like the cheap dbx 166 rack mount. When I am doing all my filter house stuff — you know, Daft Punk-sounding stuff, the cheaper the compressor the better the sound, cause you get that totally trashy up-front sound.
In response to a tweet that said "Show me a picture on your phone that has your energy. Not a selfie." Skee quoted tweeted with his rackmount setup.
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use DBX 166 - 2 Channel Stereo Compressor, it is most commonly used with the following gear.
Community setups
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