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Average Price: $170
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$50
$201+
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Description
Step into a realm where every nuance of your guitar's tone is preserved, while still achieving that sought-after sustain and compression with the Demeter COMP-1 Compulator. Perfect for those who cherish the tonal purity of their instrument, this compressor pedal is a bridge to the past, emulating the warm, smooth compression found in vintage optical compressors. Its straightforward controls and bright LED indicator ensure you sculpt your sound with precision, without ever feeling lost in translation. Whether you're laying down soulful solos or looking for that classic '60s warmth in your rhythm, the COMP-1 Compulator stands ready to elevate your performance, without sacrificing an ounce of your guitar's true voice.
Key Features:
- Internal trim pot for gain reduction up to 30dB, allowing for precise control over your sound's dynamics.
- Simple and intuitive compression and volume knobs for easy sound shaping.
- Bright LED indicator for high visibility, even on the darkest stages.
- Designed to emulate the coveted sound of vintage studio optical compression, providing clarity and warmth to your playing.
- Ideal for achieving that classic '60s warmth or enhancing solo picking with unprecedented clarity.
Videos
norinori0107のギターメロディーch
DEMETER COMP-1 Opto Compulator デメター コンプレッサー #norinori0107
Reviews
PROS
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Extremely transparent compression, preserving natural guitar tone
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Adds pleasant sustain and compression without noticeable effect presence
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Simple operation with minimal knobs enhances usability
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Compact size, fitting well on crowded pedal boards
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Vactrol-based optical compression offers unique sound character
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Works well with bass, as noted by users
CONS
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Inverted polarity of power input can be inconvenient
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Too subtle for those seeking noticeable tone enhancement
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Requires an adapter for standard power plugs, adding extra hassle
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Battery installation is cumbersome, involving disassembly
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May not significantly fatten acoustic tones as some users desire
Critic Reviews
3.5 out of 5
Based on 1 Review and 2 Ratings
79
Not For Me
After considerable deliberation & research in the optical compressor market, I gave this a whirl, primarily w/ a view to using in conjunction w/ an acoustic. It is VERY subtle tool & did not change or help fatten my acoustic tone as i had hoped ( the LR Baggs Session DI did!). I was also intrigued how it might work w/ my electric but again it was once again way too subtle for my taste so I reverted back to a modded BOSS CS3 (see my review). This pedal is a bit of a pain to power in that it requires an additional adaptor to a standard BOSS plug to operate. To install a battery you need to take the whole casing off & there is a tricky trim pot at the side of the unit to adjust input gain.
Not for me but I sold it on to a bass playing friend who says it is working out well for him so... :)
41004
I thik your problem is that the 'fattening' from classic optos isnot about the LDR detection circuit but about the gain staging surrounding it! some old optos are not fat at all while others are thick as hell, particularly tube ones... the opto thing is a studio thing, its about the more relaxed curves on the time cosntants, when someone uses a tube opto to thicken things in a mix its more for the tubes in the signal path, particularly the make-up amplifier after the compressor, the actual compression is typically used pretty subtley. This is a question of mistmatched expectations because people don't really explain the components of famous circuits and their effect on source material and instead make things like "opto compressor" into marketing buzzwords :-( not your fault.... you might prefer the Cali76 that gets near an 1176 Fet compressor in a pedal, the 1176 is super 'grabby' and definitely adds more girth from the other parts of the signal path than a lot of other solid state compressors.... also remember that if 'fatten' involves big low end, ALL comrpessors tend to reduce lows when working hard un;less the makeup am compensates for this through a flattering design. I hope this has been informative.
Artist usage
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David’s elaborate pedal rack as seen in his new recording studio, Medina (Hove, Brighton, UK).
Visible in this photo of O'Brien's 2010 Radiohead for Haiti pedalboard, taken from the OD-1 page of the official Analog Man website.
We were pleasantly surprised when we saw this picture of Radiohead's Ed O'Brien's pedalboard, with our OD-1 mod on it.
In this Rig Rundown from Premier Guitar, Pete Townshend's pedalboard is seen to include a Demeter COMP-1 Compulator. Pete Townshend's guitar tech mentions it at 8:33 into the video.
This picture, found on the Instagram account of Todd Lunneborg, guitar technician for the band Bon Iver, reveals that Justin uses a Demeter Comp-1 Compulator.
John Squire used the Demeter Amplification COMP-1 Compulator pedal on tour with The Stone Roses. The pedal was verified by Squire's guitar tech and went on sale online at Denmark Street Guitars.
In the Premier Guitar Rig Rundown video, Keith Urban is shown using the Demeter COMP-1 Compulator as one of his four compressors for his guitar setup.
The Aristocrats website lists the Opto Compulator among the gear Brian Beller uses.
"Also, I’ve got some Divided By 13 pedals, a Demeter Compulator, a Boss VB-2 Vibrato, Line 6 DL4 Delay and MM4 Modulation pedals, and an MXR Micro Amp. I also have a couple of random fuzzes that I’ll change out here and there, depending on my mood. It’s a very straight-ahead scene."
Album Usage
The Demeter Amplification COMP-1 Compulator has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Demeter Amplification COMP-1 Compulator, it is most commonly used with the following gear.
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