In a Rig Rundown video by Premier Guitar, Josh Rand discusses using the DiMarzio DP100 Super Distortion in several of his guitars.

In a video from Digital Tour Bus's "Gear Masters" episode 547, Alan Day of Four Year Strong demonstrates his live rig, revealing that his main guitar, a modified Fender Fat Strat, features a hss configuration. The middle pickup is essentially a dummy pickup that isn’t wired in. The guitar features DiMarzio DP100 Super Distortion pickup in the bridge position.

"The white SG as well as my red 1995 SG both came with Gibson ’57 Classic pickups, but I swapped out the bridge pickup in both of those guitars for a DiMarzio Super Distortion."

In his les pauls Christian has a super distortion in the bridge

In this video Sergey Mavrin says he prefers to use Dimarzio Super Distortion pickups for a big part of his guitars

As based on the interview of this video, Ian Fowles uses Dimarzio Super Distortion Pickups

In an interview featured in Vintage Guitar® magazine, John Seagall is noted for using the DiMarzio DP100 Super Distortion pickup.

As quoted in the article:

Gear-wise, Rousseau plays a custom Ernie Ball Music Man Valentine electric guitar with DiMarzio Super Distortion pickup through Neural DSP's Archetype: Gojira plugin.

In this video at 0:18, we can see Hampton with a heavily modified sunburst Fender Stratocaster equipped with three DiMarzio Super Distortion humbuckers and a reversed headstock.

This guitar is also mentioned in a March 8, 2016 Interview with Premier Guitar:

[Premier Guitar]: Michael, there’s a video online of “Red Hot Mama” and you’re playing a guitar that looks like a Strat but it has a reverse headstock and it’s got three humbuckers. What is it and how did you get it to sound so good?

[Michael Hampton]: It’s a Strat. I put the left-handed neck on and three DiMarzio Super Distortions—I just went crazy with that guitar. I had an Alembic preamp they made back in the day—that kind of blew out later. I always liked funny cars and hot rods and that’s basically as close as I’m going to get for the guitar [laughs].

Plus, I would just crank the guitar, man. I would turn it all the way up. Most of the time everything would probably be at 10. I guess it came from the pickups itself and the actual makeup of however it resonated. I pulled the saddles all the way back, too, so I could get more flexibility and more play in the string, and it wasn’t intonated correctly. The guitar was intonated with itself—if I hit everything open and you gave me all the strings open on the keyboard, then the guitar would be kind of out. But that might have a little to do with the tone, too, because there was more play in the strings. But it’s got to be those preamps, that Alembic preamp was probably working at the time, and those Super Distortions along with it probably gave it that tone.

Not to give it all up to me, but some people actually say it’s in your fingers. And I guess there is some truth to that, but I’m just trying to stay humble on that one. I’m pretty sure we’re talking about the electronics [laughs]. And the strings probably were definitely somewhere near new. Because I used to change them every two gigs or something, keeping the strings fresh.

John Jeffers uses a DiMarzio DP100 Super Distortion pickup in his 1990s Gibson Les Paul, which was gifted to him by Cody Tate's uncle, as detailed in the Premier Guitar Rig Rundown by Chris Kies.

In this video, a Dimarzio Super Distortion pickup can be seen

It looks like a DiMarzio Super Distortion in the "neck side" of Gabor Szakacsi's guitar.