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Average Price: $1,199

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$400

$1001+

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Description

The Epiphone LPC-90 Les Paul Custom (Japanese Domestic) is a testament to the art of guitar craftsmanship, blending classic aesthetics with modern playability. Crafted between 1998 and 2002, this solid-body electric guitar is a jewel among musicians who appreciate finely-tuned instruments. Hailing from Japan, it upholds a tradition of meticulous quality and attention to detail.

The LPC-90 boasts a mahogany body paired with a carved top, providing a rich and resonant tonal foundation. The set neck construction enhances sustain, making it ideal for those searing solos and intricate rhythms. An ebony fretboard not only offers a smooth and responsive playing experience but also adds to the guitar's luxurious appeal. With its Gibson-style "open-book" headstock and block inlays, this instrument pays homage to its iconic predecessor while maintaining a distinctive character.

Gold hardware accents the guitar, adding a touch of elegance and durability. The binding patterns are identical to its sibling, the LPC-80, ensuring a cohesive and classic look. Whether you're shredding on stage or recording in the studio, the LPC-90 delivers a performance that's both powerful and precise.

Key Features:

  • Mahogany body with a carved top
  • Set neck construction for enhanced sustain
  • Ebony fretboard for a smooth playing experience
  • Gibson-style "open-book" headstock
  • Elegant gold hardware
  • Block inlays for a classic aesthetic
  • Manufactured in Japan (1998 - 2002)

Product specs

Brand Epiphone
Model LPC-90 Les Paul Custom (Japanese Domestic)
Year 1998 - 2002
Made In Japan
Categories Solid Body Electric Guitars
Body Material Mahogany
Body Shape Single Cutaway
Body Type Solid Body
Bridge/Tailpiece Type Stop-Bar
Color Family Black, White
Finish Style Gloss
Fretboard Material Ebony
Model Family Epiphone Les Paul
Model Sub-Family Epiphone Les Paul Custom
Neck Construction Set-Neck
Neck Material Mahogany
Number of Frets 22
Number of Strings 6-String
Offset Body Non-Offset Body
Pickup Configuration HH
Right / Left Handed Right Handed
Scale Length 24.75"
Series Epiphone Japanese Domestic Models
Wood Top Style Opaque

FAQs

What kind of tones can I expect from the Epiphone LPC-90 Les Paul Custom pickups?

The Epiphone LPC-90 features a dual humbucker (HH) configuration, providing a warm, rich tone with a strong midrange presence, ideal for rock and blues genres. The mahogany body and set-neck construction enhance sustain and depth, making it versatile for both rhythm and lead playing.

Is the Epiphone LPC-90 Les Paul Custom suitable for beginners?

While the Epiphone LPC-90 offers professional-grade features like a mahogany body and ebony fretboard, its 24.75" scale length and comfortable neck profile make it accessible for beginners who are serious about improving their skills.

How does the Epiphone LPC-90 Les Paul Custom compare to other Les Paul models?

The LPC-90, made in Japan, is known for its high build quality and attention to detail, often comparable to higher-end models. It features a set-neck construction and premium materials like an ebony fretboard, distinguishing it from standard Epiphone Les Pauls.

What is the neck profile of the Epiphone LPC-90 Les Paul Custom?

The Epiphone LPC-90 features a set-neck construction with a comfortable, rounded neck profile, making it suitable for both fast lead playing and comfortable chord work.

Is the Epiphone LPC-90 Les Paul Custom available for left-handed players?

The Epiphone LPC-90 Les Paul Custom is designed for right-handed players, and there is no standard left-handed version of this specific model. Left-handed players might need to look at other models or custom options.

Reviews

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Epiphone LPC-90 Les Paul Custom (Japanese Domestic).

Build quality

  • The LQ series features an engraved serial number, distinguishing it from the standard Epiphone Japan line, which has printed serials.

    Source
  • Some owners noted the tuners may have loose or stripped screws, affecting stability.

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  • Some guitars have uneven paint and binding flaws, which are generally minor for users.

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Features and functionality

  • The LPC-90, identified by its rosewood fretboard, was part of the Japanese Domestic Market lineup from 1998-2002.

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Comparisons

  • The LQ series guitars were all-mahogany with a lacquer finish, contrasting with some Greco models' hollow construction and maple necks.

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  • An Epiphone LPC-90 was found to sound fuller than a Gibson LP Standard with similar pickups.

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User experience

  • Owners note the LQ models often show less wear due to their lacquer finish, maintaining a polished appearance over time.

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  • Owners often describe the guitar as heavy, with some finding it heavier than other Les Paul models.

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  • The neck is often described as glossy yet slick, ensuring comfortable playability.

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Other

  • It's been noted that the LQ series might use smaller pots compared to other models, potentially affecting tonal control.

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Setup and maintenance

  • A user experienced high action due to a mismounted bridge, complicating intonation adjustments.

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Mods and upgrades

  • Installing Fishman Fluence Modern pickups is recommended for enhanced sound quality.

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Artist usage

Add artist
See how Daniel Kim uses Epiphone LPC-90 Les Paul Custom (Japanese Domestic)

Daniel Kim

Guitarist, Composer

wave to earth

...
Verified via Photo
Color/Finish: Ebony Year: 1990s

In a live performance by The Poles, Daniel Kim is observed using an Epiphone LPC-90 Les Paul Custom, finished in Ebony. As reported by NamuWiki, this guitar is identified as a Japanese Domestic model from the 1990s, featuring a headstock design similar to Gibson's open-book style. The Epiphone LP-C 90, characterized by its cream binding and gold electronics, is primarily used by Daniel Kim with The Poles rather than with Wave to Earth.

Genre Usage

Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.

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