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Average Price: $181
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$49
$150+
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Based on price data from 3 merchants for "FabFilter Pro-Q 3". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Unleash your creativity with the FabFilter Pro-Q 3, a versatile EQ plugin that stands out in any mix engineer's toolkit. Its sophisticated design allows you to shape sound with precision, whether you're making subtle adjustments or engaging in complex frequency sculpting. The 24-band dynamic equalizer offers a mix of analog warmth and digital precision, thanks to its Natural Phase and Linear Phase modes. This plugin is not just versatile in its sound-shaping capabilities but also in its user-friendly interface, which features a large interactive EQ display that simplifies the process of creating and tweaking EQ bands.
With Pro-Q 3, you can effortlessly identify and eliminate frequency collisions, aided by its revamped spectrum analyzer and Spectrum Grab function. The plugin also supports Dolby Atmos, making it a future-ready tool for immersive audio projects. The inclusion of a Piano Roll display ensures your EQ decisions are always musically informed, while the innovative Auto Gain mode compensates for volume changes, keeping your mix balanced. Whether you are a seasoned pro or an aspiring engineer, the Pro-Q 3 promises a rich blend of features that elevate your mixing and mastering sessions.
Key Features:
- 24-band dynamic equalizer with Natural Phase and Linear Phase modes
- Dolby Atmos support with intelligent per-band speaker selection
- Brickwall LP/HP filter slope for aggressive frequency elimination
- Spectrum analyzer with collision detection and Spectrum Grab function
- Per-band Mid-Side and Left-Right processing modes
- Auto Gain with channel weighting and dynamic gain correction
- EQ Match feature for seamless integration with other Pro-Q 3 instances
- Up to 96 dB/octave filter slope and diverse filter types
- Piano Roll display for musically guided EQ adjustments
- Zero Latency mode for live tracking and performance
Product specs
| Software Type | Dynamic EQ |
| Platform | Mac, PC |
| Upgrade/Full | Full |
| Download/Boxed | Download |
| Bit Depth | 64-bit |
| Plug-in Formats | AAX, AU, VST, CLAP |
| Additional Compatibility | AudioSuite |
| Hardware Requirements - Mac | Intel Core 2 Duo or higher, 4GB RAM minimum |
| Hardware Requirements - PC | Intel Core 2 Duo / AMD Athlon 64 X2 or higher, 4GB RAM minimum |
| OS Requirements - Mac | macOS 10.13 or later |
| OS Requirements - PC | Windows 7 SP1 or later |
FAQs
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What are the main features of the FabFilter Pro-Q 3 EQ plugin?
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The FabFilter Pro-Q 3 offers a 24-band dynamic EQ with Dynamic Range and Threshold controls, perfect analog EQ shape matching, Linear Phase mode, and surround support up to 7.1.2 Dolby Atmos. It also includes mid/side processing options, a brickwall LP/HP filter slope, and an improved spectrum analyzer with frequency collision indication.
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Is FabFilter Pro-Q 3 compatible with my DAW?
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FabFilter Pro-Q 3 is compatible with DAWs that support AAX, AU, VST, CLAP, and AudioSuite plugin formats. It works on both Mac and PC platforms, ensuring broad compatibility across most popular DAWs.
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How does the Dynamic EQ feature work in FabFilter Pro-Q 3?
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The Dynamic EQ in FabFilter Pro-Q 3 allows you to adjust the EQ bands dynamically based on the input signal. It features Dynamic Range and Threshold controls, along with an intelligent Auto Threshold mode, providing precise control over dynamic processing.
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What are the system requirements for running FabFilter Pro-Q 3 on a Mac?
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To run FabFilter Pro-Q 3 on a Mac, you'll need macOS 10.13 or later, an Intel Core 2 Duo processor or higher, and a minimum of 4GB RAM.
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Can I use FabFilter Pro-Q 3 for surround sound mixing?
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Yes, FabFilter Pro-Q 3 supports surround sound mixing up to 7.1.2 Dolby Atmos, with intelligent per-band speaker selection, making it suitable for complex audio environments.
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How does the spectrum analyzer in FabFilter Pro-Q 3 improve mixing?
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The spectrum analyzer in FabFilter Pro-Q 3 includes frequency collision indication and the ability to show the spectrum of any other Pro-Q 3 instance, helping you identify and address frequency clashes effectively during mixing.
Videos
FabFilter
Introduction to FabFilter Pro-Q 3
Introduction to FabFilter Pro-Q 3
FabFilter
Fabfilter Pro Q3: Why is everyone in love with this thing?
Geoff Manchester
Fabfilter Pro-Q 3 EQ Tutorial - Everything You Need to Know
Sam Smyers
FabFilter Pro Q 3: 10 Things You Need to Know
Sage Audio
FABFILTER PRO-Q3 FIRST LOOK!
White Sea Studio
What Makes This Plugin So Great? FabFilter Pro-Q 3
Creative Sauce
Coming soon... FabFilter Pro-Q 3
FabFilter
Is this the BEST EQ Plugin Ever Made?
EDM Tips
THIS IS RUBBISH...not! - FABFILTER PRO-Q 3 REVIEW | Streaky.com
Streaky
FabFilter Pro-Q 3 | Worth the hype?
Jon Meyer Music
Reviews
PROS
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Highly flexible with up to 24 bands for detailed EQ control
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Dynamic EQ capabilities allow for precise frequency adjustments
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Excellent GUI with visual feedback aids in intuitive use
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Transparent sound, ideal for both subtractive and additive EQ tasks
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Mid/side processing enhances stereo field manipulation
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Extremely versatile, suitable for individual tracks and mastering
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Auto-gain feature simplifies gain staging and workflow
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Industry standard, trusted by professionals for reliable performance
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Resource friendly, doesn't strain CPU even with multiple instances
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Exceptional for surgical EQ tasks and problem frequency isolation
CONS
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Some users find it expensive compared to other EQ options
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Lacks the analog warmth of hardware EQs for certain tasks
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about FabFilter Pro-Q 3.
Comparisons
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ToneBoosters EQv4 is highlighted as offering 90% of Pro-Q 3's functionality at just 20% of the cost, providing a more budget-friendly option.
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The JST EQ by Joey Sturgis Tones is suggested as a budget-friendly alternative to Pro-Q 3, sharing many features but at a lower price.
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Kirchhoff EQ is noted as a comparable alternative, particularly for its dynamic EQ control, though it lacks Pro-Q 3's frequency masking visualization.
Source
Use cases and applications
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The Pro-Q 3's dynamic EQ functionality is praised for maintaining mix clarity when static cuts make the mix sound dull.
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The EQ matching feature in Pro-Q 3 is noted for its utility in reverse-engineering sounds, providing creative sound design opportunities.
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Many users prefer using Pro-Q 3's linear phase mode on vocals for its clean, transparent sound, despite its high CPU usage.
Source
User experience
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Some users note the minimized version of Pro-Q 3 is efficient on CPU, making it feasible to use as the default EQ on multiple channels without resource strain.
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Users report that Pro-Q 3 significantly enhances workflow speed, especially when working on tight deadlines.
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Owners appreciate the mid-side processing and intuitive UI, which significantly improves workflow efficiency.
Source
Features and functionality
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Users appreciate the full-screen mode, which maximizes the analyzer display, allowing for quicker identification of problem frequencies.
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The Pro-Q 3's EQ curves maintain integrity near the Nyquist frequency, avoiding the "cramping" effect found in other EQs for high-frequency filters.
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The Pro-Q 3's ability to visualize frequency conflicts between tracks using multiple instances is a unique feature not found in other EQs.
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Pro-Q 3 offers extensive y-axis scale customization from 3dB to 30dB, which can be set as a default preset for consistent visual scaling.
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Users appreciate the ability to sidechain the EQ to different sources, enhancing flexibility in mixing scenarios.
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Pro-Q 3 includes a brick wall function, although it's advised to use it cautiously as it can cause phase issues.
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Dynamic EQ feature allows turning any band into a compressor, providing nuanced control over specific frequency ranges.
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Value and pricing
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Pro-Q 3 is considered a premium plugin, but its extensive feature set and usability justify the investment for many users, despite the availability of cheaper alternatives.
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FabFilter offers significant discounts for students and price reductions when purchasing multiple plugins, enhancing its affordability.
Source
Critic Reviews
5.0 out of 5
Based on 63 Reviews and 443 Ratings
Best. EQ. Outthere.
Basically the only EQ I use. I do use Maäg EQ4 on the master channel, when mastering projects, but that's it. Pro-Q does everything else.. Sculpting, cleaning, filtering, removing low or high frequencies, mid, side, etc etc.
1824
Unbelievable Versatile Digital EQ!!!
My Favorite Digital EQ (Versatile) works wonderful on just about anything
Exceptional Sound Quality
Solves Problems BIG TIME!
Excellent Control
Worth EVERY Dollar - you will use this on everything - If you only own 1 Digital EQ the THIS should be 'The ONE'!
5455
5 stars, 2nd most used EQ
5 stars, 2nd favorite plugin EQ. Goes Massenburg, ProQ 2. I'd be fine with just the 2 plugin EQ options honestly, I rarely use anything else...ever. Most used plugins I have. The feature set on the Pro Q is nice & a big part of how it gets used as often as it does. It's a solid problem solver.
The Massenburg is a better sounding plugin EQ, but it's feature set is limited. It does what it does very well & that's it. No bells & whistles & that suits me just fine.
The ProQ 2 covers the mid side, the ease of finding problem frequencies, etc. & general problem solving, etc. it's what has made it a go to for EQ work where the Massenburg isn't a fit.
Lastly- the GUI is, I'm sure already mentioned, but refreshing & it's how I wish more developers would think.
It's a plugin for shits sake.
I'm not interested in some massive GUI representation of a NEVE or API.
Actually that, in addition to being a hassle just serves to remind me of said plugins failings.
Version: FabFilter Pro-Q 2
852
Probably the Best Equalizer I have Used
This is one of if not the best equalizer plugin that I have used. I use it up front on each channel in the mix to shape the signal right out of the instrument plugins. For example, I use it on a synth as the first plugin in the chain. I also use it in my master chain as the first plugin. The thing I like about this EQ is that it allows me to see what I am doing so clearly. I almost don't have to hear the music to know what it is going to sound like. And, this version 2 has an auto gain feature that while not perfect does a great job at keeping the levels going out of this plugin quite even with what was going into it. That is always a chore during the gain staging process and this EQ takes easily an hour out of the process for me.
Version: FabFilter Pro-Q 2
205
Most popular EQ plugin out there, possibly the best.
This EQ plugin is practically an industry standard, and has a really nice GUI. It comes standard with lots of presets, too, which can be a good thing if you just want to try and stick them on your sounds in the mix or use as examples to go off of. I will say, though, that sometimes it can be easy to overlook DAWs simple, but effective, built-in EQ plugins.
213
The Perfect EQ.
The Perfect EQ.
Everything about this EQ is perfect. The sound, the look, the features, the workflow. I love this EQ because, although I use it mostly for subtractive EQing, the additive EQ sounds super transparent, especially in the higher frequencies.
I'd recommend getting to know whatever EQ you have already, but if you have the money to spend, get to know this one instead and it will most likely improve your production quality.
Version: FabFilter Pro-Q 2
185
Best workhorse EQ on the planet
Like the title says, simply the best EQ on the planet. Why? It is highly flexibel, has awesome workflow and sounds awesome. And on top of that it is beautiful to look at. My go to EQ everyday. I wouldn't use it for coloring because it is very transparant. But there's plenty of other coloring EQ's on the market today.
Version: FabFilter Pro-Q 2
166
The best EQ
This is an amazing EQ plugin and it is very very quick, i like how it more or less guesses whether you want a HPF or LPF according to where you click. The HD display also makes it much easier to see every single frequency you want to manipulate on its spectrum analyser. Also the amount of points and curves you can make allow so much freedom to mix however you want. The frequency automation is also very responsive which is great.
Version: FabFilter Pro-Q 1
238
This is the pre-eminent EQ
As far as subtractive EQ goes, this plugin is a workhorse for mixing. Does alright with boosts too but they lack the flavor of analog gear, so I use them sparingly in favor of other EQs.
Artist usage
Add artist
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In an Instagram post by djapster, Apster is shown using the FabFilter Pro-Q 3 EQ plugin while working on new music.
0:38 seconds within the official tutorial video for Michael Brun & Rune RK feat. Denny White "See You Soon", you can see FabFilter Pro-Q running on Michael Brun's "Kick" channel on the effects rack.
DJs From Mars share their excitement about new gear, including the FabFilter Pro-Q 3, in a Facebook post.
In the Resident Advisor feature "Machine Love: M.E.S.H." by Angus Finlayson, M.E.S.H. is shown using the FabFilter Pro-Q 3 EQ plugin in the third picture.
Used for Ray's vocals on "Old Town Road (Remix)", as stated by mix engineer Andrew "VoxGod" Bolooki in this August 2019 Sound on Sound interview. An image of the settings can be found here.
Billy Ray Cyrus' verse lead vocal provides an example of the mind-boggling complexity of Bolooki's vocal treatments. The audio is spread over five tracks (36-40), four of them with the same insert effects chain of Melodyne, FabFilter Pro-Q 3, FabFilter Pro-DS and Waves CLA-76. The fifth track replaces the Pro-DS with the Avid ModDelay 3, and adds a send to the 'rvb2' aux with the Soundtoys Effect Rack. All five audio tracks are routed to an aux group track (35), which has the Pro-Q 3, Waves C6 and RVox, UA Distressor and SSL Channel, plus a whopping seven sends to delay and reverb aux tracks, and another Distressor aux. The quarter- and eighth-note delay auxes themselves each have four insert plug-ins (Waves H-Delay, Pro-Q 3, MetaFlanger, and DVerb) and a send to the 'rvb1' reverb aux. That means that the verse vocal alone has a total of 38 plug-ins, spread over five audio tracks, one group aux track, and seven aux effects tracks!
Bolooki: "I spoke to a mixer a couple of years ago and asked him how he got things to sound so polished. And he said: 'You can't just throw on a plug-in, you have to take more control, and make sure you purposely put things in different places in different ways.' So, for example, in this song I added the DVerb to the delay auxes, to create a distant effect, so it's not obvious. There are many effects going on, but none of them are overpowering. They are all set back. Nothing gets in the way of the lyrics and the vocal performance. I could probably delete half these effects and it would have sounded the same, but people liked it the way it was, so I left them all.
"This was the first time I used the UAD Distressors and I ended up having two on Billy's vocals: one as part of his main vocal aux, and another set much more aggressively in a parallel and blended back into the same lead vocal aux. This made his vocals really kick ass, and helped make each word crystal-clear. I also ended up copying the Waves SSL strip from Nas' vocals on some of Billy's vocal tracks too, just for some tonal continuity. I have no problem stacking plug-ins on plug-ins. If it's better, it's better.
"Just to highlight some of the other plug-ins I used, there's an aux called 'VoxDoubler' with the Waves Greg Wells VoiceCentric. It definitely adds a bit more of a finished feel and works well mixed in parallel. I put the Waves C6 multiband compressor on almost every single vocal bus, using the 'Pooch Vocal' preset. This cleans up some of the mud. You can solo the side-chain bands and sweep around until you find the annoying frequency, and then just cut that out. If I need to play back something for someone really fast, this is my emergency plug-in to get it to sound better really quickly. Also, the Melodyne plug-in is greyed out, because I printed it. I also like using the Pro-DS, and always put it before the CL76 compressor, because I think it just makes the most sense to fix issues before you boost the whole track with a compressor."
Using Pro-Q 2 in this video
In the YouTube video titled "Shocking Technique with Klaas Chapter 1" by Cracklife Craked, Klaas is shown using the FabFilter Pro-Q 3 EQ plugin.
Visible in "Bonus Episode #1" of MDK: Production School at 11:35.
In the Instagram video, Wankelmut is seen using the FabFilter Pro-Q 3 during a studio session.
Album Usage
The FabFilter Pro-Q 3 has been featured on the following albums:
bittersweet
Madison Beer (2025)
Are We There
Breaka (2025)
american dream (nightcore version)
21 Savage (2024)
Open Your Eyes
Funkin Matt (2024)
Modern Girl
Bleachers (2023)
Lucky
Bad Snacks (2022)
snowfall
Øneheart (2022)
Neon Medusa
The Midnight (2021)
Good News
Megan Thee Stallion (2020)
Exciting New Sound
Will Sparks (2020)
Ex Machina
Metrik (2020)
Say So (feat. Nicki Minaj)
Nicki Minaj & Doja Cat (2020)
Old Town Road (Remix)
Billy Ray Cyrus & Lil Nas X & Mason Ramsey (2019)
Echoes
Ben Duffy & Kove (2019)
Obsidian
Huminal (2019)
KIRK
DaBaby (2019)
Gravity
Metrik (2019)
Can't Erase
Rebecca & Fiona & Nause (2019)
bad guy (with Justin Bieber)
Justin Bieber & Billie Eilish (2019)
Be Honest (feat. Burna Boy)
Jorja Smith (2019)
Crumbling
Mid-Air Thief (2019)
Macropsia
Huminal (2018)
How Does It Feel
M-22 (2018)
Dead Inside
Taska Black (2018)
All The Stars (with SZA)
Kendrick Lamar & SZA (2018)
Sober
Cat Dealers (2017)
Lots to Say
Mark Villa & Keanu Silva (2017)
Bodak Yellow (feat. Kodak Black)
Cardi B & Kodak Black (2017)
Breathe
Jonas Aden (2016)
Is It Love
3LAU (2016)
Blau & Pink
Dat Adam (2016)
Sweet & Sour (Extended Mix)
Mike Williams & Mike Williams (2016)
![FabFilter Pro-Q 3 as heard on Memories (feat. Sirah) [Radio Edit] by Bassjackers & KSHMR (2015)](https://images.equipboard.com/uploads/album/image/255828/memories-feat-sirah-radio-edit.jpg)
Memories (feat. Sirah) [Radio Edit]
Bassjackers & KSHMR (2015)
Secrets (Remixes)
Tiësto & KSHMR & Vassy (2015)
Secrets (Diplo Remix)
Tiësto & KSHMR & Vassy (2015)
Secrets (Radio Edit)
Tiësto & KSHMR & Vassy (2015)
Edge EP
Neonlight (2015)
See You Soon
Michael Brun (2015)
The One
W&W (2015)
The End (Megaphonix Remix)
Lucky Date & Megaphonix (2015)
Memories (feat. Sirah)
Bassjackers & KSHMR (2015)
Heartbeats
Matt Nash (2015)
Here Comes The Sun
Will K (2015)
Rattlesnake
Rogue (2015)
A Head Full of Dreams
Coldplay (2015)
Purpose (Deluxe)
Justin Bieber (2015)
Turn It Around
DubVision (2014)
Turn It Back
Deepend (2014)
Party Face
Victor Porfidio (2014)
Max Ammo
Firebeatz (2013)
Retaliate
Angerfist (2012)
In The Mode
Roni Size & Roni Size / Reprazent (2000)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use FabFilter Pro-Q 3, it is most commonly used with the following gear.
Community setups
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