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Fender 'Drip Edge' Silverface Super Reverb (1968-1969)

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Photo of Fender 'Drip Edge' Silverface Super Reverb (1968-1969) in a guitar, amplifier, and signal chain

Fender 'Drip Edge' Silverface Super Reverb (1968-1969)

^# 72

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$1,400.00 Price Tier: High-end

5.0 (12)

3 Reviews

This product is Vintage or Discontinued

Newer option

Fender 'Silverface' Super Reverb (1970-1977)

$289.28

4.5 (4)

Find out who is using Fender Super Reverb 1968

2 community setups

9 wishlisted

20 saved

Page last updated Jul 05, 2026

Pricing and availability

We compare 600+ stores and found this item at 1 store. Prices updated July 5, 2026.

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5.0 (13)

$1,400.00 32 available Used

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Average Price: $1,400

High-end/Boutique

$300

$701+

Price Tier

In the Combo Guitar Amplifiers category, Fender 'Drip Edge' Silverface Super Reverb (1968-1969) is priced in the High-end/Boutique range. This premium gear is built to very high standards and offers premium features.

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High-end

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Description

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Meet the 1968 Fender Super Reverb Silverface, a guitar amplifier that's as iconic as the legends who've used it. Introduced in the late 1960s, it quickly became a benchmark for guitarists in search of that classic Fender tone with a touch of shimmering reverb and pulsating tremolo. This 45-watt tube combo amp features the same design as the revered Fender Super, but with a silverface finish that's as stunning as its sound. Join the ranks of Johnny Marr, Stevie Ray Vaughan, and many more, and make your own mark on music with the Super Reverb Silverface.

Key Features:

Silverface finish, a unique aesthetic from 1968 to 1982
45-watt tube combo amplifier for powerful, warm tones
Built-in reverb and tremolo effects for an added sonic dimension
Four 10" speakers, delivering classic Fender sound
Same design as the Fender Super, a trusted choice of professional musicians
Iconic amplifier used by renowned guitarists like Johnny Marr and Stevie Ray Vaughan

Product specs

Brand	Fender
Model	Super Reverb "Drip Edge" 2-Channel 40-Watt 4x10" Guitar Combo
Finish	Silverface
Year	1968 - 1969
Made In	United States
Categories	Guitar Combo Amps
Built-In Effects	Built-In Effects
Color Family	Black
Direct Output	No Direct Output
Electronics	Tube
Model Family	Fender Super Amp
Model Sub-Family	Fender Super Reverb
Number of Channels	2 Channels
Number of Inputs	4 Inputs
Output Power (Watts)	40
Power Tube Type	6L6
Reverb	Spring Reverb
Series	Fender Vintage Silverface Amps
Speaker Configuration	4x10"

FAQs

What are the tonal characteristics of the 1968 Fender Super Reverb Silverface?: The 1968 Fender Super Reverb Silverface is known for its rich, vibrant clean tones with a pronounced midrange and shimmering highs, making it ideal for blues and rock genres. Its spring reverb and tube-driven vibrato add depth and character to the sound.
Is the 1968 Fender Super Reverb Silverface suitable for gigging?: Yes, the 1968 Fender Super Reverb Silverface, with its 40-watt output and 4x10" speaker configuration, provides ample volume and projection for live performances, especially in mid-sized venues.
How does the 1968 Fender Super Reverb Silverface handle effects pedals?: The 1968 Fender Super Reverb Silverface is well-regarded for its ability to handle effects pedals, maintaining clarity and responsiveness, which makes it a versatile option for guitarists who use pedalboards.
What makes the 1968 Fender Super Reverb Silverface different from other Silverface models?: The 1968 Fender Super Reverb Silverface is distinguished by its "drip edge" design and its unique tonal qualities, offering a blend of clean and overdriven sounds with a robust spring reverb, setting it apart from later Silverface models with increased wattage.
Can the 1968 Fender Super Reverb Silverface be used for home practice?: While it is possible to use the 1968 Fender Super Reverb Silverface for home practice, its 40-watt power and large speaker configuration are more suited for live performances, as it can be quite loud for small spaces.

Videos

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The HOLY GRAIL of Super Reverbs!

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Time Capsule 1968 Super Reverb (100% original) & 1959 Stratocaster

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The Magic Sound of a Cranked 1968 Super Reverb

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Inside the Time Capsule 1968 Super Reverb (Silverface)

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Why you need a Fender Silverface 'Black Line' Amp- 1968 Fender Super Reverb

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YOU be the judge... Vintage Fender Super Reverb

Yeatzee Guitar

1968 Fender Super Reverb Demo

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1968 Fender Super Reverb Drip Edge + EVM10Ms

Talleg Toussaint

1968 Fender Super Reverb Silverface - G&L Legacy - Demo of reconed original CTS speakers

Weekend Warrior Creative Lab

Reviews

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PROS

Produces amazing tones, suitable for a variety of music genres
Capable of classic Fender scooped sounds to Bassman combo emulation
Exceptional volume range, with sweet spot above 100 dB
Delivers rich tone at both high and low volumes
Versatile for live gigs and home use
Durable, withstanding hundreds of gigs
Historical value with unique transitional period features

CONS

Can be problematic, blowing fuses and rectifier tubes
May require frequent and costly maintenance
Heavy, potentially difficult to transport without assistance
Optimal sound performance requires high volume, which may not be practical for all settings

Owner Insights

We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Fender 'Drip Edge' Silverface Super Reverb (1968-1969).

Build quality

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The power transformer is not original and dates to the 9th week of 1972, which may affect vintage value.
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The reverb tank quality is crucial; vintage tanks often outperform modern replacements in sound quality.
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Setup and maintenance

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It's suggested to use a 5U4 rectifier tube to maintain appropriate voltage levels due to the non-original power transformer.
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Pre-1977 models are preferred due to their non-ultralinear output and better power supply design. Look for 70 watts on the rear panel to avoid these.
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Swapping the RCA connections when replacing the reverb tank can resolve connection issues, as some tanks have color-coded connectors that are opposite to typical amp cables.
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Mods and upgrades

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Installing a PPIMV (post-phase-inverter master volume) was recommended for greater control over output volume.
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Consider changing the blue and black capacitors in the doghouse for more reliable soldering, as current ones appear sloppily installed.
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A MOD 4AB3C1B replacement reverb tank offers a richer, warmer reverb that many owners prefer over the original tank for achieving a lush sound quality.
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Comparisons

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The 1968 Super Reverb is noted to be quieter at zero volume than newer 64 Custom Deluxe Reverb Hand Wired models.
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The MOD replacement tank can deliver a reverb sound that closely matches the lush intensity of a ’64 Custom Hand Wired Deluxe Reverb.
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User experience

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Some find the Super Reverb preferable over newer Deluxe Reverbs due to its quieter operation and tonal clarity.
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The weight and bulkiness of the amp are significant considerations, with some owners humorously suggesting the need for a dolly and back brace.
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Adjusting loose metal plates inside the reverb tank can significantly improve reverb sound, making it fuller and less fizzy.
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Features and functionality

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Early models with aluminum strips on the speaker cloth, known as "Drip-Edge," are more collectible due to their unique cosmetics.
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Value and pricing

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Models with the "Drip-Edge" from 1967-1968 hold higher value due to their aesthetic appeal, despite having the same circuit as later models.
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Use cases and applications

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A well-serviced Super Reverb can provide reliable performance for another 50 years, making it a long-term investment for players.
Source

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5.0 out of 5

Based on 3 Reviews and 12 Ratings

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scott_spike_lindberg

about 10 years ago

1968 Fender Super Reverb Silverface

My 65 lb.1/2 stack of Fender tone! I have other amps but this is my #1. I bought it from a guy who painted bikes for a very famous motorcycle club. The tubes would light up but no sound. I bought it for $25.00 anyways. Fuse assembly was the issue. Typical usual maintenance over the years: new tubes, some filter caps, and bias. I DID NOT change it to Blackface specs. I play Punk, Rock, Blues, and Country with either a '93 Jeff Beck Stratocaster or a '95 Gibson Les Paul Standard. I easily played 250-300 gigs with it. I ride the volume between 5-6.