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Average Price: $1,240
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Description
Step into the realm of professional sound design with the Lexicon PCM-70 Reverb, a staple in studios since its introduction in the mid-1980s. Renowned for its rich, lush reverb tails, this effects processor has cemented its place in music history, becoming a favored tool for producers and engineers who demand sonic excellence. Its intuitive interface, coupled with powerful algorithms, offers a wide array of reverb types, from small room ambiances to expansive halls, making it versatile for any recording scenario.
The PCM-70 Reverb is celebrated for its ability to bring a detailed, three-dimensional quality to tracks, enhancing vocals, instruments, and even full mixes. With its proprietary Lexichip, this processor delivers unparalleled depth and clarity, allowing users to sculpt their sound with precision. Musicians and producers alike appreciate its reliability and the consistency it brings to their projects, whether in the studio or live performances.
Designed for easy operation, the Lexicon PCM-70 features a straightforward control layout, ensuring that even the most complex reverbs are accessible and adjustable. The unit's presets provide a solid foundation for quick setup, while its extensive editing capabilities allow for deep customization to suit any musical style.
Key Features:
- Renowned for its rich and lush reverb tails
- Proprietary Lexichip for superior sound quality
- Wide range of reverb types, from rooms to halls
- Intuitive interface for easy operation
- Extensive editing capabilities for sound customization
- Trusted by professional producers and engineers worldwide
Product specs
| Brand | Lexicon |
| Model | PCM 70 Digital Effects Processor |
| Finish | Black |
| Year | 1980s |
| Made In | United States |
| Categories | Multi-Effect |
FAQs
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What are the main reverb types available on the Lexicon PCM-70?
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The Lexicon PCM-70 offers a variety of reverb types, including Hall, Plate, Room, and Concert Hall, known for their rich and lush sound quality suitable for both studio and live applications.
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Is the Lexicon PCM-70 suitable for live performances?
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Yes, the Lexicon PCM-70 is well-regarded for live performances due to its robust build and versatile reverb settings, providing high-quality effects that enhance live sound production.
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How does the Lexicon PCM-70 compare to newer reverb units?
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While newer units might offer more features, the Lexicon PCM-70 is celebrated for its classic digital reverb sound, which remains a favorite for its warmth and character in both studio and live settings.
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Can the Lexicon PCM-70 be integrated into a modern DAW setup?
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Yes, the Lexicon PCM-70 can be integrated into a modern DAW setup using appropriate analog-to-digital converters, allowing you to leverage its classic reverb sounds in digital productions.
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What is the user interface like on the Lexicon PCM-70?
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The Lexicon PCM-70 features a straightforward interface with a digital display and tactile controls, making it user-friendly for quick adjustments and parameter settings during sessions.
Videos
Michael Nielsen - Big Hairy Guitars
Reverb: What is the Lexicon sound?
Reverb: What is the Lexicon sound?
Michael Nielsen - Big Hairy Guitars
Demo :: Lexicon PCM70 Reverbs on SH101 (Aphex Riff)
SOLON Music
A Lexicon PCM70 in a Pedal!?! Yes.
Michael Nielsen - Big Hairy Guitars
Lexicon PCM70 vs 480L
Espen Kraft
Lexicon PCM70.
Retrosonic Pro Audio
Lexicon PCM70
Leon Todd
Demo :: Lexicon PCM70 on TR8 + Reface CS (Aphex Ageispolis Riff)
SOLON Music
How to use outboard reverb in Pro Tools | Lexicon PCM 70 / Yamaha SPX 90
Seawell Studios
Cheap vs Expensive Reverb : Lexicon PCM70 vs Korg DRV1000
Clifton Wright
Reviews
PROS
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Customizable patches allow for unique sound creation
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Includes revered presets like "Tiled Room" and "Long Hall"
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Superior sound quality, outperforms top software reverbs
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Can produce classic 80's sound with direct instrument input
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MIDI in/out/thru for versatile live and studio applications
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Offers mono to stereo conversion
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Repairable by specialists, ensuring longevity
CONS
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Older units may be prone to failure, hard to fix
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Does not include an FX loop
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Editing can be cumbersome compared to older models
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Sound may not blend well in mixes, very pronounced effect
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Considered overpriced by some users
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Lexicon PCM-70 Reverb.
Comparisons
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The PCM 70's delay quality is highly praised, often preferred over the Axe FX II's delay for its superior tone.
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The SPX 90 may be seen as redundant due to alternatives like the Magicstomp, which offers similar algorithms with easier programming.
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The Ensoniq DP4/DP4+ is considered the closest in sound to the Lexicon 224 due to algorithms reverse-engineered by an ex-Lexicon engineer.
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The Valhalla Vintage Reverb is often compared to Lexicon hardware but is seen as too precise in pitch shifting compared to the AMS 1580.
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The Lexicon PCM 70 is often preferred over plugins for its unique character, particularly when compared to ITB options like Altiverb and Valhalla.
Source
Features and functionality
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PCM 70 is optimized for stereo use, and using it in mono might not fully utilize its algorithmic potential.
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The Lexicon 224's preamps and transformer-coupled outputs significantly contribute to its unique, expansive sound profile.
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The PCM 70's sound is highly valued for its distinctiveness, especially in creating three-dimensional spaces that some users feel plugins can't replicate.
Source
Use cases and applications
Value and pricing
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Consider cheaper Lexicon models like the LXP-1 or MXP-1 for adequate delay and chorus effects without investing in a PCM 70.
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Setup and maintenance
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Electrolytic capacitors in older Lexicon units need replacing every 30 years, and parts might be difficult to source.
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User experience
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Owners note an intuitive interface on the Model 200 and Prime Time delay units, enhancing user interaction compared to software.
Source
Critic Reviews
4.5 out of 5
Based on 2 Reviews and 10 Ratings
41029
Still expensive, sound matches price point if you're into lexicon reverb.
A crisper sounding pcm60. Mono to stereo. No fx loop. MIDI in, out and thru. If you like the 60 you'll like the 70. Just a more modern flavor of the 60 with more of everything. Midi patch selection makes it great for live performance or FOH where you need different verbs every tune. Editing is less fun than the 60 but the screen is better. Very complex sound but as a result it doesn't tuck in a mix as well as the 60. You KNOW it's on an aux send. Kinda overpriced these days.
Preferred Settings + Usage:
Tiled room.
257
Artist usage
Add artist
"My main reverb is a Lexicon PCM70, and my main delay is a TC Electronic TC 2290. Sure, they're both incredible-sounding machines"
In a YouTube video titled "Analog Mixing & Jonathan Wilson's Home Studio," Jonathan Wilson discusses the equipment in his studio, including the Lexicon PCM-70 Reverb.
In the February 2011 issue of Future Music magazine (Issue 236), Photek discusses his classic album "Modus Operandi." The accompanying images, as shown in the user-uploaded photo, feature the Lexicon PCM-70 Reverb among his gear.
With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS10 monitors. A visiting M1 is subjected to his derision, much to the amusement of the programmer. Upstairs he shows me the 16-track studio, home to a Tascam MSR16 and a Soundtracs PC series desk, and the small editing suite with its Macintosh and Soundtools digital editing. Finally there's the demo room, with a Tascam M312B desk, Atari, S1000, Midiverb II, SPX50D, NS10s', and, surprisingly, a DX7II. The latter instrument is being played by Jaz Coleman, who's making a gothic-sounding godawful racket together with Geordie Walker on electric guitar.
"What I use in the studio now is not that different to when we started. There's an old 1624 Soundcraft desk that's pretty knackered but has a nice warm sound that you wouldn't get on a modern one. Our outboard gear is pretty bog standard, just ordinary delay lines and digital reverbs. Nothing very expensive. When we bought the Lexicon PCM70 it was £2,000 — but now you could get it for £500. More recently we bought a Quadraverb GT and a Yamaha EMP700 guitar multi‑effects processor, though I haven't played guitar for ages and ages. I'm more keyboards‑based now."
"Michael Wilton's rack case includes the Lexicon PCM-70 Reverb, as seen in a user-uploaded photo."
"I started with the first PCM70. I bring my own reverb with me, but there are certain rooms that enhance every sound."
A Lexicon PCM-70 was part of John Ashton's guitar rig in 1985.
According to the "equipment list" found on Church Studios, owned by Epworth, one of the things listed is Lexicom PCM70.
As listed in this 1993 interview on the Music Magazine Archive
Album Usage
The Lexicon PCM-70 Reverb has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Lexicon PCM-70 Reverb, it is most commonly used with the following gear.
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