Matt uses this (the wireless version of the 105) when he doesn't have to play guitar all the time

In this performance of "Wonderwall", Noel is singing into Neumann KMS104 microphone. This can clearly be seen at :19s of the video.

At 3:01 the brand and model can be seen by forcing your eyes :) . He used this mic for the entire WFUV session.

Throughout this video, Ben Gibbard can be seen using what I believe to be a Neumann KMS 104. He has also used it in other shows, including the following: https://youtu.be/gxU3Y1ot5yY

"According to front of house engineer Dave McDonald the Neumann KMS 104 was always going to be an essential part of Adele's audio makeup. "I've been touring for the last year with Air," he explains, "and we were using the Neumann KMS 104. It takes the vocal and really throws it to the back of the hall with clarity. When I started working with Adele I said: ‘let's get you one of these, a) for health reasons, because you need your own microphone and b) it's the right mic for your vocal'. The KMS 104 just has this depth. It goes right to the bottom and the high end of the vocal and it's crystal clear. That's what I always want. I don't want to be messing around for ages EQing a vocal when I can just put a really good mic on it."

In this KEXP performance, Sparhawk is seen singing into Neumann KMS104 microphone.

Mentioned by production manager and FOH engineer Lee Moro in this August 1, 2007 Electronic Musician interview about the Not Too Late Tour. It can be seen in Jones' Live in Amsterdam concert movie from that tour starting at 0:23.

“Neumann makes a lot of sense for an artist like this,” acknowledges Moro. One key model is the Neumann KMS 104 vocal microphone. “I love the 104. Neumann has hit the spot with that one. The way they’ve changed the pattern from the 105 is working quite well for us. It sounds like a million bucks up there.”

Jones sings from three different locations onstage — from behind an acoustic piano, a Wurlitzer electric piano, and front-and-center with an electric guitar. “I have the 104 on two positions and one with a Neumann KMS 140,” Moro shares. “The 104s sound great, so we might switch that third mic to keep things consistent. Plus, it’s easy if we have a problem with any of them out on the road. It’s easier to find a 104 or 105 than a 140.”

Jones continued using the KMS 104 during the 2010 The Fall Tour, as stated by FOH engineer Brett Dicus in this January 26, 2010 Music Gear Review interview.

To convey that indescribable quality, FOH engineer Brett Dicus continues to rely on a Neumann KMS 104 cardioid or 105 super cardioid microphone, with a backline of Sennheiser Evolution wired microphones and wireless personal monitors for her band.

Brett Dicus uses the microphones to deliver a sound that is as close to studio quality as possible. With Jones' natural airy and sibilant voice, he needs the microphone to have the most life-like and natural high-end possible. "Bother microphones deliver the signature Neumann studio sound with the robust handling required for a live performance" Dicus said of the KMS 104 and 105. "Above all else, the most critical sound reinforcement tool that we bring with us to every date is Norah's Neumann vocal microphone."

Norah has been using a Neumann microphone or capsule with Sennheiser Wireless RF transmitters for almost her entire touring career, a career that spans four albums and most of the globe. Dicus returned to KS 105's from a brief stint using Shure SM 58's "because that was all that was available for a little while." Norah used KMS 105's all the way back on her "Come Away with Me" tour for their high-gain and clean sound to amplify Jones' quiet vocals. Now they're making use of that gain with Jones' new, grittier sound. Gritty, here, is a loose term, as the record itself sounds perfectly clean, but there's that hint of dirt that makes me feel like I'm listening to an old 45 with a just slightly overdriven old Neve board. It's really a great new sound with the same equipment that shows some creativity on her team's part.

Another The Fall Tour mention by Dicus of the KMS 104 can be found in this February 2, 2010 Front of House Magazine interview.

Depending on the acoustical circumstances, Jones sings into a Neumann KMS 104 cardioid or a KMS 105 super-cardioid. Both microphones deliver the Neumann studio sound with the handling required for a live performance. "Above all else, the most critical sound reinforcement tool that we bring with us to every date is Norah's Neumann vocal microphone," said Dicus. "She's been using some variant of a Neumann microphone or a Neumann capsule with a Sennheiser RF transmitter for almost all of her touring career. On those rare occasions where we're asked to use something else, we miss the studio-quality high-end and lifelike sibilance that we get ‘out of the box' with the KMS 104/105."

Yet another The Fall Tour mention can be found in this July 9, 2010 Mix Online article.

Vocal mic is a Neumann KMS104.

In the live performance of "Scream (Funk My Life Up)" on WFUV Public Radio, Paolo Nutini can be seen using the Neumann KMS 104 Plus Handheld Vocal Studio Condenser Microphone.

In the Deezer Session video titled "London Grammar: Interlude," Hannah Reid is seen using the Neumann KMS 104 Plus Handheld Vocal Studio Condenser Microphone during a live performance.

Annie Lennox uses the Neumann KMS 104 Plus Handheld Vocal Studio Condenser Microphone during her performance of "Why" at Live 8 in 2005, as seen in the concert footage.

The equipment is explained on this site. https://www.snrec.jp/entry/interview/kan-sano_susanna

"The VE-20 is always connected to the NEUMANN KSM104 microphone so that you can record quickly without having to replace the cable when you want to record. The microphones are separated by about 5 cm to prevent noise."