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Average Price: $102
Standard/Professional
$75
$201+
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Budget
Standard
High-end
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Based on price data from 6 merchants for "Shure SM58". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Product Description:
The Shure SM58 is the undisputed king of dynamic microphones, a staple in the music industry cherished by musicians across the globe. Its warm, clear sound and optimized frequency response make it a perfect choice for both lead and backup vocals, whether you're belting out a tune during a live performance or laying down tracks in the studio.
The cardioid directivity of this microphone helps to isolate the sound source, reducing unwanted background noise while capturing every nuance of your voice. An integrated filter effectively eliminates wind and breathing noises, ensuring clean, professional audio every time.
Not only is the SM58 a powerhouse in sound performance, but it also boasts a rugged construction that can withstand the rigors of everyday stage life. A robust shock absorber system and a sturdy steel mesh grille protect the mic from the usual knocks and drops, making it a reliable partner for any performing artist or sound engineer.
Key Features:
- Optimized frequency response with brightened mids and bass roll-off
- Integrated wind and pop filter for clean, professional audio
- Shock absorber system for enhanced durability
- Rugged construction with a sturdy steel mesh grille
- Cardioid polar pattern for effective background noise reduction
- Frequency range: 50 - 15,000 Hz
- Output impedance: 300 Ohm
- Sensitivity: -56 dBV / Pa (1.85 mV)
- Includes microphone bag, microphone clamp, and 3/8" reducing thread.
Owner's manual
Shure SM58 User ManualProduct specs
| Microphone Type | Dynamic |
| Polar Pattern | Cardioid |
| Frequency Response | 50Hz-15kHz |
| Max SPL | 160dB SPL @ 1kHz |
| Output Impedance | 150 ohms |
| Sensitivity | -54.5 dBV/Pa (1.85 mV) |
| Connector | XLR |
| Dimensions | 6.37" x 2" |
| Weight | 0.65 lbs. |
| Included Accessories | Carry Pouch, Mic Clip |
FAQs
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What is the primary application for the Shure SM58 microphone?
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The Shure SM58 is primarily designed for live vocal performances. Its cardioid dynamic design helps reduce background noise and feedback, making it ideal for stage use.
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How does the Shure SM58 handle feedback on stage?
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The Shure SM58's cardioid polar pattern minimizes pickup of sounds from the sides and rear, effectively reducing feedback risk during live performances.
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Is the Shure SM58 suitable for recording vocals in a studio?
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While the Shure SM58 is primarily known for live performances, it can also be used in studio environments for recording vocals, especially for capturing a live sound feel.
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Can the Shure SM58 be used for instruments as well as vocals?
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Yes, the Shure SM58 can be used for miking instruments, though it is optimized for vocal clarity. Its robust build and frequency response make it versatile for various sound sources.
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What type of connector does the Shure SM58 use?
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The Shure SM58 uses an XLR connector, which is standard for professional audio equipment, ensuring a secure and high-quality connection.
Videos
Podcastage
Shure SM58 Dynamic Mic Review / Test
Reviews
PROS
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Legendary durability; built like a tank
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Versatile across vocals and instruments
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Consistent sound quality that's stood the test of time
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Crisp, warm tones; great frequency response
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Reasonably priced for its pedigree and performance
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High noise ceiling allows for loud vocal performances without distortion
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Iconic in the industry, trusted by professionals
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Easily accessible accessories and replacements
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Excellent at off-center noise reduction
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Minimal feedback, even at high gain levels
CONS
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Some users experience issues with internal wiring
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Not as impressive as condenser mics in studio settings
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Pronounced proximity effect can be a con for some
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Mid frequencies can be problematic for certain vocals
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May not be the best match for every voice type
Critic Reviews
4.5 out of 5
Based on 101 Reviews and 788 Ratings
209
Good
Good little mic for vocals. Not so good for instrument recording, but is good for vocals.
83
It's an SM58.
Durable, unparalleled vocal mic. Feels great in the hand. Has been an industry standard for longer than I or my mentors have been alive.
266
as standard as possible
you don't get more stereotypical than this mic! when you think of a microphone, your brain immediately jumps to this exact one. now this thing is as basic and standard sounding as possible but I do not mean that negatively; there is a reason this mic is the most fabled. The only quarrel I have is that I am not personally fond of the way my voice sounds on this mic, but that is entirely a me issue. I see some people who disdain the proximity quirk to this mic, personally it's not a problem; I actually think it encourages better vocal dynamics and understanding of physical space in order to work this microphone to its full potential. that said, when you buy any piece of gear, you should be working with the gear to get any desired sound, not expecting the gear to work with you; and this mic does everything you'd ever need it to, you just have to get used to its quirks. basically, if you want a decent/good mic, here it is.
186
It's a real classic!
But remember that classic means the "real classic". If you are into modern sounds, SM58 isn't your thing. It's the rounded version of the SM57, that means you can use it even for micing?? It captures the vintage dynamics in a good way...
143
The Industry Standard
This is obviously the industry standard for vocal mics and with good reason. Excellent sound quality, built like a tank, and used on every stage the world over. They're the benchmark and they're great!
Old reliable
Sounds good, reliable, borderline indestructible. It's a classic for a reason.
90
Sounds bad looks good
my friend bought one and I tried to use it and when I found out how to use it the sound sucked
Artist usage
Add artist
Will can be seen in this screenshot singing backing vocals for "Us Against the World" with an SM58.
I like Shure SM57s and 58s. There’s always a vintage Neumann U67 set up that I can record anything with. I have this cool new mic that’s made by Chandler Limited called the EMI REDD. I love the sound of it, and it seems to never need any EQ. That thing always stays up on a stand, ready to go as well. I’m also very partial to my pair of old Sony C-37As, as well as my Beyerdynamic M 88. I arguably use an M 88 more than I use 57s and 58s. I dig AEA ribbon mics too, like the R-84As.
Used "occasionally" in the studio, particularly on "Don't Hurt Yourself", as mentioned by producer Stuart White in this this September 24, 2016 AudioTechnology about the production of Lemonade.
“We started in August 2014 at the Record Plant in Los Angeles. We were there for a month and had booked every single room; producers were everywhere writing songs. After that we took a break, then went to Paris for 45 days, where we lived in a hotel and set up two studios in two different hotel rooms. The identical setups consisted of ProAc Studio 100 monitors, an Avid Omni converter, Telefunken Elam 251 mic, an Avalon 737 mic pre, Tube Tech CL1B compressor, a Shure SM58 which she likes to use occasionally, and matching Pro Tools sessions."
(...) "Jack White sent his stuff in for the song Don’t Hurt Yourself, which was recorded on eight-track analogue, with tons of bleed. I love bleed, as it helps glue the track together and creates depth. The thing was, they’d taken all the effects off in the transfer to digital. It was a lot of work for me to get it to fit in our sonic world and make it rock at the same time. We added some samples to beef up the drums and make them fit in our big bass world. Bey sang through a Shure SM58 with distortion and the speakers turned up really loud, like Bono. The 8-track definitely gave it a colour and a mood, then we brought it into our more modern production aesthetic.”
Elvis Costello & Burt Bacharach - This House Is Empty Now November 23, 1998 on "Late Night with Conan O'Brien" in New York, NY
In this picture, you can see RM with a Shure SM58, just before it catches fire in the performance of Intro: Persona for their concert MOTS ON:E
In a photograph from Faith No More's performance on October 12, 1991, at the Day on the Green festival in Oakland, CA, Mike Patton is clearly seen using a Shure SM58 microphone. This image serves as proof of his use of the Shure SM58 during this particular live performance.
In this Tiny Desk (Home) Concert from NPR, Kingfish is using a Shure SM58 microphone for vocals.
In this TapeOp interview with Ruban, he states he used a Shure SM58.
"I did two records with a [Shure SM]58"
Album Usage
The Shure SM58 has been featured on the following albums:
Fame is a Gun (triple j Like A Version)
Rebecca Black (2026)
Eno (Original Motion Picture Soundtrack)
Brian Eno (2024)
Ven Aquí (MTV Unplugged)
Los Bunkers (2024)
Run To You (SUMD4ZE Edit)
Bryan Adams & LMC (2024)
Novocaine
Bad Omens & Too Close to Touch & Bad Omens (2024)
For Keeps
Too Close to Touch (2024)
I'm Not There
Keaton Henson (2023)
Basket Case (feat. Arun Singhal, na:ra)
Billie Joe Armstrong (2022)
BREAK MY SOUL
Beyoncé (2022)
Give Me The Future + Dreams Of The Past
Bastille (2022)
Shut Off The Lights
Bastille (2022)
Fuckboi (feat. Conquer Divide)
Electric Callboy (2022)
Stay Please
The Jins (2022)
Ants From Up There
Black Country, new road (2022)
HAWATARI NIOKU CENTI [2-hundred-million-centimeter-long blades] (TV edit)
Maximum the Hormone (2022)
Hermitage
Moonspell (2021)
The Hermit Saints
Moonspell (2021)
INSIDE
Bo Burnham (2021)
GLOW ON
Turnstile (2021)
Tek Başına (Live)
Teoman (2021)
Cheer Up Baby
Inhaler (2021)
For the first time
Black Country, new road (2021)
KAMIGAMI-神噛- (TV edit)
Maximum the Hormone (2021)
MTV Unplugged
Pearl Jam (2020)
Fu Chronicles
Antibalas (2020)
Good Days
SZA (2020)
Hit Different
SZA (2020)
Sucker
Twenty One Two (2019)
30 Years… Live!
Heideroosjes (2019)
Voodoo Lounge Uncut (Live)
The Rolling Stones (2018)
Call The Comet
Johnny Marr (2018)
Marauder
Interpol (2018)
Time After Time (Tobtok Remix)
Boyce Avenue & Tobtok & Megan Davies (2018)
Deep End
BenjiFlow (2018)
これからの麺カタコッテリの話をしよう
Maximum the Hormone (2018)
Fuckin' up Young
The Dirty Nil (2017)
I Decided.
Big Sean (2017)
Tommy's Planet
CrazyEightyEight (2017)
Millennial
Sam Fender (2017)
Bigger Picture
Puppet (2017)
Screen Memories
John Maus (2017)
Girl, I'll Take You Anywhere
Yung Heazy (2017)
Fingerbang (VIP Mix)
MDK (2017)
Midnight Roses
Drum & Lace (2017)
Back in the Morrow
The Shrives (2017)
Sorry (Metal Cover)
Leo Moracchioli (2016)
Misadventures
Pierce the Veil (2016)
Aggressive
Beartooth & Beartooth (2016)
World on Fire
Sickick (2016)
Then Sings My Soul... Songs for My Mother
Wade Bowen (2016)
Lemonade
Beyoncé (2016)
Kill The Lights (Deluxe)
Luke Bryan (2015)
Itch
Nothing But Thieves (2015)
Mimikajiru Shin'uchi
Maximum the Hormone (2015)
Goddess
Banks (2014)
Caustic Love
Paolo Nutini (2014)
SUCKER
Charli XCX (2014)
From Parts Unknown (Deluxe Edition)
Every Time I Die (2014)
Wake Up Call
Nothing But Thieves (2014)
Close To You
Jacob Collier (2014)
Hendra
Ben Watt (2014)
Último Acto
Vicentico (2014)
The Palpable Leprosy of Pollution (Instrumental)
infant annihilator & infant annihilator (2014)
Splinter (Songs from a Broken Mind)
Gary Numan (2013)
Sempiternal (Expanded Edition)
Bring Me The Horizon (2013)
I Love You.
The Neighbourhood (2013)
Falling Bough Wisdom Teeth
Kiev (2013)
How Country Feels
Randy Houser (2013)
Yoshu Fukushu
Maximum the Hormone (2013)
All I Was
Tremonti (2012)
Battle Born (Deluxe Edition)
The Killers (2012)
Frank Gambale Soulmine (feat. Boca)
Frank Gambale (2012)
The Tragic Evolution of Desire
Warmer (2011)
Vices & Virtues
Panic! at the Disco (2011)
Biophilia (Deluxe Edition)
Björk (2011)
No Time For Dreaming
Charles Bradley (2011)
No Time for Dreaming (The Instrumentals)
Menahan Street Band & Charles Bradley (2011)
Suck It and See
Arctic Monkeys (2011)
Gira Me Verás Volver
Soda Stereo (2008)
Make the Road By Walking
Menahan Street Band (2008)
Bone Palace Ballet: Grand Coda
Chiodos (2008)
Volta
Björk (2007)
The Weirdness
The Stooges (2007)
Bu-ikikaesu
Maximum the Hormone (2007)
Death By Sexy
Eagles of Death Metal (2006)
Ganging up on the Sun
Guster (2006)
Satriani Live
Joe Satriani (2006)
Broadcast to the World
Zebrahead (2006)
Silent Alarm
Bloc Party (2005)
Rock-impo Goroshi
Maximum the Hormone (2005)
Kusoban
Maximum the Hormone (2004)
Mighty Little Man
Steve Burns (2003)
Is This It
The Strokes (2001)
Mama's Gun
Erykah Badu (2000)
Be Here Now (Deluxe Remastered Edition)
Oasis (1997)
D'You Know What I Mean?
Oasis (1997)
Voodoo Lounge
The Rolling Stones (1994)
Smash
The Offspring (1994)
Illmatic
Nas (1994)
Live Selena
Selena (1993)
Zooropa
U2 (1993)
Rage Against The Machine
Rage Against the Machine (1992)
Achtung Baby (Deluxe Edition)
U2 (1991)
Slave to the Grind
Skid Row (1991)
Wrong Way Up
Brian Eno & John Cale (1990)
Bleach
Nirvana (1989)
Brothers in Arms
Dire Straits (1985)
Reckless
Bryan Adams (1984)
Stop Making Sense (Live)
Talking Heads (1984)
Chuck E's In Love / On Saturday Afternoons In 1963 [Digital 45]
Rickie Lee Jones (1979)
Nicolette
Nicolette Larson (1978)
Never Mind The Bollocks, Here's The Sex Pistols
Sex Pistols (1977)
Rumours
Fleetwood Mac (1977)
That's the Way It Is
Elvis Presley (1970)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Shure SM58, it is most commonly used with the following gear.
Community setups
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