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Average Price: $209
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$50
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Description
The quintessential ‘classic-rock-in-a-box’ guitar pedal, the Trashy Blonde is inspired by tones reminiscent of classic British tube amplifiers and especially on the definitive Marshall® amp sound, allowing you to drive any clean amplifier with controlled and musical crunch. Trashy Blonde is a sexy British beauty that features a great deal of classic rock with unquestionable control. Imagine you wanted some classic Brit tones from your super clean jangly amp? Well, she will turn any prancy little thing into an over-driven crunchy distorted badass. Roll her back with your guitar volume and she cleans up very nicely. You may also want to mix it up with her mix knob, allowing you to toggle through trebly distortion, to a more rounded vintage tone with plenty of warmth.
Extremely versatile, you can get those JTM45 subtle break-up tones all the way through to saturated JCM800 territory and then suddenly you’re feeling just like Slash stepped in with his heels. Plus, the design allows mixing clean and distorted signals with ease for a more vintage, well rounded and less saturated tone, to more classic rock tones reminiscent of AC/DC and Led Zeppelin. The in-depth EQ settings let you refine the sound to your exact preference, while the parametric filter and noise gate assists in suppressing unwanted feedback so that you’re always in control.
However, Trashy Blonde does have another ‘secret’ channel up her sleeve. By cranking the Balance (output) knob on the clean channel, into a ‘just about to break up’ amp will take you into boosted valve break up, step on the Trashy side and then boom! You’re into full-on distortion nirvana. Add a Stone Deaf EP-1 active expression pedal to the expression input control and on top of the impressive regular tone shaping features, Trashy Blonde can also achieve wah, phaser and manual tonal shift sounds as well as the ability to control your drive tone on the fly with your foot. Each Trashy Blonde is proudly manufactured by Stone Deaf in our factory based in Huddersfield, West Yorkshire, England.
Product specs
| Brand | Stone Deaf FX |
| Model | Trashy Blonde Overdrive/Distortion |
| Finish | Gold |
| Year | 2010s |
| Made In | United Kingdom |
| Categories | Distortion Pedals, Overdrive and Boost Pedals |
FAQs
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What type of tones can I expect from the Stone Deaf FX Trashy Blonde?
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The Stone Deaf FX Trashy Blonde delivers a range of tones from classic overdrive to aggressive distortion, making it versatile for rock and blues genres. Its EQ section allows for detailed tone shaping to suit various playing styles.
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Is the Stone Deaf FX Trashy Blonde suitable for both rhythm and lead guitar parts?
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Yes, the Trashy Blonde is designed to handle both rhythm and lead guitar parts effectively, offering dynamic response and clarity at different gain settings.
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Does the Stone Deaf FX Trashy Blonde work well with both single-coil and humbucker pickups?
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The Trashy Blonde is compatible with both single-coil and humbucker pickups, providing a rich and responsive sound that complements the unique characteristics of each pickup type.
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Can the Stone Deaf FX Trashy Blonde be used with a bass guitar?
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While primarily designed for electric guitars, the Trashy Blonde can be used with a bass guitar, though it may color the low-end frequencies more than pedals specifically designed for bass.
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What power supply does the Stone Deaf FX Trashy Blonde require?
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The Stone Deaf FX Trashy Blonde requires a standard 9V DC power supply, commonly used with most pedalboards and effects pedals.
Videos
Brett Kingman
Stone Deaf Effects: TRASHY BLONDE Paracentric™ Distortion Filter
Reviews
PROS
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Eye-catching visuals with durable powdercoat finish
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Dynamic EQ for extensive tone shaping capabilities
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Active expression control for unique effects
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Works well with gunned amplifiers for enhanced dirt styles
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Versatile, serving as drive/distortion or an "amp in a box"
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Compatible with stacking for layered sounds
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Sweepable EQ allows for precise tone adjustments
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Can mellow out sharp sounds effectively
CONS
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Difficult to find a satisfactory tone without additional pedals
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Lacks sustain and distortion on its own
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Not suitable for metal genres
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EQ system can be cumbersome, with potential for retaliatory frequency dips
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Expression pedal input only compatible with proprietary Stone Deaf pedal
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Bypassing the drive can result in a loss of output level
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Stone Deaf FX Trashy Blonde.
Features and functionality
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The Trashy Blonde features a British-style overdrive with separate clean and dirty channels, requiring band play to fully appreciate its impact.
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All Stone Deaf pedals, including this one, offer a highly tweakable EQ with a big knob to adjust the Q, and knobs for frequency and boost/cut control.
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An expression pedal is recommended to fully utilize the Trashy Blonde's capabilities, enhancing control over its sound dynamics.
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The Trashy Blonde can function as a parametric EQ, allowing users to shape their drive pedals or use it as a clean boost when set at noon.
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Use cases and applications
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Works well in setups where swapping effects like the Bit Commander, Pearl Phaser, or C9 is common, highlighting its versatility in varied musical contexts.
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The pedal's Marshall-style distortion is described as "loose," akin to Angus Young, and is effective for gain stacking by blending a 50/50 clean signal.
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User experience
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It cleans up effectively using the guitar's volume knob, a feature appreciated by owners for dynamic sound control during performances.
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Owners report a satisfying tone when replacing a Mooer Ultra Drive, suggesting significant tonal improvement.
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Finding consistent EQ settings across the clean and drive channels can be challenging, suggesting a need for further experimentation.
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The proprietary expression pedal is praised for its robust construction and LED indicator, enhancing the Trashy Blonde's capabilities with vibe and filter cut sweeps.
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Other
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The McBess artwork is highlighted as a compelling visual feature, adding to the pedal's appeal beyond its sonic capabilities.
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Critic Reviews
5.0 out of 5
Based on 0 Reviews and 2 Ratings
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
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