In a 2016 Facebook post, Jimmy Edgar shared that he uses the Akai MPC60 in his music production setup.

With these words Youth heaves himself to his feet and suggests that he takes me for a quick tour of the building before he gets back to work. First he shows me the DDA studio in the basement, which sports a Tascam analogue 24-track, Lexicons 480L and PCM70, an Akai/Linn MPC60, and Genelec and NS10 monitors. A visiting M1 is subjected to his derision, much to the amusement of the programmer. Upstairs he shows me the 16-track studio, home to a Tascam MSR16 and a Soundtracs PC series desk, and the small editing suite with its Macintosh and Soundtools digital editing. Finally there's the demo room, with a Tascam M312B desk, Atari, S1000, Midiverb II, SPX50D, NS10s', and, surprisingly, a DX7II. The latter instrument is being played by Jaz Coleman, who's making a gothic-sounding godawful racket together with Geordie Walker on electric guitar.

In this video at 1:33, Para One of L'Atelier and TTC shows his studio, including a Roland TR-606, for the process of making his second album 'Passion'.

the first installment of Marley Marl ‘Classic Recipes,’ he shows you how he produced the beat for the 1991 Grammy award-winning chart-topping single “Mama Said Knock You Out” by LL Cool J. He discusses the collaboration and the production process of the track, as well as methods and tools that were used, including the Akai MPC60 and E-Mu SP-1200, the preferred sampler

As cited in this Aug '91 interview w/ Music Technologies Magazine. Note: article only cites "MPC Electronics Music Percussion Computer", but in 1991, the MPC60 was the only MPC that had ever existed to that point. The MPC3000 and later MPC2000 didn't hit until years later. The MPC60II was released in 1991, but it was only a cosmetic body-shell update to the original 60, no meaningful sonic/functional differences, and also highly unlikely to have made it's way to the UK and into LFO's hands by the time interview was granted, months prior to publication.

AL SUTTON (White Room co-founder, engineer): We were the grunge, hard-rock studio. Bands came in with amplifiers, guitars and drums. And in walks this guy with a sampler and MPC60.

He started hanging out in the studio. We needed somebody with his skills in our camp. He could program and loop, and we needed to be a little more current in that way. We had a B-room that he basically took over, coming in midday and staying 'til 5 in the morning.

In the middle of all this assorted kitsch stands Nelson's home studio gear, most elements of which are actually also well on their way to becoming objects of nostalgia, even if they don't quite qualify (yet) as kitsch. Centre stage goes to an Allen & Heath System-8 24-channel desk and a Fostex B16 16-track tape recorder. To the right of it is a keyboard rack with an Emu E4K (his master keyboard and main sampler), Yamaha DX7 MkI and Akai MPC60.

In the Beastie Boys Book, in one of the essays about the recording of Check Your Head, Ad-Rock refers to "Mike's MPC60 sampling drum machine."

In the YouTube video by Cookin' Soul titled "Making classic Hip-Hop beats 🎹 MPC 2000XL - Lofi Boom Bap," the Akai MPC60 can be seen at the 0:18 mark, positioned next to the Akai MPC 2000XL. Although Cookin' Soul does not use the MPC60 in this particular video, it is known to be an integral part of his production setup.

As listed in this 1993 interview on the Music Magazine Archive

From an interview on producing the 2009 Souls of Mischief album "Montezuma's Revenge":

"If people are true fans of Souls of Mischief, which, coming into it, I was, they know what they want to hear on this record. I sat and analyzed all the records they’ve put out, even the solo projects. I tried to figure out what I liked and what I didn’t like. I told them, 'I’m going to make what should have been your follow up to 93 ‘Til Infinity. I’m going to make a retro record and scale back technology.' To do that, I decided to use an SP-12, ASR-10, MPC-2000, and MPC-60."

At 14:10, Kay shows her MPC 60.