Pricing and availability
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Price
Average Price: $699
High-end/Boutique
$50
$176+
Price Tier
Budget
Standard
High-end
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Description
Immerse yourself in the tonal royal court with the Analog Man King of Tone Overdrive. This pedal paints your sound palette with a luscious overdriven tube soundscape, ideal for classic rock, blues, and the ethereal realms of shoegaze. Analogman's limited production approach ensures not just quality but exclusivity, making this gem a highly sought-after piece in the used pedal market.
Key Features:
- Creates pure, overdriven tube sounds
- Ideal for genres such as classic rock, blues, and shoegaze
- Limited production numbers ensure quality and exclusivity
- Highly sought-after in the used pedal market
Product specs
| Brand | Analogman |
| Model | King of Tone V4 |
| Finish | Graphic |
| Year | 2005 - 2019 |
| Made In | United States |
| Categories | Distortion Pedals, Overdrive and Boost Pedals |
| Pedal Format | Standard |
FAQs
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What type of overdrive is the Analog Man King of Tone known for?
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The Analog Man King of Tone is renowned for its transparent overdrive, which enhances your guitar's natural tone without altering it significantly.
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Can the King of Tone be customized with a buffer?
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Yes, the King of Tone can be customized with a buffer option, which can improve its performance in certain signal chains, especially when followed by delay or reverb pedals.
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How does the King of Tone differ from other overdrive pedals?
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The King of Tone is unique due to its dual-channel design, allowing for a wide range of overdrive and boost combinations, making it highly versatile for various playing styles.
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Is the Analog Man King of Tone suitable for live performances?
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Yes, the King of Tone is highly regarded for its reliability and tonal consistency, making it an excellent choice for live performances.
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What kind of power supply does the King of Tone require?
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The King of Tone operates on a standard 9V power supply, which is common for most pedalboards and ensures easy integration into existing setups.
Videos
Music is Win
This guitar pedal has a 4-YEAR waiting list, so I bought one
Reviews
PROS
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Transparent sound adapts to amp for authentic tone enhancement
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Offers both overdrive and distortion, effectively two pedals in one
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Toggle switch option allows easy mode switching without tools
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Exceptional clarity, particularly effective as a lead boost
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Durable build quality with visually appealing design
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Versatile range from subtle to full blast without drastic EQ changes
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Clean boost option delivers powerful volume increase
CONS
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High price point, especially on second-hand market
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Long waitlist can deter potential buyers
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Some users find it overhyped and not unique in saturated market
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Limited to low gain, may not satisfy those seeking more aggressive distortion
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Analog Man King of Tone Overdrive.
Comparisons
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The Wampler Pantheon is praised for its flexibility, with external switches making it more user-friendly compared to the King of Tone.
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The Barber Gain Changer is preferred by some users over the King of Tone for its similar tonal qualities at a lower price point.
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Some users have compared the King of Tone favorably to the JHS Little Black Box when used in an amp's effects loop for volume control.
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Value and pricing
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The Analog Man King of Tone is often considered overpriced on the secondary market, with some owners recommending the Pantheon as a more cost-effective alternative.
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Owners note that the King of Tone doesn't alter the amp's natural sound as a Tube Screamer might, but the high resale prices make it hard to justify.
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Mods and upgrades
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Adding a buffer to the King of Tone is a $50 option for those ordering directly from Analogman.
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Owners have adjusted internal trim pots for better performance with higher gain pickups, recommending slight turns for improved brightness.
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Internal dip switches and treble controls can be adjusted for more tailored sound, a feature appreciated by owners seeking specific tones.
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Use cases and applications
User experience
5.0 out of 5
Based on 11 Reviews and 85 Ratings
606
You know what this is.
If you’re reading the reviews you already know what this is and its pedigree. Everything you read is true, what this pedal does defies explanation, the yellow side is a great tone shape and the red an organic overdrive. I would never be with out mine now
207
Accept no substitute
If you're in the market, or waiting your turn on the list, you already know what you need to know about the sound of this pedal. So I've pasted my comment on that below this. So here's what you need to know- First, get the toggle switch option. Yeah its $50, but being able to switch between Clean, OD, and Distortion modes without getting a screwdriver and then looking up how the dipswitches work again is worth every penny and then some. Second, as far as high gain goes, get it on the red side only. In my opinion this was meant to be played with clean boost on the yellow side, so save the ten bucks. Besides, one side high gain and the other side normal basically gives you 6 different pedals in one box. Finally, I thought I needed the four jack option, but I'm not sure I'd put anything in between now. You can't go wrong with more options though.
Oh, and keep your tube screamer too. Put it after the KoT and go crazy. If you want to know what that sounds like check out Kenny Wayne Shepard's Rig Rundown.
Okay, the review: My title isn't fair. There are plenty of great substitutes out there. That said, the King is in a class by itself. If you're looking for an overdrive that's going to hit you in the face, you'll be disappointed. Sure, you can do that, but it's gonna take a lot of cranking. That's not the point. The range of this OD is what its all about. From subtle to full blast, the KoT covers all the ground without doing anything drastic to the EQ. The distortion setting retains the smooth character of the OD, with extra bite. The clean boost is one of the loudest things you'll ever hear if you manage to get everything cranked.
219
I use the Strymon Riverside Drive after mine. The RD has some great accessories like DB boost, favorites, gate and expression onboard. I use the boost, volume and fav. Amazing.
92
Great but be sure its what you want.
I bought this in a drunken stupor of madness, sat in my back garden eating barbecue one night, armed with an Ipad and a credit card. I thought lets see what all the fuss is about. I paid a small fortune for it on reverb but waiting lists are for suckers right??! anyway it arrived and i plugged it in. just as I did that a small unicorn foal, being ridden by a pixie landed at my pedal board and farted a rainbow... nah. mine is the high gain red side version. it does exactly what is says on the tin. one side for a bit of crunch the other for a bit more. simple as. I don't wanna get into the whole snobbery of transparency and all that palarva, but it does sound very very good. its build quality is excellent and lets be honest it does look amazing. I over paid for it though and I don't think any overdrive is worth the inflated price. if you can be bothered to wait its worth the asking price from analogman but in my opinion not the asking prices used.
153
My go to lead boost.
My go lead boost using a Les Paul into a Marshall combo. Great clarity and cuts through the mix beautifully.
Excellent pedal.
It is a very interesting overdrive, as I believe it's so transparent it adapts to the sound of the amplifier you're playing through. If you're playing through a Fender, it sounds like a cranked up Fender, and if you're playing through a Marshall, it will sound like a cranked up marshall, just a little bit more open and rich.
Excellente pedal, overall.
1064
A bit too much hype, but great nevertheless
A great sounding pedal. I own most of the best overdrive pedals and compared them all. The King of Tone is staying on my pedalboard. Personally I like the boost and overdrive settings best.
606
210
Great base sound pedal
Fantastic pedal I use for my base tone and build from there. I utilized the dip switches to switch the drive and boost from the stock settings.
219
Artist usage
Add artist
At 2:29 it shows a close up of Nathan's board he used for the 2016 Summer Is Forever II tour.
Renowned Nashville guitarist Brent Mason is known to use the Analog Man King of Tone Overdrive pedal, frequently employing his V4 version in recording sessions and occasionally borrowing Sol Philcox's pedal for live performances, as noted by Analogman.
In an interview with Guitar World, Marc Ford mentions using the Analog Man King of Tone Overdrive pedal.
John Rzeznik praises the Analog Man King of Tone Overdrive for its ability to maintain articulation even with heavy distortion, making it ideal for solos. This insight is shared on the Analogman website under the King Of Tone section.
Here's a rig I did for guitarist Dann Huff.
My buddy Tom Bukovac has been a long time friend and go-to session man for Dann at his recording studio in Nashville. Dann noticed Tom's rigs and really liked how they sounded and wanted to get something for himself along those lines with a few changes.
Tony Rombola praises the Analog Man King of Tone Overdrive pedal for its versatility, noting its effectiveness in boosting high-gain amps and enhancing the sound of his vintage amps. This feedback is highlighted on the Analogman website under "King Of Tone."
"I finally got a little time off and broke out my '73 Super Lead and the KoT pedal. MAN, I grabbed a '63 strat and just cranked it, mostly using the clean boost side of the KoT. It IS ridiculous! I thought that was good till I grabbed the Jerry Jones Baritone Guitar… then I was just plain stunned… I love that pedal! It goes great with an old Marshall!"
Used for the studio recording of "Takoma", as stated by producer Mikey Coltun in this May 28, 2024 Guitar World interview.
What effects did Mdou use for the sessions?
“In terms of pedals, we had a TC Electronic PolyTune 2 and an EarthQuaker Devices Acapulco Gold. I had the latter modded for an internal trim pot to not blow amps – Mdou tends to just turn the knobs on pedals all the way up so I needed to find a boost, but not too much, since the EarthQuaker pedal has a lot of headroom.
“There was the Union Tube & Transistor Shiny pedal, our signature [Champion Leccy] Rockstar Fuzz V1 – this pedal is almost always on as his preamp for slight crunch – and the Boss PH-3 Phaser and a Boss DD-7 for slapback delay.
“I took a few different DI signals from Mdou. There was a clean guitar without pedals, DI with pedals, and a DI with an amp simulator, which was just used for headphone monitoring. With the clean DI, I did use a few different Analog Man pedals such as the King Of Tone and Astro Tone Fuzz through an old Vibro Champ – that’s what you’re hearing on Takoba.”
Listed on the official 311 website, http://www.311.com/band/equipment
The standard for overdrive pedals, the Analogman King of Tone has been a mainstay on Sadler Vaden's touring pedalboard.
At 21:00 in this Rig Rundown for Tommy Henriksen of Warlock, Mojo Gurus, Clear Static, Benedictum, Cavo, Emphatic, China, Hyper Crush, and Revis, his gear is displayed, showing his Analog Man King of Tone.
Album Usage
The Analog Man King of Tone Overdrive has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Analog Man King of Tone Overdrive, it is most commonly used with the following gear.
Community setups
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