In a video by Point Blank Music School titled "Style Guide: House - Part 2 (Making a House Track in Ableton Live)," the Freemasons are seen using the Apogee Symphony I/O audio interface.

in this photo we can see his new apogee symphony i/o..

the item can be seen in the left corner of the table standing just below the studio monitor.

In this photo, which shows studio gear Woolstenhulme used to record acoustic guitar in 2019, one of pieces of gear that can be seen in the rack is the Apogee Symphony I/O.

“Symphony I/O is a revelation. I rely on samples to give the director an idea of how the cues for the movie will sound. They need to sound as realistic as possible. That means, beauty of sound, punch, and very importantly – sound staging. Symphony I/O is fantastic in all these aspect of the sound. It a big step forward. I use Symphony I/O with Logic in my writing room. Many things inspire me, but what “irks” me is when the gear doesn’t work and sounds bad. That’s why a piece of gear like the Symphony I/O is really important to me. It’s more “fun” and inspiring to work when everything sounds better.”

“Symphony I/O sounds really incredible. More transparent, more detail, and dimensional than the AD-16X, which still sounds great. Another aspect is that the installation/registration process was absolutely the best I’ve ever experienced from any manufacturer. It may sound a bit trivial, but to me the intelligence of the setup process indicates that there is probably a similar degree of care inside the box. Really congratulate whomever designed the software for that, very smart. We were up and running about 30 minutes after opening the box. No glitches, no head scratching. When you constantly have deadlines something like this can strongly influence one’s perception of a company and their products.”

when David is talking about Ableton live his Symphony I/O interface can be seen

Main recording interface. You can see it in the back ground in this unboxing clip.