2:27 you can see Miles' Pedalboard for his first Album (at one point he took the Danelectro Reel Echo off)

"I’m not a big equipment guy, but one thing I’ve learned over the last 30 years is that many pedals screw up your sound even when they’re off. A lot of pedals that say they are true bypass actually aren’t, so I place them into truebypass loops with a strip of switches. One effect that degrades the signal path in a good way is the Boss Fender ’65 Deluxe Reverb pedal, which makes it really useful for recording. The pedal doesn’t just sound like an old amp—it sounds like a recording of an old amp."

"I experiment and am always changing things in the studio, but when I play live or begin recording I use the same signal path. I start with a Fender guitar—a Stratocaster or a Jazzmaster, into a Boss FDR-1 Fender Deluxe Reverb pedal, which is a cheap preamp. It goes into a Boss PS-3 Digital Pitch Shifter/Delay pedal. From there the signal goes into my custom distortion box, and then directly into the laptop through an Apogee Duet (in the studio I use the Apogee Ensemble). On the laptop I have the Max/MSP patch, which is like a modeler/sampler/synthesizer thing. From the laptop, I go into a Mackie mixer, which sends a mono signal to an amp and a stereo signal to the house."

From an article describe a collaboration between Ian Bellamy and Thomas Strønen.

Joe Newman of Alt-J uses the Boss FDR-1 Fender '65 Deluxe Reverb pedal to achieve his signature warm, clean sound with a touch of reverb. This usage is illustrated in a user-uploaded photo on Roland's website.

In the P3 Live performance of "I wanna be your girlfriend," girl in red is seen using a Boss FDR-1 Fender '65 Deluxe Reverb pedal. This pedal likely helps her achieve the characteristic reverb tone in her music, as she typically avoids using black Boss metal stompboxes. It seems she opts for this pedal instead of a Fender '65 Twin Reverb amp, which is not visible in the setup.

The pedal can be seen in this photo posted by Siouxsie Medley on her Instagram page. The photo was posted on 14th April, 2014.

In an interview on KitMonsters, Amy Love discusses her use of the Boss FDR-1 Fender '65 Deluxe Reverb pedal as part of her guitar setup.

In the first few seconds of the video you can see a clear shot of the pedal.

In this instagram photo you can clearly see the Reverb pedal.

Mentioned in this March 7, 2011 Roland & Boss TV interview at 8:58.

[Berry] I just gotta say before... the Fender Reverb pedal, the Boss one, is amazing and...

[Interviewer] The Deluxe Reverb one?

[Berry] Yeah, yeah, yeah and the other one... the '63 one. Yeah, it sounds like real, you know, spring reverb, well done.

[Interviewer] Wow, I didn't ask him to say that either.

[Berry] No, no, no, no, you know, where credit's due. It's good, it's a decent pedal. I've put synths through it, I've put, you know, sort of guitars through it, obviously and, I kind of thought I don't know how this is gonna, this isn't gonna sound like a, you know, spring reverb, 'cause it's [shapes small Boss enclosure with hands], and it did! It was great.

He uses a lot of pedals with Robert Plant and Alison Krauss : FDR-1 , Havalina , Stereo Memory Man XO , Mxr Tremolo , MTG Tube Tremolo , Hot Cake

My wife does volunteer photography at a radio station. Here are pedal board shots from various bands:

Sloan (Patrick Pentland / Guitar)