As you can see (above), Reb's pedalboard is constantly evolving as he adds and discards effects - it ain't the neatest thing you've ever seen! We asked Reb to describe his signal path: "My signal goes into very expensive Shure wireless units, which are the closest thing to being on a cable I have found. From there it goes into a Bradshaw router that helps with guitar changes. Then it goes to the pedalboard and out to the amps."

"The pedalboard signal goes to a Cry Baby wah, a Boss Metal Zone distortion, a Danelectro echo for long delays when making weird noises, a Boss tuner and a Digitech Whammy pedal, which is in a loop because it messes with my signal in line. The whammy pedal is great with the long delay for weird noises. Then to a A/B box, which chooses between clean or dirty amps."

"The clean line goes from the A/B box into a Guild Hartke bass head with a TC electronics multi effects unit for wetness. The bass head gives a very loud full clean sound. The other signal from the A/B box goes to the Marshall dirty heads."

Reb has recently replaced the Boss Overdrive pedal seen on his Homegrown DVD with the Boss Metal Zone, as he felt that the overdrive pedal (used for solo boost) was taking away too much low end. Anyone who has heard Reb's live sound on the 2004 Whitesnake tour will agree he made the right choice!

Aoi is shown using the DigiTech Whammy II in a Japanese magazine photo, as seen in "The Gazette's Gears 4" on BlogSpot.

Used by the musician around 2002, according to this GuitarGeek diagram.

This was Laswell's list of pedals in 2014, in which this particular pedal can be found as well.

"Ernie Ball Volume jr (passive pedal), Digitech Ex7-multi fx epression pedal (orchestra synth sound effect only), Crybaby Bass Wah, Moogerfooger Ring Modulator, Moogerfooger Murf, Digitech Whammy II, Electro Harmonix Bass Big Muff, Pigtronix Envelope Phaser, Digitech Bass Synth Wah, Dod Performer Wah Filter 545 (Beige), Boss DD3 Digital Delay, Boss DD7 Digital Delay/Looper"

Visible in this Facebook post by Le Tekrø.

According to the 2019 Premier Guitar interview, Sharp uses the DigiTech Whammy II.

In a photo shared by Cass Lewis on Facebook, Richard Lewis's DigiTech Whammy II is visible on the bottom left of his pedalboard, showcasing its integration into his setup.

From the "Tech Talk" section of the old KMFDM website:

Question (Jack): I am curious as to what Jules' main amp/effects setup is for live performances.

Answer (Jules): At the moment I run a Marshall JMP 1 preamp going into the power amp section of a Peavey 5150 head through a Mesa Boogie 4 x 12 cab. Most of my effects come from a Rocktron Replifex inserted into the effects loop of the JMP 1. My pedal board consists of a DOD passive A/B box, one output of which goes to a Korg tuner, the other to the rest of my pedals - a Jim Dunlop Crybaby wah, a Digitech Whammy II and a Boss noise surpressor. I also have a Rolls midi buddy floor board to change patches on the Rocktron and JMP 1, however I rarely use it as I run program change messages to preamp and effects processor from the Pro Tools rig we have onstage, eliminating 90% of the "tap dancing".

In the YouTube video titled "2021.03.13『MACHINE HEADS』大野雅彦展　機材について," at timestamp 12:49, Masahiko Ohno's setup includes the DigiTech Whammy II, as evidenced by the footage provided by fukugangallery.

A photograph taken at the Zebulon show on August 29 clearly shows Brennan Smiley's pedal board, which includes the DigiTech Whammy II. The image serves as definitive proof of its use by the artist.

At 48:18, a DigiTech Whammy II can be spotted on Paul Moak's pedalboard.