The instrument is credited in the cover album Enya - The Celts (1986 and remastered 1992).

Enya : Vocals, Pianos, Juno 60, DX7, Emulator II and Kurtzweil.

"Combinations of the same sound also work very well - six synthesisers all playing the same thing can sound great. If you track a part you can never match the two parts perfectly. Something I did a while ago used an Emulator II cello preset which I tracked about five times, and it acquired a totally different character to the original patch. If you track a sequencer and alter the varispeed, the timecode will keep it in sync but the pitch will vary. You can do that as many times as you want and get massive sounds."

The sampler Harrison has chosen to stay with is the Emulator II with the Optical Media CD-ROM and CRM3 remote. (He also finds the Emulator's on-board sequencer incredibly easy to use, even though he does use Performer software on the Macintosh.) But he's not so struck on it that he isn't considering upgrading to the Mark III.

"Where we used keyboards as sampling devices, we'd sample a bit of guitar, say, and turn it 'round the other way, or sample a bit of noise and do something with it on the [E-mu] Emulator II, then just play it in a rhythmic fashion in the song."

According to this Facebook post by him, he used it during Live Aid

Midge Ure plays an E-mu Emulator II during Ultravox's performance of "Vienna" at Live Aid (beginning at 2:50).

Interview German Synth Mag Amazona.de: Neben dem Moog Modular System, das nahezu vollständig Snowflakes are Dancing dominierte und später durch das 55er ergänzt wurde, besaß er zu jener Zeit einiges von Roland, etwa die Systeme 700 und 100, Jupiter-4, VP-330 und Strings RS-202. Weitere Instrumente: Fender Rhodes, Hohner Clavinet, Korg MS50, Korg Vocoder VC-10, Mellotron M-400, Moog Polymoog, Yamaha CS-80, Yamaha String Ensemble SS-30. Ab den frühen 80ern landete bei ihm dann auch digitales Equipment, darunter das Synclavier, E-mu Systems Emulator, Fairlight CMI III und auf manchen Fotos ist auch der legendäre Yamaha VP1 zu sehen.

in the 4:55 time you see that Paul Humphreys uses the E - Mu EMULATOR II

Here it is used by the band during the 13th Anniversary Show tour Oslo on October 5th, 1986. It can be seen starting 0:20 and more prominently 2:15.

At 0:40, Neil is playing an Emulator II.

Tom Lord-Alge utilizes the E-Mu Emulator II, as noted in the gear list featured in Sound on Sound.

On stage, Mick uses an old Yamaha CP70 piano, converted to MIDI, as his master keyboard. Behind him is a Kurzweil with the Macintosh on top (the computer saves Mick's Kurzweil sounds — amazing, he says, that an £18,000 keyboard won't save your programs when you turn it off). Then there's an Emulator II, an Oberheim OB8, and a Roland JP8 which he uses MIDI'd together off the CP70 as his main 'block' of sound: the JP8 and OB8 panned around, and the Emulator padding out things with cellos and voices. He also uses the Emulator for one sequence in the current set, a cello intro on the re-arranged 'Book Of Brilliant Things'. On top of the CP70 at front is the inevitable Yamaha DX7. Not that Mick counts himself as a big FM expert — he uses the presets, like most users, and was put off any further exploration by early and complete confusion at FM's seeming illogicality.