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Average Price: $346
High-end/Boutique
$50
$176+
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Description
Experience the world-class tonal versatility of the Mesa/Boogie V-Twin. This all-tube preamp pedal is your pocket-sized passport to the iconic soundscapes of the legendary Dual Rectifier heads. With dedicated outputs for an array of applications, you can channel its robust tones through power amps, host amps, consoles for recording or live sound, or even headphones for those silent, intimate sessions. Crafted with meticulous precision, the V-Twin's robust metal casing houses a sonic spectrum that spans from crystal-clear cleans, through warm bluesy drives, to a scorching high-gain inferno. Whether you're looking to add a kick to your amp's output or seeking that authentic direct sound in studio recordings, the V-Twin is your ticket to tonal transcendence.
Key Features:
- All-tube preamp pedal that replicates the sound of Dual Rectifier heads
- Dedicated outputs for power amps, host amps, recording or live sound consoles, and headphones
- Heavy, sturdy metal casing for durability
- Tonal range from sparkling clean to light bluesy drive to high-gain madness
- Ideal for both live performances and studio recordings
Product specs
| Brand | Mesa Boogie |
| Model | V-Twin |
| Finish | Chrome |
| Year | 1990s |
| Made In | United States |
| Categories | Overdrive and Boost Pedals, Preamps |
FAQs
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What type of power supply does the Mesa/Boogie V-Twin require?
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The Mesa/Boogie V-Twin requires a 12V AC power supply, which is important to note as it differs from the more common 9V DC power supplies used by many pedals.
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Can the Mesa/Boogie V-Twin be used as a preamp?
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Yes, the Mesa/Boogie V-Twin can function as a preamp, allowing you to drive a power amp directly, making it versatile for both live and studio applications.
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How does the Mesa/Boogie V-Twin compare to other overdrive pedals?
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The Mesa/Boogie V-Twin offers a tube-driven overdrive with a unique dual-channel design, providing both clean and high-gain tones, setting it apart from many standard overdrive pedals.
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Is the Mesa/Boogie V-Twin suitable for live performances?
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Yes, the Mesa/Boogie V-Twin is well-suited for live performances, offering robust construction and versatile tone-shaping options, making it a reliable choice for gigging musicians.
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What are the main tonal characteristics of the Mesa/Boogie V-Twin?
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The Mesa/Boogie V-Twin is known for its rich, warm overdrive tones with a wide range of gain, from clean boosts to aggressive distortion, ideal for rock and metal genres.
Videos
shnobel
Mesa Boogie V Twin with Gibson Les Paul
Reviews
PROS
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Produces amazing tones, from sparkly cleans to high gain
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Built like a tank; very durable
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Versatile: works well with PA systems, amps, and headphones
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Unique slanted front design for easier access
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True bypass and multiple channels (clean/blues/solo) for tonal variety
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Rich harmonics and musical distortion
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Can be used as a preamp to warm and sculpt clean tone
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Offers valve warmth even on clean settings
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Can replace multiple pedals due to its huge sound and powerful EQ
CONS
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Expensive and heavy
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Discontinued, making it potentially harder to find or replace
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Requires EQ compromise when switching between its three sound modes
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May not be fully utilized by non-metal players
Owner Insights
We analyzed real musician discussions from forums and Reddit to find what players love, question, and tweak about Mesa/Boogie V-Twin.
Features and functionality
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The pedal includes a 3-band EQ with a presence control, ideal for taming highs and scooping mids.
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Lack of independent volume controls for each channel can complicate live performance switching.
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The solo channel excels at producing muddy, sludgy tones when used in the effects loop, enhancing genres with heavy chugging.
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The headphone out is appreciated by owners for silent practice, adding versatility to the pedal's use in different environments.
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Use cases and applications
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It's noted for its "Modern" Boogie tone, suitable for styles like hard rock and 80s metal, including tones similar to bands like Dokken.
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The pedal is praised for its performance as a tube preamp, especially when used in an effects loop or with a power amp/IR loader.
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Functions effectively as a clean boost when placed in front of an amp, providing smooth blues tones and tube-driven EQ shaping.
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Long-term users highlight the pedal's ability to transform various amps into achieving a signature Mesa Boogie sound, providing consistency across different setups.
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The blues channel is favored for specific musical projects, indicating its effectiveness in diverse writing styles.
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User experience
Mods and upgrades
Critic Reviews
4.5 out of 5
Based on 4 Reviews and 14 Ratings
314
And She Got A Pistol, Laying It Down On Me And She Said "Shoot, shoot"
I bought one of these new in 1995 for about $300 US. It gives you a (True) bypass, then a choice of clean/Blues or Blues/Solo; the Blues being a subtly grindy overdrive and the Solo a full on high gain sound. All of it coming from 2 12ax7's which you can switch out for tonal color more to your taste if you like-I put in NOS Sylvania 12au7's. Every sound coming from this pedal is sparkly and shines with rich harmonics and sweet topend, and the distortion is always rich and musical. Life choices wound up with me quitting guitar-and eventually a ton of other things- and so I didn't use it for awhile. When I picked up the guitar again I went through a ton of different OD/Preamps- Tube Screamers, MXR, a Chandler, and settled on an AMT SS-20. I had loaned my V-Twin to a pal, and when I got it back and plugged it in : Effin MAGIC !!! So I bought one off eBay in 2009 for $300...
79
One Of A Kind
These are now discontinued & other than a similarly styled Hughes & Kettner tube pedal was I believe the only tube-based pedal that I was at least aware of for awhile. It sure cost a lot a the time & it weighs a ton. It's a got green, red & blue LED's for clean, solo & blues settings respectively.
I'm not a metal guy, so I wasn't after a MESA tone, but I do value it as a pre-amp to warm & help sculpt my clean tone as it has some cool knobs for dialling in bass, middle & treble. Obviously it offers some pretty scorching high-gain sound if that's what I'm after too.
I'm not sure that i'm getting as much out of this pedal as other's might & I have strongly considered selling it several times but have held off from doing so for some reason. It's unique & I figured i regret it so while may not be a permanent fixture in my chain at the moment it could easily work it's way back in in the not too distant future. After all it has been called one of the most indispensable pedals of all time so... ;)
41029
Matchless Hotbox?
79
I bought this V-Twin pedal in 2000. Dunno if the Hotbox was about at the time but I i didn't have the internet then. ;) The Blackbird & Firebottle from Effectrode look like sweet tube-based pedal options available these days though.
41029
I think it was discoed then, but the original was a 90s product and was since reissued
41029
oh yeah, the effectrode in the green housing is pretty flattering to most guitars for most genres and really loves fender amps... forget which model it is but I like it
180
Fantastic valve tone with any amp.
A great bit of kit for high and moderate gain tones, you can run it (as I do) in like with other pedals into the front for your amp or use it as you main preamp connected to a power amp of straight to a mixer or head phones. The V-Twin has three channels as well as a bypass option, these are Clean, Blues and Solo. The clean option allowing you to add valve warmth to your clean tone, the Blues and Solo setting deal with the dirty stuff. for the most part the Blues channel could probably cover most situations as it produces a fair amount of gain on it's own, click into Solo mode and the gain level goes up quite a few notches, combined with the very powerful EQ can add classic mesa tone to any amp.
The main disadvantage is that all three sound rely on the same EQ controls meaning if you want to utilise all the tones, some compromise is called for, however I believe the rack version allows more flexibility. I use it in line with other pedals as my main overdrive using either the blues of solo setting as the situation requires. The sound of this pedal is huge and puts many other pedals to shame.
Artist usage
Add artist
Paul Hardcastle, the renowned keyboardist, composer, and music producer, uses the Mesa/Boogie V-Twin pedal for its overdrive capabilities. In an interview with Soundonsound for the feature "Paul Hardcastle: King Of The Castle," Hardcastle mentions, "I can use my Boogie V Twin pedals for that," referring to the need for a quality preamp or overdrive section in conjunction with his TC Electronic G Force, which he praises for its effects. This direct quote confirms Hardcastle's use of the Mesa/Boogie V-Twin within his musical setup.
Serge Teyssot-Gay is frequently seen using his Mesa/Boogie V-Twin overdrive pedal, as shown in a user-uploaded photo from Free.
In this transcription of a 1997 interview with Total Guitar magazine Chad stated, "'I use one of those Mesa Boogie V-Twin pre-amp pedals, so obviously then you've got two other channels. I've got one set up as a clean channel and one set up as a solo channel. That's my favourite sound, the solo channel on the Mesa Boogie...'"
In the "The recording of Helvete" diary, Mieszko said that he used a Mesa/Boogie pre amp through the clean channel of a Mesa Triple Rectfier as his main guitar sound. On this photo gallery, Mieszko shows a picture of a Mesa V-Twin quoted as "the Mesa pre-amp".
Roger Franco uses the Mesa/Boogie V-Twin overdrive pedal, as seen in a user-uploaded photo on his blog.
This YouTube Broadcaster tells the story, in this video dedicated to the Mesa V-twin, of how he got introduced to this legendary piece of gear by Rex Goh, guitar player of Air Supply amongst other bands. Rex Goh is reported to have been using the Mesa V-twin live in the late 90s to early 2000s.
Hernán Rupolo uses the Mesa/Boogie V-Twin overdrive pedal as part of his "palo y palo" setup, as noted in his Instagram post before performing with Octafonic at Luna Park.
Guy Mazig uses the Mesa/Boogie V-Twin overdrive pedal, as confirmed in his performance schedule on his official website.
at 55:28 you see frank playing and on his pedalboard he as 1 mesa/boogie v twin and 2 other pedals
In a performance captured during the "Таврійські іграх" festival in July 2000, Vadim Soloviev can be seen using a Mesa/Boogie V-Twin, as evidenced by video footage provided by Yupiterian on YouTube, specifically at the timestamp 38:31. This appearance confirms Soloviev's utilization of this specific gear in his musical setup at that time.
!I mainly play in stereo, as I like ambient sounds, using a lot of delay for atmospheres or doubling guitars. If I go heavy I don’t use an amp. I use a Mesa Boogie Valve Twin pedal and its speaker emulator, or a Meteoro Doctor Drive or a Yerasov Pterodrive. All these preamps are tube powered. Yerasov is a small Russian company that does cheap preamps and effects but they really blast and have a raw sound. If I need to reamp things I go to external studios.!
Album Usage
The Mesa/Boogie V-Twin has been featured on the following albums:
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Mesa/Boogie V-Twin, it is most commonly used with the following gear.
Community setups
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