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Average Price: $102
Standard/Professional
$75
$201+
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Budget
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Based on price data from 6 merchants for "Shure SM58". Prices shown reflect NEW condition. Tracking began Apr 2, 2026.
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Description
Product Description:
The Shure SM58 is the undisputed king of dynamic microphones, a staple in the music industry cherished by musicians across the globe. Its warm, clear sound and optimized frequency response make it a perfect choice for both lead and backup vocals, whether you're belting out a tune during a live performance or laying down tracks in the studio.
The cardioid directivity of this microphone helps to isolate the sound source, reducing unwanted background noise while capturing every nuance of your voice. An integrated filter effectively eliminates wind and breathing noises, ensuring clean, professional audio every time.
Not only is the SM58 a powerhouse in sound performance, but it also boasts a rugged construction that can withstand the rigors of everyday stage life. A robust shock absorber system and a sturdy steel mesh grille protect the mic from the usual knocks and drops, making it a reliable partner for any performing artist or sound engineer.
Key Features:
- Optimized frequency response with brightened mids and bass roll-off
- Integrated wind and pop filter for clean, professional audio
- Shock absorber system for enhanced durability
- Rugged construction with a sturdy steel mesh grille
- Cardioid polar pattern for effective background noise reduction
- Frequency range: 50 - 15,000 Hz
- Output impedance: 300 Ohm
- Sensitivity: -56 dBV / Pa (1.85 mV)
- Includes microphone bag, microphone clamp, and 3/8" reducing thread.
Owner's manual
Shure SM58 User ManualProduct specs
| Microphone Type | Dynamic |
| Polar Pattern | Cardioid |
| Frequency Response | 50Hz-15kHz |
| Max SPL | 160dB SPL @ 1kHz |
| Output Impedance | 150 ohms |
| Sensitivity | -54.5 dBV/Pa (1.85 mV) |
| Connector | XLR |
| Dimensions | 6.37" x 2" |
| Weight | 0.65 lbs. |
| Included Accessories | Carry Pouch, Mic Clip |
FAQs
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What is the primary application for the Shure SM58 microphone?
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The Shure SM58 is primarily designed for live vocal performances. Its cardioid dynamic design helps reduce background noise and feedback, making it ideal for stage use.
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How does the Shure SM58 handle feedback on stage?
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The Shure SM58's cardioid polar pattern minimizes pickup of sounds from the sides and rear, effectively reducing feedback risk during live performances.
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Is the Shure SM58 suitable for recording vocals in a studio?
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While the Shure SM58 is primarily known for live performances, it can also be used in studio environments for recording vocals, especially for capturing a live sound feel.
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Can the Shure SM58 be used for instruments as well as vocals?
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Yes, the Shure SM58 can be used for miking instruments, though it is optimized for vocal clarity. Its robust build and frequency response make it versatile for various sound sources.
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What type of connector does the Shure SM58 use?
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The Shure SM58 uses an XLR connector, which is standard for professional audio equipment, ensuring a secure and high-quality connection.
Videos
Podcastage
Shure SM58 Dynamic Mic Review / Test
Reviews
PROS
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Legendary durability; built like a tank
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Versatile across vocals and instruments
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Consistent sound quality that's stood the test of time
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Crisp, warm tones; great frequency response
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Reasonably priced for its pedigree and performance
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High noise ceiling allows for loud vocal performances without distortion
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Iconic in the industry, trusted by professionals
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Easily accessible accessories and replacements
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Excellent at off-center noise reduction
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Minimal feedback, even at high gain levels
CONS
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Some users experience issues with internal wiring
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Not as impressive as condenser mics in studio settings
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Pronounced proximity effect can be a con for some
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Mid frequencies can be problematic for certain vocals
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May not be the best match for every voice type
Critic Reviews
4.5 out of 5
Based on 101 Reviews and 788 Ratings
195
Surprisingly Versatile
Since this is a dynamic mic, it's not going to be as impressive as a condenser mic when used in a recording booth. But you can take advantage of its proximity effect to get some extra low end and deliver some great takes for cheap. Also, the high noise ceiling means you can scream into this mic as loud as possible without any issue. Read our full review:
198
This is probably the cheapest old school classic Mic you can buy
The Sure SM58 is around since decades and has not changed since. It is super robust, always delivers a workable sound and is still affordable unlike other pieces of professional hardware.
My SM58's survived rainfall, sandstorms and really high drops, and they still work. So if you are looking for a performance microphone to use on gigs, this is the cheapest good option. It is even possible to record with those mics in the studio, which is unbeatable at that price point. A really expensive condenser microphone is probably going to sound crisper and cleaner in the studio, but sometimes it is more about the content and the creativity, so don't let that hold you back.
654
Nothing beats a classic
I've been playing music and performing since the mid 1980s (Yes, I'm that old). And whenever I've needed a microphone for vocals, the Shure SM58 is the one I go for. It's durable, and I've yet to find myself in a situation where it hasn't worked as it's supposed to, and it's affordable too. There's a reason why this is one of the most popular microphones ever made.
Crucial to the industry
With a microphone as popular as the Shure SM58, there are definitely some eyebrows to be raised at first glance. My first thought when seeing this microphone was, "How could such an affordable and standard mic deliver such sought after quality?" Surely enough(no pun intended) The mic didn't let me down. I'm now the proud owner of two of these bad boys. I use the microphones for everything from performing live to recording instruments in my studio. I definitely recommend the SM58 for both the beginners and the pros. Great Mic!
74
Affordable and Durable Industry Standard
I have had this microphone since I was 15 years old and it still works great. I bought a cheap condenser mic from Amazon to track vocals and it was not good, so I used this because I wanted to just give it a shot before buying a new, more expensive condenser mic. It actually turned out pretty well. Also great for live sound; it is the live performance standard.
147
Fine Mic that does its job
I use the SM58 for rock vocals and it does the job sufficiently well. Pronounced proximity effect, but I guess that applies to many dynamic mics. I did have a problem with my SM58 when the wiring somehow came loose without having it thrown around or treated badly in any way. So no top marks for durability.
340
The real deal
In 1992 aged sixteen, I did my first gig with an SM58. Almost 30 years later and hundreds of gigs later I still use it. I am comfortable with this mic in the studio also, it really is a great mic, seen on stages the world over. Every singer out there need this.
140
My live mic of choice, always and forever
What can I say, this is a legend. Great frequency response, built like a tank, sounds fantastic and makes for a good vocal recording mic in a pinch. Quite possibly the best bang for the buck choice I've ever made.
153
Torture Test Approved
My band and I when we bought our 3 Shure Mics decided to do a closed practice set and gained up all of our mics to see what our gain to volume limits needed to be these mics can be gained nearly all the way to 11 without giving you that very common feedback that is a plus in my book. Also the tone! The spectrum that this mic is able to pickup is great nearly perfect to an actual amplification of the voice. Yes mics are supposed to do that I'm aware but most mics tend to cut out natural tones when not near the 'sweet spot.' Just buy this and see for yourself
213
Hands down best live vocal microphone.
Hands down best live vocal microphone.
Everything about the SM58 is perfect. It's frequency response, it's polar pattern, it's construction, it's looks.
The SM58 should be everybody's go-to microphone for live events and certain cases in the studio. I own four of these because I love them so much, and used to use them to record a podcast.
Artist usage
Add artist
According to Jack Endino, Bleach was recorded close-mic with a Shure SM58:
I am often asked how we got Kurt’s guitar sound.... When we did Bleach, the Randall was "in the shop" for repairs so we used my ’68 Fender twin... No speakers in my Twin: we used a 2×12 cab, sealed back, with 70 or 75-watt Celestions, that Kurt had. Close-miked with an SM-58, recorded to Otari half-inch 8-track at 15 ips with no noise reduction.
From the Nirvana FAQ on Jack Endino's own website: http://www.endino.com/nirvfaq.html
John Mayer is seen using a Shure SM58 vocal microphone, as captured in a performance photo from Abcnewsradioonline.
There are lots of videos online and photos from the 2022 supply chains issues tour indicating he is using a Shure SM58 microphone. He also used it in 2021 at the Third Man Records London performance along with the Warstic Headquarters Opening gig.
In 2012 this was also his main mic setup.
Jack said in an interview that microphone was the only one used for the White Stripes' second album De Stijl.
When asked how he creates the mashed-up vocals in his productions, Skrillex responds "I do most of my vocals – aside from a couple of little one-shot vocal samples. I record everything into the Saffire with an SM58 then scratch it with loads of plug-ins."
In the NPR Music Tiny Desk (Home) Concert video, Kevin Parker of Tame Impala can be seen using a Shure SM58 microphone.
This mic was used for backing vocals on Eagles of Death Metal's Death by Sexy, according to Shure's official website.
In the acoustic session of "Suck It and See," Alex Turner is seen using a Shure SM58 dynamic microphone for his vocals. This performance was recorded live at the Edge's studio in Toronto on May 21, 2011, and is documented by Arctic Monkeys France on YouTube.
1994 in Woodstock, Billie Joe Armstrong uses an SM58 as a sort of percussive instrument, demonstrating that it takes about 21 licks to get to the center of (and kill) the SM58 - a testament to their rugged construction. In the 'Basket Case' video, a dented SM58 can be seen. These have been their microphones of choice whenever on stage.
The SM58 is undeniably the most ubiquitous mic on the market today; almost every musician/artist has used one in his/her life.
Album Usage
The Shure SM58 has been featured on the following albums:
Fame is a Gun (triple j Like A Version)
Rebecca Black (2026)
Eno (Original Motion Picture Soundtrack)
Brian Eno (2024)
Ven Aquí (MTV Unplugged)
Los Bunkers (2024)
Run To You (SUMD4ZE Edit)
Bryan Adams & LMC (2024)
Novocaine
Bad Omens & Too Close to Touch & Bad Omens (2024)
For Keeps
Too Close to Touch (2024)
I'm Not There
Keaton Henson (2023)
Basket Case (feat. Arun Singhal, na:ra)
Billie Joe Armstrong (2022)
BREAK MY SOUL
Beyoncé (2022)
Give Me The Future + Dreams Of The Past
Bastille (2022)
Shut Off The Lights
Bastille (2022)
Fuckboi (feat. Conquer Divide)
Electric Callboy (2022)
Stay Please
The Jins (2022)
Ants From Up There
Black Country, new road (2022)
HAWATARI NIOKU CENTI [2-hundred-million-centimeter-long blades] (TV edit)
Maximum the Hormone (2022)
Hermitage
Moonspell (2021)
The Hermit Saints
Moonspell (2021)
INSIDE
Bo Burnham (2021)
GLOW ON
Turnstile (2021)
Tek Başına (Live)
Teoman (2021)
Cheer Up Baby
Inhaler (2021)
For the first time
Black Country, new road (2021)
KAMIGAMI-神噛- (TV edit)
Maximum the Hormone (2021)
MTV Unplugged
Pearl Jam (2020)
Fu Chronicles
Antibalas (2020)
Good Days
SZA (2020)
Hit Different
SZA (2020)
Sucker
Twenty One Two (2019)
30 Years… Live!
Heideroosjes (2019)
Voodoo Lounge Uncut (Live)
The Rolling Stones (2018)
Call The Comet
Johnny Marr (2018)
Marauder
Interpol (2018)
Time After Time (Tobtok Remix)
Boyce Avenue & Tobtok & Megan Davies (2018)
Deep End
BenjiFlow (2018)
これからの麺カタコッテリの話をしよう
Maximum the Hormone (2018)
Fuckin' up Young
The Dirty Nil (2017)
I Decided.
Big Sean (2017)
Tommy's Planet
CrazyEightyEight (2017)
Millennial
Sam Fender (2017)
Bigger Picture
Puppet (2017)
Screen Memories
John Maus (2017)
Girl, I'll Take You Anywhere
Yung Heazy (2017)
Fingerbang (VIP Mix)
MDK (2017)
Midnight Roses
Drum & Lace (2017)
Back in the Morrow
The Shrives (2017)
Sorry (Metal Cover)
Leo Moracchioli (2016)
Misadventures
Pierce the Veil (2016)
Aggressive
Beartooth & Beartooth (2016)
World on Fire
Sickick (2016)
Then Sings My Soul... Songs for My Mother
Wade Bowen (2016)
Lemonade
Beyoncé (2016)
Kill The Lights (Deluxe)
Luke Bryan (2015)
Itch
Nothing But Thieves (2015)
Mimikajiru Shin'uchi
Maximum the Hormone (2015)
Goddess
Banks (2014)
Caustic Love
Paolo Nutini (2014)
SUCKER
Charli XCX (2014)
From Parts Unknown (Deluxe Edition)
Every Time I Die (2014)
Wake Up Call
Nothing But Thieves (2014)
Close To You
Jacob Collier (2014)
Hendra
Ben Watt (2014)
Último Acto
Vicentico (2014)
The Palpable Leprosy of Pollution (Instrumental)
infant annihilator & infant annihilator (2014)
Splinter (Songs from a Broken Mind)
Gary Numan (2013)
Sempiternal (Expanded Edition)
Bring Me The Horizon (2013)
I Love You.
The Neighbourhood (2013)
Falling Bough Wisdom Teeth
Kiev (2013)
How Country Feels
Randy Houser (2013)
Yoshu Fukushu
Maximum the Hormone (2013)
All I Was
Tremonti (2012)
Battle Born (Deluxe Edition)
The Killers (2012)
Frank Gambale Soulmine (feat. Boca)
Frank Gambale (2012)
The Tragic Evolution of Desire
Warmer (2011)
Vices & Virtues
Panic! at the Disco (2011)
Biophilia (Deluxe Edition)
Björk (2011)
No Time For Dreaming
Charles Bradley (2011)
No Time for Dreaming (The Instrumentals)
Menahan Street Band & Charles Bradley (2011)
Suck It and See
Arctic Monkeys (2011)
Gira Me Verás Volver
Soda Stereo (2008)
Make the Road By Walking
Menahan Street Band (2008)
Bone Palace Ballet: Grand Coda
Chiodos (2008)
Volta
Björk (2007)
The Weirdness
The Stooges (2007)
Bu-ikikaesu
Maximum the Hormone (2007)
Death By Sexy
Eagles of Death Metal (2006)
Ganging up on the Sun
Guster (2006)
Satriani Live
Joe Satriani (2006)
Broadcast to the World
Zebrahead (2006)
Silent Alarm
Bloc Party (2005)
Rock-impo Goroshi
Maximum the Hormone (2005)
Kusoban
Maximum the Hormone (2004)
Mighty Little Man
Steve Burns (2003)
Is This It
The Strokes (2001)
Mama's Gun
Erykah Badu (2000)
Be Here Now (Deluxe Remastered Edition)
Oasis (1997)
D'You Know What I Mean?
Oasis (1997)
Voodoo Lounge
The Rolling Stones (1994)
Smash
The Offspring (1994)
Illmatic
Nas (1994)
Live Selena
Selena (1993)
Zooropa
U2 (1993)
Rage Against The Machine
Rage Against the Machine (1992)
Achtung Baby (Deluxe Edition)
U2 (1991)
Slave to the Grind
Skid Row (1991)
Wrong Way Up
Brian Eno & John Cale (1990)
Bleach
Nirvana (1989)
Brothers in Arms
Dire Straits (1985)
Reckless
Bryan Adams (1984)
Stop Making Sense (Live)
Talking Heads (1984)
Chuck E's In Love / On Saturday Afternoons In 1963 [Digital 45]
Rickie Lee Jones (1979)
Nicolette
Nicolette Larson (1978)
Never Mind The Bollocks, Here's The Sex Pistols
Sex Pistols (1977)
Rumours
Fleetwood Mac (1977)
That's the Way It Is
Elvis Presley (1970)
Genre Usage
Based on how artists on Equipboard use this gear, it is most commonly found in the following genres.
Used With
Based on how musicians on Equipboard use Shure SM58, it is most commonly used with the following gear.
Community setups
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