In a video clip at the 2:34 mark, Michael Jackson is seen recording vocals alongside Stevie Wonder using a vintage Shure SM7(A) microphone, specifically the 1981 model with serial number 252. The session was engineered by Bruce Swedien, as detailed in the Sound on Sound article "Bruce Swedien: Recording Michael Jackson."

Used for the guitar on Reckoning, as recalled by producer Mitch Easter in this February 1, 2009 Mix Online interview.

Buck’s beautiful guitar work, which so memorably opens “So. Central Rain,” was captured pretty dry, according to Easter, but did feature the effect of a Scholtz Rockman. “These days, that’s as uncool a piece of gear as you could possibly have,” Easter says with a laugh, “but it was so great for Pete Buck, especially back when he had that really clean tone. We would build up these guitar washes with different sounds. We would start with his amp, then do a direct box with some studio effect, and then we also used that Rockman a lot because it had that built-in, weird compressed sound that is really great for 12-strings or on top of one section.” Easter recalls primarily using Shure SM7 mics on guitars.

In this video by Fender A Conversation With Ben Gibbard About "Black Sun", record producer Rich Costey talks about Ben Gibbard's vocals on the song Black Sun, and wanting Ben to sound raw as opposed to doubling up the vocals or using effects. Around 5:00 into the video:

It's so personal. I don't wanna hear him hiding behind some big effect. That vocal is him on an SM-7, just right here, telling you a story

This article mentions that the Shure SM7 is Lana's favorite microphone.

Jonathan can be seen recording with the Shure SM7 in the behind the scenes video for Final Days.

“Starting with the kick drum, I used an AKG D30, but then I sometimes used the Shure Beta 52A and I used a [Yamaha SKRM-100] Subkick too at times. On the snare drum, I had a [Shure] SM57 or sometimes the Telefunken M80. It’s a little more of an open kind of mic. With the toms, I used a [Shure] Beta 52A on the floor tom, which I really liked. It’s really got a lot of bottom and some top but it’s got a thing where it kind of glues things together with the rest of the kit when you bring it in. It worked really well with the overhead mics. I also used a [Shure] SM7 on one tom. For overhead mics, of all things, I used these [MXA] MCA SP1s. "

Robin Pecknold frequently used the Shure SM7 microphone during live performances in the "Helplessness Blues" era, as shown in a user-uploaded photo from Spin.

Tori Kelly used this microphone for recording

Because he is a drummer capable of writing his own beats, Vrenna never uses loops. For programmed sounds, he often uses Battery and employs the drum sounds his synths have. “I tend to just start from some of those and layer stuff,” he remarks. “I just layer sounds underneath and then make my own stuff, and then put those through pedals.” With limited space in the crib room, Vrenna uses a compact Yamaha custom drum kit. Vrenna pads the room down when he records vocals, but then he pulls the padding off the walls for a boomier drum sound. Longtime friend and engineer Bill Kennedy, whom the drummer has known since his NIN days, helped him experiment with different ways to mike the kit and they created a good overall scheme. To record the kit, Vrenna placed a vintage AKG D-12 inside the kick and a Yamaha NS-10 (used as a mic rather than a speaker) outside the kick. “It gives you a nice sub,” he says. “You put that in front of the kick head.” For the snare, he placed a Shure SM7 on top and a Sennheiser 441 below. Sennheiser 421s are used on the two toms and either an AKG 451 or a Shure SM7 on the hi-hats. He favors the 451 because while the SM7 “gives a nice, thick chunky hi-hat, being such a small room, I kind of needed to thin it out.”

Listed in Chris Walla's Hall of Justice Recording Studio equipment list.

In this SOS item, about producing for Dua Lipa, Ian Kirkpatrick says: "I also usually do the vocal recording and production. Dua tends to record at my place, using my Telefunken [ELA M] 251, or sometimes my Shure SM7.“

In the attached video, Theo is singing into the SM7 throughout