Jessy Lanza: “It works for my voice...I had this other mic, an Apex microphone with a cap on it, but it sounded like shit so for ‘Oh No’ we used the SM 7.”

"the main vocal was the Shure SM7- another mic that’s not terrifically expensive. It’s very directional and will take EQ really well."

The Shure SM7 was used for all of Jakob’s vocals on his record “Seeing Things”.

Used for vocals on Straight to Hell, as stated in this May 1, 2006 Mix Online interview.

The room where the vocals, guitars and bass were recorded for disc one was a relatively large one, with 15-foot ceilings. While there was no official baffling, Hank III reports that they recorded the vocals and acoustic guitars tucked in a corner. In keeping with the minimalist approach, few microphones were used during those tracking dates and just three kinds: Shure SM7, SM57 and KSM32. Hank III sang into the SM7, used the 57 on his acoustic guitar and kept a KSM32 going at all times to capture room vocal and guitar tracks that were later blended in.

Used for vocals on XOXO, as stated by engineer Nick Tveitbakk in this October 28, 2020 Mix Online interview.

Acoustic guitars were miked with an AKG C414EB and a Coles 4038 side by side, and vocals went into Neumann U47 and Shure SM7 mics, also side by side, to provide a range of textures. Acoustic guitars were miked with an AKG C414EB and a Coles 4038 side by side, and vocals went into Neumann U47 and Shure SM7 mics, also side by side, to provide a range of textures. “We’re always going for keeper vocals, so the option is there,” Tveitbakk says.

Used for vocals on Black Pumas, as shared in this January 16, 2020 Instagram post by the band.

#tbt to the beginning of Black Pumas, an early recording session in 2017 at Electric Deluxe Recorders in Austin, TX. 📷: @cristian.sigler #blackpumas #ericburton #adrianquesada #electricdeluxerecorders

According to a list of equipment which is used in his studio, Crowdspacer, Joakim is also a user of Shure SM7.

One of three mics used for his feature on Pete Rock's "Verbal Murder 2", as is visible in Soul Survivor's documentary at 17:54.

SM7 (used for Sad) a lot on U87, also Manley Reference Cardioid.

In an article from Sound on Sound titled "Bruce Swedien: Recording Michael Jackson," it is revealed that Bruce Swedien consistently used the Shure SM7, an original 1980s model, for Michael Jackson's vocals. Swedien owned several of these microphones, but one, in particular, was his favorite and was used for capturing Jackson's lead vocals on iconic tracks such as "Billie Jean," "Thriller," "Beat It," "Bad," and "The Way You Make Me Feel."

"I use a Royer R-121 and Shure SM7 and sometimes a Sennheiser MD 421 on my cab. That’s going through a Retro compressor, a Burl Mothership [analog to digital converter], an Empirical Labs Fatso compressor, and a Dangerous Music BAX EQ. That signal chain’s amazing, but everything else is just coming through my pedalboard."

Austin uses an sm7 vocal mic in this video. For this video Jarred Dines Got several friends to sing on a song written about their friend Shanon who had died. Austin was one of the featured vocalists in this song